I wasn’t sure about this book at first, and I’m not totally sure about it at the end, but there was enough in the middle to mostly win me over. Herron continues to be a cruel narrator with one of the major developments of this book, and the other major development really raises questions about where the series will go from here.

Honestly, I was getting bored of this series, but this story got me back on track! It helps that it features a Project 2025/DOGE-type villain, anticipating our current nonsense. The characters are also as (or more) compelling as usual, and things felt less outlandish than in some of the preceding books.

It’s not my favorite book in the series, but it isn’t bad. There are some interesting plot developments here, but I also feel like Diana Taverner is stuck with the idiot ball from page one, which isn’t as fun as it could be. Won’t stop me from continuing to read, though.

I remembered enjoying this volume, and it lived up to my memory! It’s one of the darker entries in the series, but it’s not as absurd or outright bleak as some of the others. A nice balance that was fun to revisit.

I will be interested to see what the TV adaptation of this book is, since my least favorite books have sometimes been redeemed by the TV adaptation. For the time being, though, I didn’t love this one. It seems to exaggerate all the things about the books I don’t like, and I found the characters especially unsympathetic.

This book impressed me in an unexpected way. When I first read it, I didn’t think much of it. I was pleasantly surprised by how good the TV adaptation was. I see why they moved around scenes they did, gave certain characters more to do, etc.

Coming back to the book, though, I think the TV adaptation opened me up to how good the underlying story could be. I appreciated the cruel wordplay and foreshadowing Herron uses in the beginning of the book, which is horrible and delightful when you already know the end. I like the original takes on some scenes even when I also agree with the changes made in the adaptation.

Another good book in the series. It’s impossible to read these without comparing them to their TV adaptations. I think the adaptation of this one made a number of wise choices in what it cut, what it changed, etc., but there are a couple of original bits that I would have liked to see preserved.

I remembered this book being overly complicated and the TV adaptation being far superior. Revisiting it, though, is shifting my opinion. I think the TV adaptation does a good job of streamlining the story and connecting it to the broader franchise, but even if the original plot is convoluted, I think it’s better than I first gave it credit for. I also continue to appreciate Herron’s writing tics and what they add to the story that you couldn’t so in television.

This was a delight to read. While the Apple TV adaptation is excellent (I can’t help but imagine the book’s characters as the show’s actors), revisiting this reminded me just how good the source material is, too. Herron likes to play with the audience in a way that a TV show can’t capture, and some of the best lines from the adaptation are taken straight from his writing. What a gem.

I’d been meaning to read these for a while and was happy to find them collected in a single (Libby) volume. Herron is great at adding a lot to his universe full of terrible people, and I wish I recognized all the cameos and continuity nods from the main series. I did appreciate Herron’s lampshading of his characters’ not aging despite a decade of publication history—it was clever without feeling out of place.

I enjoyed this semi-prequel to the Slow Horses series. I’d forgotten some series details along the way and wish there were a series wiki out there to help me catch up. Nonetheless, I remembered enough to enjoy the connections and figure most bits out.

If I thought the previous book was wrapping up the series for it to be concluded here (which I did), I was absolutely wrong. This book laid further breadcrumbs for future books, left the reader in total suspense about the fate of one of its most prominent characters, and had a delightful story of its own.

The cynicism of the book and the incompetence or irritation of its characters continue in fine form from previous entries in the series. I wonder if the connection to contemporary events will make it harder for this book to age well, but they make it a more interesting read in the present.

This book has been as enjoyable as all of the previous ones in the series. It took me longer to get into—probably because I’ve read so many of them lately—but once I got started, it moved along nicely.

The past few entries in the series have seemed more intentional than others in setting up clues for the future rather than being self-contained stories. This book was also shorter and ended on a dramatic cliffhanger, giving the impression that Herron is wrapping up the series in the next book and might even have split this final story into two.

I flew through this book and quite enjoyed it. As Herron gets further along in the series, the continued plots strain suspension strain suspension of disbelief more and more, just like Smiley’s repeated resignations and returns make some of Le Carré’s books a bit creaky.

Like Le Carré, though, there’s enough that’s good about the series that you can overlook these gaps. Herron feels no need to spare his characters, and he uses that expertly in this book. Many of his books include teasing (even trolling) suggestions that something is about to happen to an established character, but this book begins with a flash forward to two characters’ deaths, and the rest of the book is quite tense as you wonder what Herron is going to do to lead to that conclusion.

This continues to be a fascinating series. While there are real threats and real bad guys in each story, so much of the story is on internal squabbling, and none of the characters can be said to be a “good guy.”

In some ways the immediate plot of the book seems to be an excuse for letting the terrible characters bump against each other and make a mess of things. This book in particular really strained my affection for the characters, but I was still hooked by Herron’s writing.

We took a family trip to Mammoth Cave this weekend, and I decided to read the fourth entry in this series over the course of the trip. I quite liked it and it was fun to read it so quickly.

Despite being a bit more fantastical and less down to earth than some of the other entries, I thought the story was innovative and made good use of some of the recurring characters of the series so far.

Even though I ought to be finishing up some other books, I’ve enjoyed this series enough to check out the third book and read it over the last few days.

Herron does a good job of making none of his characters likable but some of sympathetic and I enjoyed this book more than the last. Herron does his best, I think, when his nominal heroes and their bosses are the real villains of the piece.

My spouse and I recently started watching the Apple TV+ series based on this book and its sequels. I’ve loved the show, so when she and kiddo were at a local library on Thursday, they grabbed the book for me.

I’m a big fan of John Le Carré, and this feels like a worthy modern successor. It’s crafty and smart, but even more than Le Carré, Herron leans into the ugly parts of the profession and the people who embrace those parts rather than try to maintain honor and dignity.

I jumped right into this sequel for Slow Horses right after finishing the first volume. The core of what attracted me to the first book was largely present, hence my giving it the same rating. However, at the end of the day, I didn’t like it quite as much.

I couldn’t say exactly why that is—the characters I enjoyed were just as enjoyable, the story was interesting, and there were great shout-outs to Le Carré and funny recurring jokes in the story.