Below are posts associated with the “Superman” franchise.
📚 bookblog: ❤️❤️❤️🖤🖤 for Superman: Secret Identity, by Kurt Busiek and Stuart Immonen
This is a fun concept—a teenager named Clark Kent who’s tired of the jokes about being named after the fictional Superman suddenly develops Superman’s powers and has to figure out how to live with them. Busiek strikes me as the perfect person to write a story about how a world familiar with superhero tropes would deal with their becoming real, but as much as I love little bits of this story, I just don’t know that it will ever stand out as a favorite of mine.
📚 bookblog: ❤️❤️❤️🖤🖤 for Superman: Earth One (Volume One), by J. Michael Straczynski
I’ve read this a couple times before, so I knew it wouldn’t be great, but it was on sale for a dollar at a used book store, and I have a soft spot for it (including its sequels), so I picked it up and gave it another go. I think this retelling makes big mistakes about Superman (believing that destructive fights and interstellar intrigue are what makes the character interesting) and about origin story retellings (gesturing to the reader and including shocking plot twists), but it also asks the important questions about power and responsibility that make Superman stories good. Likewise, while a young and somewhat edgy Clark Kent gets on my nerves, it is an interesting way of exploring the character as he might be as a twenty-something beginner.
📚 bookblog: Superman's Pal Jimmy Olsen: Who Killed Jimmy Olsen? (❤️❤️❤️❤️❤️)
I never would have picked this comic up on my own, but I discovered it through TVTropes, read it over two days, and really enjoyed i!
Fraction’s take on writing it is similar to Ryan North’s take on Squirrel Girl, with a lot of humor, very little taking oneself seriously, and plenty of story to keep the whole thing together.
The comic leans into the silliness of Olsen as a character and embraces a lot of the Silver Age approach to comics. It homages that era in a way that acknowledges its silliness, and that self-aware approach is —surprisingly!—better than any attempt to reimagine or grittify the character.