There’s some interesting stuff here, including Bendis’s riffs on power and responsibility and how that relates to secret identities. However, there’s too much welding to the broader Ultimate universe, including introducing characters I just don’t care about. I also still feel like Peter’s attitude toward MJ is more low-level misogyny than anything justified.

Definitely not my favorite of the series. Lots of crossover nonsense with characters I don’t really care about. Way too much casual misogyny (Peter toward MJ and creators toward the women they put in impractical fanservice costumes). Starting to question my commitment to this series binge.

This volume was excellent. Much more of the Sandbaggers vibes and less saving the world spy fiction. I ordered the third volume today!

I’ve been wanting to read this since binging all three series of The Sandbaggers, since I’ve seen it repeatedly referred to as a spiritual sequel. They weren’t kidding—the first story arc feels like a remix of the show!

The third story arc was the least interesting to me (and probably the reason this didn’t get full marks). The first two deal with the cynicism of espionage and the brokenness of spies in the way I expected the series would, whereas the third arc felt more like a traditional spy story with maybe some furniture moving for future arcs.

Peter and MJ’s relationship is one of my favorite things to follow in this series, and that makes this volume a real disappointment. It seems like so much of the story is built around forcing drama and idiot balls into these two characters for the sake of adding twists and turns to the plot. Plus, it really comes through in this volume how often MJ is treated as an extension of Peter instead of a character with her own depth and agency. Pretty disappointed in that—and in myself for not paying more attention to it earlier.

This is mostly crossover nonsense, but it’s actually kind of good? The Doctor Strange issues feel overly dramatic at points, but Peter’s nightmare is classic Spider-Man responsibility angst, so I’ll give it a pass.

Gwen Stacy is wasted in the Ultimate continuity, and I have even less interest in Carnage than I do Venom. What saves this volume for me, though, is the throughline of the classic Spider-Man theme of power and responsibility.

This is a shameless attempt to profit off of whatever Spider-Man movie was coming out at the time, but it’s still a pretty fun story. It continues to strain credulity that this kid could keep up superhero hijinks without Aunt May finding out, but it’s enough of the mythos that I can deal with it (mostly).

This story is interesting, but it suffers from too much of superhero continuity bloat. I also miss Mark Bagley’s illustration—this artist’s faces all look alike, whereas Bagley’s characters are distinct and familiar to me. It’s just meh.

The first few issues of this are just about peak Spider-Man, and I came very close to giving this full marks. By the end, though, there was too much treating female characters as fanservice—and I have never liked temptation to infidelity as a plot device. So, some ups, some downs.

I finally got access to my spouse’s hoopla password so that I can continue my binge of this series without waiting for my loans to refresh in December. There was a lot that I don’t like about this volume: 2000s language that doesn’t age well, oversexualization of costumes and characters, and crossover nonsense. I like the characters, though, and the issue with Aunt May in therapy was good enough on its own to bump my rating up a heart. On to the next volume!

I like herbal tea, but there’s only so much interest I can show in a cookbook on the topic. The only reason I read this was because reading a cookbook is one of the squares on my local library’s 2023 reading challenge. It could be interesting to grow my own herbs and make my own blends, but I just don’t see myself doing it.

I’ve read a LOT of Doctorow in 2023—including Walkaway twice, Red Team Blues twice, and relistening to Little Brother—so I can’t help but place this hopeful solarpunk novel in the context of these others.

Even though The Lost Cause touches on some of the same themes as Walkaway, I like the latter book a lot better, though perhaps because it feels less “real” than a book about paramilitary Maga Clubs and impending climate catastrophe. Yet Red Team Blues is also more grounded than Walkaway, but I enjoyed it more than The Lost Cause, so it’s hard to say why this book didn’t click with me as some of Doctorow’s other writing.

Rereading this book after a few years, and it continues to be great! The organization could be more clear, and it sometimes feels repetitive, but it provides important historical detail that allows the reader to understand Latter Day Saint priesthood in new ways.

This is an excellent, thorough book on the purity system of The Church of Jesus Christ of Latter-day Saints and the excommunications of the “September Six” and many others for their violations of that purity system. I bought the book out of personal interest, but I think it will be professionally valuable as well. I knew much of what was in the book, but what I didn’t know was important, and I am grateful for the volume and hope that many will read it to learn about this important period in Mormon history. As Patterson notes, though, it’s not just history; her conclusion reflecting on how these episodes have their echoes in the present is especially good.

I keep going back and forth on whether I’m going to rag on these comics for having silly comicbook logic, and now’s the time I’m really going to do it. Maybe it’s because I’ve never really cared about Venom, but this reinvention of the character feels especially silly. There’s a great conversation between Peter and Nick Fury that feels like it really gets at teasing apart superhero stories in fascinating ways, but as a whole, this was just not my favorite story in the run. My hoopla borrows for the month are gone, so time to log in with a family member’s account to try more Ultimate Spider-Man.

Superhero stories continue to be kind of silly, but this one continues to be fun, so I’m going to keep reading. I’m starting to realize just how little of this series I’ve read, and it’s fun to catch up with things I’d heard about but never actually seen myself.

This volume emphasized some of the parts of the series that don’t hold up, like casual schoolyard homophobia and damseling Mary Jane. Without dismissing those problems, though, there’s still a lot to like here. I have no recollection of this volume, and it’s interesting to get into new territory for the series.

I’ve decided I don’t need to critically analyze these books anymore. They’re fun, I like Bagley’s art, and I think I’m starting to get into issues I haven’t read before. Hooray for hoopla and easy access to this whole run.

There are a lot of reminders in this volume of how dumb superhero comics can be (how is a 15-year old going toe to toe with a crime boss?), but it’s also fun in a lot of ways, and I know I loved reading this when I was a teenager myself. It continues to be a fun series.

I don’t know how many times I’ve already read this volume, but I’ve always had a soft spot for Ultimate Spider-Man. I know the earlier stuff better than the later stuff, though, so I’m hoping to make it through the whole series this time.

I stayed up too late reading this, but it was fun. It’s a bit dumb in parts, but I love the effort to weld together all the major Spider-Man stories into a single lifetime of an aging Peter Parker. I love this kind of comic, the kind that reimagines established canon in interesting ways. Fun read.

I did not read this book as one is supposed to. It’s a collection of daily Advent and Christmas reflections, but I listened to the audiobook well before Advent started and with no pauses in between individual reflections. I’m sure that takes away from the experience, but I enjoyed what I heard and plan to read more Bonhoeffer.

I’ve been meaning to reread this since I first listened to the audiobook, which I started as soon as it was released. It’s not my favorite Doctorow, but it’s still him at his best: The book is opinionated, exciting, and full of specific, compelling details. I like it a lot.

I don’t know what this book is supposed to be. It feels like too much worldbuilding and too little plot; I would like to see more of the Kentucky I know, but it also feels vaguely exploitative of Eastern Kentucky; it feels like an excuse for violent storytelling and wants to be something deeper without quite getting there. I wasn’t a fan.