Having survived one Backderf book and knowing that this is his more famous work (it won an award at Angoulême in 2014), I decided to give it a try.

The story is of Backderf’s childhood association with Jeffrey Dahmer, who grew up to be a serial killer. Dahmer’s crimes are horrifying—I had to put the book out of my mind before going to sleep—but he was caught when I was 3, so I wasn’t really aware of the story.

I probably would not have read this book on my own but it was selected as the 2022 Kentucky Reads selection by Kentucky Humanities. I noticed that in a headline somewhere (probably the Herald-Leader) and decided it was worth giving it a shot.

I ended up enjoying the book a lot! It plays with themes of nostalgia and wondering if the past could have or should have been different. I’ve been thinking about both of those things a lot recently, including in the context of my faith transition. Mason’s Ann tries to imagine a past that would have been different but is unable to depart from the past that actually was, and for all my question about my own past, I know it’s the past I have, and I don’t mind it.

I picked this graphic novel from JCPL just over a week ago. I think that Backderf’s art is weird, and I have mixed experiences with non-fiction comics, but I don’t know much about the 1970 killing of four students at Kent State by the Ohio National Guard, and I decided it was worth knowing more about.

The story was compelling, and Backderf’s art didn’t bother me as much as I worried it would, so I’m glad I tried it. The story of the Kent State shootings stuck out to me as a difficult tale of the importance of non-violent protest and of curbing state power.