Parts of this are good—especially the Batman-analogue/Catwoman-analogue date subplot that bookends this volume—but a lot of it is meh. I’m also not a fan of the “rich dude has to work to make a problem go away for his company” plot, though we’ll see if that changes any.

This series continues to be compelling, even if I have some complaints about it. Casey’s dialogue for Black characters sometimes feels stereotypical, I don’t love his use (or depiction) of rape as a plot point, and (like some of the other Image series I’ve read) I feel like there’s a fine line between “comics can be a mature medium” and “let’s draw all the boobs and butts we can.”

And yet. This is a more interesting Batman story than so many actual Batman stories I’ve read. For all my baseline prudishness and legitimate concerns, I don’t (usually) think this is just mature content just to be titillating, and I really want to see how things play out.

Just over a year ago, I read and reviewed Matt Fraction’s Sex Criminals, which felt weird to read and even weirder to publicly acknowledge having read. I got why it received the acclaim that it did but didn’t really like it.

This Image comics Humble Bundle that I’ve been working my way through included the entire run of Sex Criminals, which I don’t intend to reread, but I am trying to read basically everything else in the bundle, including other series that it feels weird to read and even weirder to publicly acknowledge reading. I’ve been oblique in referencing that so far, but it’s hard to avoid with this review.

Still appreciate what this series is aiming for, and there are some good bits in here, but the plot still takes leaps I can’t follow, and my nagging concerns still nag.

So, this still doesn’t sit totally right with me. The sleaze as art choice is still not my style, and I’m not sure which side of the “artistic vs. objectifying” it falls on, though the former is clearly the goal. I also think that plot and character “development” sometimes move too quickly to really land.

If I’m more generous toward this volume, though, it’s because it’s more clear what the creators are trying to do here. The characters are more compelling, with backstories and relationships that make them interesting. The plot twists add genuine drama. It feels like they are trying to prove that comics can be a serious, “adult” (in not just one sense of the term) medium, and I think they mostly succeed? It feels like a comics equivalent of all those blockbuster TV shows I don’t watch, and I can give it credit for that even if there are reasons I tend not to watch those shows.

I keep expecting to like Matt Fraction stuff to be better than I do because I’ve heard so much good stuff about him. There’s something interesting in here, but it also seems sleazy and grimy as an intentional style decision, and I don’t know if that’s my kind of fiction. I’ll probably keep reading this, and it was helpful to read the cast pages at the end so I could remember who everyone was, but I don’t know if I’ll like it any more.

Look, now more than ever, I’m sympathetic toward a story of Canadian resistance to American bullying, and you’d think that giant mech combat would only make that more appealing.

There are just too many strikes against this to be better than “meh,” though. I don’t like blood and gore in my comics, the characters are kind of flat, and the French dialogue needs another edit.

This was dumb. It’s the kind of comic that’s intentionally offensive, but that doesn’t stop it from being dumb and offensive.

The only thing keeping me from rating it lower is that there’s the spark of something interesting in there. Compelling art! Is Jay Leno POTUS, with Dick Cheney as his VP?! It’s Alan Moore’s Comedian turned up to 12! None of that is enough to make it good, but it’s worth some recognition, I guess.

This comic has the raw ingredients (including solid art) to make a compelling story about mortality, existential dread, privilege, and so many other topics. Yet, it doesn’t seem to be able to organize them into something coherent and compelling.

This series ended as a disappointment. The grace I was willing to give it with the last volume is gone after it finishing in a pile of anticlimaxes and overused science fiction tropes. Meh.

Okay, once I got over the ways that generative AI have ruined the premise, it’s not a terrible story. It’s not deep or particularly original, but I enjoyed it enough to be more generous this time around.

I read this series ages ago; when I got it through an Image Humble Bundle, I decided it was worth a reread.

The art isn’t bad, and the basic ideas of the series are interesting, but it’s remarkable how much generative AI has kind of ruined what the series could be.

So much of this reads differently now: the premise of people seeking companionship in sycophantic robots, the secondary premise of people being convinced that there’s true intelligence behind the scenes just waiting to be unlocked, the idea of “robots rights” in a society that’s skeptical of artificial intelligence. What would have been pretty standard scifi 4 years ago now hits differently, feeling like an allegory for the most delusional parts of pro-AI advocacy.

We bought the English translation of this comic after falling in love with the series in the original French. The goal is to donate this copy to kiddo’s school library, but we couldn’t help but read it as a family first. It’s darling and wonderful, but it loses a bit of the fun in translation.

This comic is dumb, but mostly the funny kind of dumb, but still not quite enough to get more than a middling review.

I’ve been waiting for this one for a while, and I got weak and ceded to Hoopla rather than wait for the TPB to arrive at my local library.

I continue to appreciate this series, and Issue 43 (the real horror is what’s going on in the world right now) is really good, a highlight of the whole thing. I have to admit, though, that it didn’t otherwise feel worth the wait. Maybe I got my expectations too high, or maybe there are just diminishing returns. I’m not giving up on the series, but I feel like it’s uneven.

Bon, j’avoue que elle devient de mojns en moins intéressant, cette série, mais je peux beaucoup pardonner pour une aventure en Alsace.

I backed this Kickstarter project several years ago, when a comic about Mormonism felt like it was right in the center of the Venn diagram of my interests. That’s still not far from the truth, but my relationship with Mormonism—and my experience as a Latter-day Saint missionary—is a lot more complicated than it was then.

In fact, I’ve been thinking about rereading this for ages but have bounced off of it a few times. I have big theological disagreements with some comics in the anthology, and I’m not a huge fan of the implicit queerphobia in at least two comics.

There are a few IDW comics that I got in a summer Humble Bundle but couldn’t bring myself to read over the summer. I’m glad I gave this one a try. I figures that after reading so much Ice Cream Man, I might be more open to a horror comic than I thought, and I think I was right. There is a lot of interesting character work, ethical reflection, and even heist plot in this one, and I’m looking forward to seeing what’s next.

I feel like I should like this series more than I am. I’m caught between liking the general vibe of the comic and not really relating to the characters (and some stuff from the 2000s really not aging well). I’m committed to finishing the whole series, but I am also wondering if it’s going to reach out and grab me more.

Ça faisait des années que j’avais l’intention de lire cette bande dessinée, et j’ai enfin trouvé un exemplaire en français il y a quelques semaines, grâce à mon beau-frère.

On a tellement l’habitude de diaboliser l’Iran aux États-Unis qu’il est même facile d’oublier qu’il y a de quoi diaboliser ! L’histoire personnelle de Satrapi est très émouvante, et je suis bien content de l’avoir lu. Je vois pourquoi c’est une classique parmi les bd.

I can’t remember if I’ve read the color editions before, but I know I haven’t read paper copies before, so this is fun. I have never seen the movie, but I’ve seen enough YouTube clips to know it’s my style. After watching enough of those clips, and knowing that I’m not likely to watch the movie (since it’s not my wife’s style, and I don’t watch a lot of movies on my own), I say “I ought to just read the books.” This is my second time doing so, I think?

Bon, ce tome-ci a été moins intéressant pour moi que le précédent, mais ma fille l’a beaucoup aimé. J’ai trouvé qu’il se passait trop, qu’on n’explorait pas trop la magie dans la série, etc. Pourtant, c’est mignon. En plus, le prochain tome a lieu en Alsace, ce qui sera fort intéressant !

Still good! Not the most life-changing of the series, but enjoyable. I have heard good things about some of the issues in Volume Eleven, so I’m really looking forward to getting that.

Joli, ce livre ! On l’a depuis quelques mois, mais on n’a jamais convaincu notre fille de le lire avec nous. En relisant la série Brume, on a découvert qu’un quatrième tome va bientôt sortir, et ma fille a insisté qu’on attende pour lire la troisième, comme ça on ne devrait pas trop attendre pour le quatriême.

Grâce aux taxes douanières que notre cher président impose à tout le monde, il est douteux qu’on puisse faire livrer le nouveau tome de cette série-là, mais en attendant, on a enfin réussi a commencer cette série-ci.

I felt like this one didn’t stand out to me. I’ll gladly keep reading, but this was the most “meh” so far.