This review is slightly more negative, and I don’t know if that’s because I’m ready to move on to something else to read, because I don’t like all of the subplots in this part of the story, or something else. It’s still good, though!

Post-timeskip Dumbing of Age is good; some parts feel rockier, some parts feel even better.

Part of me thinks that I shouldn’t enjoy this particularly dramatic, action-packed sequence, but Willis does an excellent job of it—and of making it fit within the broader world and story he’s built.

Still enjoying this! I really appreciate Willis’s charitable, nuanced take on non-fundamentalist religion that comes out here while Joyce is wrestling with her faith.

I really ought to scan back through each volume as I read it so that I can give it a more thorough review, but these go fast, blend together, and just make a generally good impression. I’d like to wrap up the reread so that I can turn my attention to other stuff, but sometimes you also just need a quick, easy rebinge of a high quality webcomic.

DoA is funny because its plot takes place over a few months, but the story has been told over years and years. That makes it hard to remember what happened when. I feel like this volume has some of the changes that most lead to contemporary characters and storylines, and yet that all happens earlier than I expected.

Still blurring together in my head, still enjoying the read.

I wrote about this on my first read through (I think), but it’s very interesting to read this take on the college experience when mine was so very different. It’s interesting to see Joyce, for example, grow in ways I didn’t until a decade or so later in life.

These are such fast reads (and I’m waiting so long to review them) that I can’t say I remember the specifics of this volume, but I’m continuing to enjoy this reread, and that’s what counts, I guess.

I’ve noticed this throughout the reread, but this collection really got me thinking about the connections between Willis’s previous work and this reboot/remix. It’s also amazing to me just how long this series has been going on! I’m reading material that came out when I was just starting grad school.

Still enjoying this reread!

I had been trying to read some of Willis’s other work, making it through the whole Shortpacked! archive and trying to go through Roomies!, etc., but ultimately I realized that what I really wanted was a Dumbing of Age reread, and so here I am. I enjoy this series much more in collected form than I do one strip at a time, and it was fun to start again at the beginning.

I wasn’t sure how I’d feel about this series, but I like it so far! Interesting playing with hubris, imaginative story and art, and compelling characters (even if I have trouble remembering who’s who, but that’s my fault).

My one annoyance is that there are a lot of two-page splashes that do not work well for reading PDFs on my phone. I get that that’s on me, but it’s still a pain.

This volume seemed to depart so drastically from the first that I had to make sure I hasn’t skipped something by accident. The stories are mostly recognizable as part of a shared universe, but the worldbuilding feels overly ambitious and underserved by the actual plot. The topless Galatea robots are unnecessary, and the lampshading of their luridness by attributing it to an in-universe pervert doesn’t help. I was willing to give the first volume in this series the benefit of the doubt, but I’m glad I don’t have any more of this to read.

Interesting art, and some interesting ideas (like a foulmouthed human being transported to a land of animal wizards). I think there’s something here, even if I’m not totally hooked.

Ce tome n’est pas moins mignon que les précédents, et il y a des cases qui nous ont bien fait rire ! Pourtant, alors que les trois premiers tomes ont été une seule trilogie bien conçue, ce tome ressemble plutôt aux suites qui arrivent après un succès médiatique, qui sont peut-être bons mais qui n’ont pas forcément la même qualité ou plan organisateur.

The art is good, and there are elements of a rollicking time travel romp hidden in here, but the story ultimately comes down to tech bros doing what they want because they have the power to, and we’re lucky that they decided to have a conscience at the end. That is not the kind of story I want to read in 2026.

I’ve read this too many times in the past two decades for it to feel as innovative and interesting as it once did, but it remains good!

Après avoir fini les quatres tomes « Bergères guerrières », on revient maintenant à Brume, relisant le troisième tome avant de commencer le quatrième qu’on vient de recevoir.

On aime bien cette série dans notre famille ! Elle est mignonne, bien dessinée, et marrante.

Comment dire que j’ai tant aimé une bd qui a fait pleurer ma fille ? C’est vrai qu’il y a des moments tristes à la fin de cette série impressionnante, mais je suis content qu’il y ait des œuvres pour enfants qui osent ne pas tout résoudre. En plus, l’histoire continue à être intéressante et l’art jolie.

Cette série continue à être jolie et intéressante. J’ai déjà dit combien je trouve l’histoire innovante (alors que des contes d’aventure pour enfant, il y en a des milliers qui se ressemblent), mais je le répète ici.

J’aime beaucoup le dessin dans cette série. Le scénario est fort intéressant, lui aussi, mais il y tant d’histoires de ce genre qui se ressemblent toutes, et je suis content de combien ce monde imaginé ne leur ressemble pas du tout au niveau visuel.

Mon épouse s’intéresse à cette série depuis un an, et on a donc commandé le coffret complet en faisant notre grande commande de livres français il y a quelques semaines. C’est une histoire intéressante, j’aime bien l’art, et ça fait rire notre fille.

I don’t regret pitching in $5 to support a webcomic I have loved for almost twenty years, but even after years of listening to The Incomparable’s Dark Sun campaign, I just don’t know if I know/like that setting enough to really enjoy this story. Alas.

Sometimes, a comic book is dumb in all the right ways. This is one of them. It has an interesting premise (a wizard is sent from a magical realm to conquer Earth but ends uo setting up shop as its protector) that it doesn’t bother being pretentious about, instead leaning into fourth-wall breaking jokes about conventions in comics. It has a Ryan North feel to it, and I love that.