My favorite thing in these audioplays is getting the tv actors to come back for their parts, and this is especially fun when it brings back Peter Davison and Colin Baker, too. It’s a good story that makes the most of these characters, and I enjoyed it.

It wasn’t bad, but I wasn’t very engaged and kept waiting for it to be over.

This has everything that annoyed me about the rest of the series but also some weird pro-monarchist vibes to it? Glad to be done with this series, and I hope the next one is better.

Meh. I really don’t like the narration in this series, and even though I was a bit distracted while listening to this one, I’m not convinced I would have liked it much more if I had been giving it my full attention.

This story was more interesting, with some additional voice acting to make it feel more like a play than an audiobook. It was also bonkers science fiction in a very Doctor Who way that worked for me.

I gripe a lot about audio plays being dumb sometimes, but this “narrated story” approach is a lot less interesting than an audio play, and that annoyed me. Jacob Dudman does an excellent Eleventh Doctor, though, so it wasn’t terrible.

See, this one I should have loved: I really want to like Paul McGann’s Doctor, and I do like the Vashta Nerada. This felt like excessive EU riffing, though, and I just couldn’t get excited about it.

I shouldn’t like this! It took a trip to YouTube to remember who the Carrionites even were, and there are so many Doctor-Who-dumb, audio-play-dumb, and just generally dumb elements to this play. Yet, it somehow came together into something that I enjoyed listening to during a stressful week.

The Racnoss struck me as dumb in their first appearance, and this play hasn’t done much to disabuse me of that impression. That said, this played enough with interesting Doctor Who themes of peace and conflict that it won me over anyway.

“Classic Doctors, new monsters” is such a fun concept for an audio play series, and hearing Tom Baker face off against the Vashta Nerada was a delight. Don’t know if I’ll enjoy the upcoming stories as much, but this was fun.

Sylvester McCoy is delightful, and I’m glad I got to experience a story with his Doctor and Sophie Aldred’s Ace. It’s goofy in the way that most expanded universe material is, but there’s enough there to be interesting, and I enjoyed the listen.

It’s real neat that the Eighth Doctor has had such a presence in Big Finish and other ancillary media, but this is another story that entirely dissuades me from trying to get into any of that, because I cannot follow what’s going on. Hard to say whether it’s continuity lockout, poor writing, or both.

This story is the hardest to follow radio drama I’ve ever experienced. It did turn out that I’d accidentally skipped over the first few tracks, but even going back to listen to them didn’t help much. I couldn’t tell characters apart, I wasn’t sure what was a flashback and what was the main story, there was some serious continuity lockout, and I found the whole thing confusing. There were some fun ideas in there, but they were buried under a persistent feeling of being lost.

There was some passing around of the idiot ball in this story, and it felt surprisingly dark for a Doctor Who story, but I appreciated the layers of disaster piling up, and the villain was compelling in a pathetic way (in multiple senses of the word). I don’t know the Eighth Doctor well, so it’s interesting to get to know him here.

Battle of Britain Doctor Who would really have appealed to me at some point, but it’s the sort of thing now where I find myself wondering if the story is uncritically pedestalizing an important moment of history that is actually much more complicated.

Some silly stuff in here, but enough of a compelling story (and enough John Hurt and core Doctor Who vibes) that I’m willing to forgive it.

More “fun but not life changing” exploration of the War Doctor.

Expanded universe material can get very dumb very quickly, but sometimes, it’s a great way to explore stuff that the main canon didn’t have time for. Just like it was a delight to have Christopher Eccleston back as the Ninth Doctor, getting more from John Hurt as the War Doctor is a treat. The story is interesting enough, but it’s really just fun to play with these action figures for a bit,

Clever genre blending is one of my favorite things, so setting a Doctor Who story in what I presume is the style of a P. G. Wodehouse story is delightful (even if I clearly don’t know the genre it’s being blended into!).

Doctor Who is not often high art, and neither are radio plays, but this was good enough. Besides, I didn’t realize how damn much I missed Christopher Eccleston’s Ninth Doctor, and I would have struggled through a much worse story just to hear his “lots of planets have a north” voice.

Maybe I shouldn’t have listened to this while trying to find parking on campus at a very inconvenient time, but even though there’s an interesting time travel bit at the center of the story, it just didn’t pay off for me.

This was a fun example of a lot of worldbuilding crammed into the background of a short Doctor Who story, and it gets a lot of points for that.

This story is maybe the most heartwarming and beautiful that I’ve heard in the entire collection! The Sixth Doctor visits a stroke patient in the hospital and takes him into his own future to see a few important events that he’ll miss because he never recovers from the stroke. It really emphasizes that you don’t have to be important to matter and encourages the listener to be kind in small ways. I really liked it.

This particular story is just so very British that it didn’t really connect with me. I normally appreciate Doctor Who’s very Britishness, but this one just didn’t work for this American.

Loved this one. It tells the story of The Fourth Doctor and Romana visiting a café owner who is actually a galactic tyrant who got body swapped with a café owner forty years ago and now lives out a much more meager existence on earth. The Doctor checks in on him every decade or so, and even though he resents the whole thing, it’s kind of working for the villain’s rehabilitation. It was clever, funny, and made me want to watch Tom Baker-era Doctor Who, so full marks.