This is a funny show to rate! I believe I learned about it from David Loehr on The Incomparable, who spoke highly of it. I did enjoy watching it, which is why I’m pretty positive about it. Thinking about it critically, the overarching plot is kind of hard to follow, the individual mysteries don’t have any way of solving them but “trust that brilliant main character is brilliant,” and the show almost knows how contrived its confessions at the end of each episode are.

This felt more consistent than the second season. The in-jokes and continuity nods continued to be great, especially the Deep Space Nine episode and its riffs on that series’s opening credits. I love so much that this is a Star Trek show about loving Star Trek (even its dumb bits).

The finale was a perfect summary of everything I love about this show, but I had some trouble getting into the earlier episodes.

I really liked this season. Each of the actors feels perfect for their role, the writers had some good fun with us through twists and turns (I’m sure some of it was original to the source material), and I’m looking forward to the next season.

This is such a fun show. I am not as well-versed in Star Trek as I’d like, so I’m sure I’m missing some of the jokes, but there are still so, so many of them. It’s bizarre, it’s a loving homage, and it’s really good.

This was a fun show: trippy, clever, and metafictional. It departs from its source material in plot but not in spirit, which I think is a sign of a strong adaptation. It could have been tighter, and some episodes felt like they were stringing the show along, but overall, I think it was well done.

This was fun! Interesting characters and stories, and that gets it a lot of credit. Not a lot of it holds up to close scrutiny, though—character motivations don’t always make sense, and plot explanations can feel unsatisfying. Glad to have tried it, though.

I still enjoyed this season, but I don’t think it’s as good as the first one. The characters and situations remain interesting, but the plot feels more slapdash and less carefully constructed than it did in the first season.

I’m surprised to be rating this higher than previous seasons, because it’s based off of one of my least favorite books in the series. I like the series more when it leans into the petty and mundane, and this book feels almost like a blockbuster spy movie with its unstoppable bad guys and conspiratorial plots. That turns out to make for good television, though, and I thought the season finale was particularly good, in a way that raises my opinion of the whole season.

I tried the first episode of Agatha All Along with my spouse, and we both agreed we needed a refresher on this series. I think this is one of the best entries in the MCU—certainly for TV. The premise is weird and is committed to it; it’s comic book-y but mostly in a fun way; it explores deep questions alongside action and humor; and it’s willing to show how scary superpowers are.

First things first: I am not familiar with the source material or with the Michael Caine adaptation, so I can’t make any comparisons there. I enjoyed the beginning of the series more than the end: The fast pace usually worked for me but felt rushed in the last episode, and I preferred the more grounded elements to the semi-fantastical stuff that was eventually introduced. That said, I thought it was well shot, well acted, and interesting spy fiction!

This was good! Not perfect: there were some rough edges, it’s hard to take some scenes seriously if you’ve watched The Good Place, and there’s a bad case of the Force working as the plot needs it to. Despite all that, though, I love the franchise leaning into a “actually, the Jedi kind of suck” story, and there were some interesting fight scenes and compelling story elements. Happy to see Star Wars experimenting like this… though, of course, it should be moving into the public domain so that everyone (not just Disney) can do that experimentation.

This season isn’t as strong as the first; I’m glad I watched it (for the first time!), but I feel like it got too tangled in storied and then trying to wrap things up for the end.

My spouse has been trying to get me to read the book for years, so we had to watch the show! It’s an interesting premise with compelling characters (who are well cast and well acted), and I enjoyed the whole thing. My biggest irritation with it is how the main character’s nobility is seemingly celebrated. I’m no Soviet apologist—it was a repressive country that committed unjustifiable wrongs—but I would have preferred to see the Count reflect on the unmerited wealth and power he held as a member of the Russian nobility rather than be a simple victim of Marxist zeal.

This show is the very definition of weird-but-delightful. I watched (some of) it with my now-spouse right around when we first started dating, and it’s fun to revisit. The aesthetic is very specific, the vibe is dark-but-cute, and the dialogue is snappy if strange. Looking forward to Season 2!

I struggled with what to rate this series. It’s great in a lot of ways, and it’s fun to watch a political show that is based in a country I don’t know very well (plus, explaining parliamentary coalitions and other election systems to my spouse made me feel smart). That said, it’s also not as tight and polished as something like The West Wing, and while it might not be fair to compare the two, it’s inevitable.

I got really into Doctor Who for the better part of a decade, I have really fond memories of the many seasons I watched, and there are episodes I would gladly return to. I petered out after Jodie Whitaker’s first season, though, and watching these specials showed me I’m still not ready to come back. I don’t know what has changed, but I feel less patient with the show’s goofiness. If it’s going to keep coming to Disney+, I’ll try to keep an eye on it, but hard to say if I’ll ever really reinvest.

I love this show, and this season was a delight to watch. There were bumps along the way, some characters were done dirty, and I don’t know that I like the characters that the finale wants to be in the right (or that the characters I like weren’t in the wrong), but it was a wonderful piece of television.

What an excellent series this is. The finale was more violent than I’m comfortable with, but I appreciated that it never glorified the violence; rather, it fit in nicely with the series’s habit of showing that as screwed up as the Slow Horses are, it’s the dignified leadership of this fictional MI5 who are the real monsters. Power corrupts, and all that. I’m wondering how next series will go—I have only vague recollections of the book, and what I do remember is that it’s one of the weirder ones.

I enjoyed watching this show, and I really like the aesthetic it’s been rocking for its two seasons. I was inclined to give it a higher rating than this because of those factors and because I don’t really have anything bad to say about it—however, I’m hard pressed to come up with any praise more substantive than “I had a fun time,” so I’m going to knock off a heart for that.

We got really into this show during the height of the pandemic and then left it alone for a while. This was a great season to come back to and provided a lot of laughs. Probably won’t come back to the show for a while (we have a few other series we’re behind on now), but this was exactly what I needed.

J’aime bien la plupart des personnages dans cette série, et c’est cool de voir un plan se dérouler. Pourtant, la logique narrative ne tenait pas hyper bien, et on avait parfois l’impression que les personnages faisaient des choses juste pour avancer une certaine histoire (et, d’ailleurs, qu’on inventait de nouveaux personnages pour la même raison).

The show started off strong, and there are lots of individual details that I liked (including a compelling dark Jedi who made lightsaber duels interesting again). However, by the end, it felt like a mishmash of fanservice, addressing plot threads from a show I haven’t seen, but then setting them up for a future movie instead of actually resolving them. So many decisions seemed to happen for the sake of plot or convenience, and it was kind of a slog to finish the dang thing.

I really enjoyed the original adaptation of the book (which I’m trying to read now), and the characters and many of the jokes were just as delightful in the second series. As a whole, though, the series felt like it didn’t have much of a plot—or, when it did, that it was moving furniture for a third series.

I don’t even remember when this season ended, but it took a while to convince myself to get through it. The first season of this show was near-perfect, but it’s gotten dumber over time, and this season was particularly disappointing. It felt stuffed with fanservice and worldbuilding I didn’t care about, indecisive and self-contradictory, and like everything proceeded on the logic of plot. Makes me miss Andor.

I really enjoyed this show! It veers from realism but into the fun thriller, and while its dedication to drama is obvious, it’s not always a bad thing. I enjoy a show that rewards the viewer for knowing the difference between the FSB and the GRU, and I’m really looking forward to the second season.

I read these books ages ago, but I can hardly remember any of the details, so it’s been fun to revisit this world with flashes of familiarity but mostly just waiting episode to episode to figure things out. The set design is great, the acting is good, and the music is compelling. I don’t know exactly why I’m not giving it full marks (it feels a bit strained and overcomplicated sometimes, but I think that captures the source material from what I remember), but I’m looking forward to future seasons!

This was an uneven final season for a show I really enjoyed. I wish they’d made it tighter and better structured, and maybe it doesn’t deserve the score I’ve given it. I’ve enjoyed the whole of these three seasons (and so many small moments in this one) too much to rate it any less, though.

I love the premise and the characters of this show, but it felt like it was running out of steam by the third series (though I’ll admit I don’t know how much the mysterious disappearance of its creator had to do with this—I’d like to read the book on the subject). Burnside got less and less likeable as the show went on (though this might be the point!), and I got tired of how many plots boiled down to “Burnside doesn’t care and goes rogue.

I’m not sure I enjoyed the second series as much as the first, but over time, it grew on me. The finale nicely tied things together and helped me see how Burnside’s hubris was a running theme of the series (rather than a character derailment). Interested to see what happens in the final series!

I only learned about The Sandbaggers last weekend, on an episode of The Incomparable, but I watched the entire first series this week—and loved it. It isn’t perfect: There’s too much 1970s casual misogyny for it to be self-critical in the same way that a modern show set in the 70s would be, and the brown face in one episode is also embarassing. Not setting those aside, I was still impressed with the way the show combined the bumbling hypocrisy of Yes, Minister; the self-serving internal politics of Slow Horses; and the cynical despair of Le Carré into a single, compelling show.

I’ve been looking forward to this since the first season ended. Midway through watching the first season, I’d already begun reading the series, and I may have already finished the second book by the time I saw the trailer for the second series. This season did a great job at making use of the source material while changing and improving things as needed. It’s a fun book series, but I think it’s shaping up to be a better show.