Spent some time exploring Tapestry last night (and stayed up too late doing so, boo). Really appreciate what it’s going for, but it’s not quite what I want, so going to stick with Reeder.

I definitely read this one too fast, but if I hadn’t, I probably would have gotten hung up more on the continued blood and gore, which I continue not to like.

As with the rest of the series, though, there’s plenty that kept me coming back, and even the stuff I don’t like is consistent(ish) with the universe that these creators have established. The happy ending is satisfying, the big swings are still interesting, and Eve gets treated better in the final arcs than in earlier stories (though I think they could have done even better by her). It’s a good series, despite my reservations, and I hope it never gets rebooted.

This article is one more push in the direction of my finally subscribing to Kagi.

I didn’t realize how quickly I made it through this! I wrote something in my review of the first compendium about the interesting things that Kirkman can do without being bogged down by a broader continuity, and that certainly applies here. I appreciate the big swings he takes and his willingness to shake up the story and leave it shaken up rather than a creep back to the status quo.

I really like the first novella, and this one isn’t bad, it’s just hard to live up to the strong first start. I’d like to continue working on the series, since I know it’s all well regarded, but I don’t remember many of the details from the first time I tried this, so let’s hope it sticks more this time.

I have some mixed feelings about Invincible, though they obviously are positive enough for me to start a full series reread. In college, I used to own a hardcover collection regrouping the first several TPBs, but I gave it away when moving to grad school. I was bothered by the violence and gore then, and now I can add to that the casual homophobia and ableism of the early 2000s and the low-level objectification and misogyny that are in most superhero comics. There’s some not to like in this series.

Rereading this after watching the show is really interesting. In some ways, it raises my opinion of the show, after seeing specific lines and scenes that they clearly drew from. However, as I wrote last night, I also just like the book so much more, and I’m not sure that the things I miss could have been adapted at all.

From its earliest paragraphs, All Systems Red is helping clarify my feelings about the Murderbot TV show. I don’t know that it’s a bad adaptation so much as I think that some of my favorite parts of the book just can’t be adapted to screen.

I love this story, and the radio production is excellent. I like the supporting cast of oddball characters (especially Connie and Toby), and the idea of George’s struggle with his age and his morals is compelling. Maybe it’s still being torn about Honourable Schoolboy, but it just didn’t land as well this time as it has in the past.

There’s an interesting story in here, and I’m usually a fan of Le Carré’s “naïve characters make bad decisions and things go poorly” plots. I just cannot get over what feels like exaggerated East Asian accents in the performance, though. What could be a really interesting exploration of colonization, American intervention, etc. feels more like orientalism, especially when I’m not sure all the actors doing the accents are of East Asian heritage themselves.

Look, I know I haven’t read enough of the Murderbot source material to get snippy about unfaithfulness of adaptations. What’s more, this is a pretty good show! Great design, great casting, and lots of fun.

I just didn’t like it as much as I remember liking the novella. I got annoyed by what felt like unnecessary expansions, and there are parts of the worldbuilding that just can’t be captured on TV. Skarsgård does a great job but doesn’t capture how I perceived the main character. I just feel grumpy about it even though I recognize that it’s good.

Quand mon navigateur web se trompe mais ça me gêne pas trop.

Vive la Suisse et sa résistance envers Amazon.

I tend to overthink media, and one thing I’ve been overthinking recently is whether books and radio are more ethical media than television and film, because I understand the former (perhaps naïvely) as involving less waste of resources for the sake of entertainment.

I bring this up not because I’m convinced by the argument (which I haven’t really thought through) but because the second season of Andor had me back on the side of television, because how else could you tell such a great story as that? Here’s the thing, though: This (audio)book had me mulling over the question again, because I might like it more than Andor.

I hear people are angry about Superman being an immigrant, so I think it’s time to read “Superman Smashes the Klan” again (and maybe even listen to the 1940s radio serial it’s based on).

This took a while to get through for a book I enjoyed so much. It has Andor-level grittiness and complex characters and narratives that make it better than a lot of Star Wars stuff. The audiobook’s use of Star Wars music and sound effects is also a big plus. I’ve already checked out the final book in the trilogy so that it’s not another two years before I wrap it up!

J’ai été content aujourd’hui de comprendre le mot « rougeole » à la RTS. Puis, je me suis demandé où j’aurai eu besoin d’apprendre ce mot dans le passé. Comme elle fait sa réapparation aux États-Unis maintenant, peut-être que j’en aurai besoin en fin de compte.

Entre les vélos, les transports publics, et les trains, il me semble qu’il ne serait pas trop difficile de vivre en Suisse sans voiture, et je trouve cela très attirant.

Vive les vélos cargo !

Dumb but fun is how I would describe this. It’s got good art and an interesting premise, but the longer it went on, the more tired I got of twists and the harder time I had following the story. It wasn’t bad—but nothing special either.

This one almost won me over. It has good art, and the kind of worldbuilding that goes with an interesting idea rather than explain things. It had a bit more violence than I like and some objectifying art that wasn’t really necessary, but what really lost me was an unnecessary fridging late in the second arc. It could have been something interesting—and frankly still was—but that scene cancelled out a lot of that potential.

I didn’t want to like this. The IDW comics bundle I’ve been working through has been kind of a mixed bag, and this was weird from the get-go. A fast-food employee robs an entire strip mall, which gets him entangled in an effort to summon the devil on earth. It doesn’t sound like my thing at all.

It’s so unashamed of its weirdness, though, that it comes all the way around to amazing. Its characters are interesting, it focuses on a story and doesn’t care about wrapping things up beyond that, and it’s evocative in a way I never would have expected. I like stories that commit to the weird, and this does it—with some good art, to boot.

I feel kind of weird rating this above any of the Earthdivers volumes, but hey. The art feels a bit off sometimes, and there were some bits that I didn’t quite follow. The character designs and worldbuilding were great—weird sometimes but stronger for it. The plot was interesting, with some good twists that kept me hooked.

En fait, j’ai lu Stay, la traduction anglaise que j’ai trouvée à la bibliothèque chez moi. Je n’aime pas lire les BD en traduction—traduire « kebab » comme « gyro », ça se comprend, mais c’est quand-même insupportable—mais je ne voulais pas rater la possibilité de lire une vraie BD non plus,

L’art est magnifique, et si l’histoire est un peu bizarre, elle est touchante aussi. C’est impressionnant combien cette équipe a pu raconter une histoire tellement émouvante avec si peu de paroles.

This is a very Ryan Northy comic, and I mean that as a compliment. It’s a great adaptation of the Lower Decks vibe (and Fenoglio’s art is a fantastic recreation), but it also has a lot of North’s signature moves. I love his physical comic adaptation of webcomics’ alt text jokes, his voice in those jokes, and his fun with science and public domain characters. I don’t know how much more there is in this series, but I’ll be keeping an eye out for additional volumes.