Ça fait maintenant plusieurs mois que j’ai l’habitude d’écouter en boucle un concert des Cowboys fringants aux Plaines d’Abraham à Québec lors de la fête nationale québécoise en 2013. Vu combien de temps j’ai passé avec cet enregistrement peut-être piraté, quand j’ai découvert que les Cowboys vendaient un enregistrement d’un concert film enregistré une décennie plus tard, quelques mois avant le décès de Karl Tremblay, je me suis dit que j’avais une certaine obligation de l’acheter.

This review is slightly more negative, and I don’t know if that’s because I’m ready to move on to something else to read, because I don’t like all of the subplots in this part of the story, or something else. It’s still good, though!

Amazing pictures—might have to replace my computer desktop.

It’s recognizable as a Doctor Who story, and there are some parts that are fun and interesting, but it just didn’t land with me.

Post-timeskip Dumbing of Age is good; some parts feel rockier, some parts feel even better.

Part of me thinks that I shouldn’t enjoy this particularly dramatic, action-packed sequence, but Willis does an excellent job of it—and of making it fit within the broader world and story he’s built.

This last story in the series wasn’t quite as good as the others, but I’m just happy that they made interesting use of the Silents.

This series continues to be fun. It’s making use of a scary villain in compelling ways, and even the “let’s treat UK parliamentary elections like a US presidential race” doesn’t bug me too much.

I barely got the livestream up on time for this, but I’m glad I did, because it left me teary eyed.

Still enjoying this! I really appreciate Willis’s charitable, nuanced take on non-fundamentalist religion that comes out here while Joyce is wrestling with her faith.

I really ought to scan back through each volume as I read it so that I can give it a more thorough review, but these go fast, blend together, and just make a generally good impression. I’d like to wrap up the reread so that I can turn my attention to other stuff, but sometimes you also just need a quick, easy rebinge of a high quality webcomic.

Took me a while to watch this. It’s not bad, and I liked it more than my spouse did, but I really want to read the source material now to see how it holds up.

Neat that I live at a time where I can set this kind of alarm on my phone.

I really enjoyed watching Artemis II lift off yesterday and immediately realized that I would also enjoy tuning into the live broadcast over the course of the mission. The YouTube feed is pretty good, but what I’d really love (and haven’t been able to find) is to find an audio-only feed that I could plug into my internet radio client and just listen to. I’m mostly interested in tuning in to the mission while working, and while the audio will make for good white noise, I don’t really need (or even want) the visuals in there.

Artemis II has not captured a lot of my attention because it’s hard to get excited about anything my country is doing right now, but I made a last minute decision to put the launch on, and even just listening to mission control is super neat.

It came as something of a surprise that this next part of the story felt even better. It takes some liberties with the British political system, but since it came out in November 2016, it is clearly doing so to criticize Donald Trump, and I can live with that. The story continues to play with the basic concept of the Silents as a supernatural villain, and I’m enjoying seeing where it goes.

I’ve made a few comments alluding to how interesting it is to explore expanded universe material in another franchise after a near-lifetime of exploring Star Wars auxiliary fiction. This is a good demonstration of how EUs can be good: The Silents are an interesting villain, and this story makes good use of them while fitting it nicely into the broader Doctor Who canon. I enjoyed the listen.

My vision is bad enough that I can see better wearing my prescription sunglasses indoors than wearing nothing, and since I brought an empty glasses case to work today, I guess that’s what I’ll be doing.

DoA is funny because its plot takes place over a few months, but the story has been told over years and years. That makes it hard to remember what happened when. I feel like this volume has some of the changes that most lead to contemporary characters and storylines, and yet that all happens earlier than I expected.

Still blurring together in my head, still enjoying the read.

What a perfect, understated premise for a joke.

I wrote about this on my first read through (I think), but it’s very interesting to read this take on the college experience when mine was so very different. It’s interesting to see Joyce, for example, grow in ways I didn’t until a decade or so later in life.

These are such fast reads (and I’m waiting so long to review them) that I can’t say I remember the specifics of this volume, but I’m continuing to enjoy this reread, and that’s what counts, I guess.

Bike update: My dad, a much more experienced cyclist, came to town for something else today, and I got his help. He managed in two minutes what I had spent two hours failing to do. (But my new tube was a dud, and the shop is closed for the day, so the adventure continues…)

I’m a committed commuter but miserable mechanic, so when I bought a new bike in December, I paid extra for something lower maintenance. Got my first flat yesterday, though, and it turns out these tires are tighter than I’m used to. So far, I’ve damaged my hands more than I’ve fixed the bike.