I miss the earlier art, and there’s still plenty of comic book nonsense, but this series has found a good groove. I don’t know a whole ton about main Marvel continuity, but I do feel like Bendis has the freedom to do his own thing here, and I gather that was the point of the Ultimate universe. Kind of wild to have the next volume’s big event spoiled in this volume’s title, but I guess it’s been long enough for it not to matter.

Fun arc! I like the whole range of characters at Bendis’s disposal, and even though it strains credulity sometimes, it is fun to have Peter and friends as teenagers. Lafuente’s art isn’t bad, but I’m not used to it, so I have trouble recognizing Peter as Peter sometimes (especially in this arc!). Nearing the end of this journey, though I ought to read the Miles Morales volumes after that.

I may run a one-shot for my siblings over the holidays and need to decide on system. I like the simplicity of Lasers and Feelings but also the improvisational collaboration of Ironsworn: Starforged. Wondering if I could hack them together…

A while ago, a mental health counselor suggested I leave headphones behind while running and treat it as a mindfulness exercise, too. That’s been genuinely helpful, but it’s so darn cold this morning that if I don’t motivate myself with an actual play podcast, I won’t make it past the front door.

We got really into this show during the height of the pandemic and then left it alone for a while. This was a great season to come back to and provided a lot of laughs. Probably won’t come back to the show for a while (we have a few other series we’re behind on now), but this was exactly what I needed.

I don’t know how to deal with the renaming and renumbering going on in this series, and trying to read up on it on Wikipedia is just making me more confused. This is very clearly a “reset the status quo” effort, but it’s not entirely bad? Bendis continues to mistreat Mary Jane, and I feel like it’s actually getting worse, so that’s not great. I do like the dynamic of Aunt May taking in more and more superheroes, though, so we’ll see how that turns out.

Trop de vertébrés dans les emojis ? Ça fait rire un peu, mais je comprends aussi la motivation. C’est vrai que ces petits symboles représentent notre compréhension du monde—pourquoi ne pas donc élargir la collection ?

Joli article ! I mostly learned Parisian French from my school classes, and I’ve always been interested in the alternatives out there, though I’ll admit I’ve never fully appreciated African French. Time for that to change.

link to gift article

I’d heard a lot about Ultimatum before, but this was my first time actually reading the arc. There are things I don’t like in these issues—including some of the low-level misogyny I pointed out in previous volumes—but for a major crossover event filled with comic book nonsense, it was actually pretty good.

I really shouldn’t like this volume. I don’t care that much about Venom or Carnage, and I think their Ultimate origin stories are dumb. Gwen Stacy got treated terribly earlier in the series, and this comic book resurrection is as silly as her death was stupid. Yet, I thought the framing story was interesting, Venom is compelling as an eldritch villain, and I… enjoyed myself? Dunno what to make of all that, but four hearts it is.

I think this might be my least favorite of the three volumes I now own (need to track down the fourth to complete the collection). The first arc was good enough (and felt straight out of The Sandbaggers—Rucka borrows HEAVILY from a couple of episodes), but the second seemed like supplementary material to Rucka’s novels. I like this series when it’s riffing off of The Sandbaggers, but when it feels like its own thing with lots of continuity, it’s harder to enjoy. The scripts that fill out the volume saved it for me, though. I didn’t think I’d like them, but they were a fantastic behind the scenes peek!

This volume also feels like a step in the right direction! It seems like Bendis is willing to stretch with and fill out the universe some: What he did with Liz Allan and recurring villain/joke The Shocker are especially interesting. I’m having fun with this series again!

I feel like this series found its groove again! I miss Bagley’s pencilling, but Immonen makes a fine replacement. A lot of the stuff that bothered me in recent volumes has been redeemed here: Kitty Pryde is interesting instead of just a drama device, Norman Osborn gets some depth, S.H.I.E.L.D. is engaged with as the creepy organization they are, and it turns out that comic book nonsense can actually be fun sometimes. Hope this keeps up.

I’ve complained a lot about comic book nonsense in recent volumes, and there’s plenty of it here, too, but this pulled a lot together in a way that just plain works. Interesting crossover action, classic Spider-Man morality of superheroes, good art, interesting stakes. I guess this is why I keep reading this series.

Cher.ère.s francophones, je n’ai rien contre vos emprunts de nos mots anglais (nous-mêmes, on a souvent emprunté des mots français). Pourtant, je ne comprendrai jamais pourquoi vous avez transformé notre “walkie talkie” en « talkie-walkie ».

Merci à YouTube de me permettre un petit voyage en tramway grenoblois ce matin.

I almost gave this four hearts because I kind of like how it turned out, and it did touch on some good Spider-Man themes. However, I then remembered all the comic book nonsense that happens here—and the way that so many of these issues demonstrate how terrible it would be to live in the (Ultimate) Marvel universe.

As has been the case for the past few volumes, this has some genuinely interesting stuff in it (the X-Men crossover was more engaging than I’d like to admit), but for the most part, this feels like advancing a broader Marvel landscape than doing actual Spider-Man stuff.

Good joke here—and one I may share with the students in my games and learning class next semester.

How have I missed this??? A French-language podcast here in Kentucky sounds right up my alley. Bonus, the latest episode is an homage to Karl Tremblay.

I picked up this comic about a post-pandemic-apocalypse from the library on a whim. I have mixed feelings about this genre—especially since it’s hard to believe that it was begun before COVID-19. The story is somewhat interesting but choppy, and the characters are compelling but flat. The translation is rouuuugh, and I wonder how much better it might be in the original German. What saves this for me, though, is how clearly Swiss it is. The Bernese patches on some uniforms, the references to Coop, and probably lots more that I’ve missed for not having spent that much time on this side of the Sarine. I won’t miss not having the next volume available, but I really enjoyed the art and seeing all the Swiss references in there.

There’s some interesting stuff here, including Bendis’s riffs on power and responsibility and how that relates to secret identities. However, there’s too much welding to the broader Ultimate universe, including introducing characters I just don’t care about. I also still feel like Peter’s attitude toward MJ is more low-level misogyny than anything justified.

Definitely not my favorite of the series. Lots of crossover nonsense with characters I don’t really care about. Way too much casual misogyny (Peter toward MJ and creators toward the women they put in impractical fanservice costumes). Starting to question my commitment to this series binge.

Le vélotaf, j’aime bien. Arriver au bureau trempé et froid, après avoir survécu à qqs conducteurs inattentifs, ça, j’aime moins.

So excited to watch this!