This is new Astro City material for me, even though it’s been around for a while. There’s still a lot of what makes Astro City great in the long “Dark Ages” story, but not enough to make it shine. I think I like Astro City best when it takes a quick dive into an interesting story, plays with some tropes, and just hints at a broader world and continuity. This tries to explain too much and be too connected, and in doing so, I think it loses a lot of the magic. I also felt nervous the whole time about a white creative team working with two black protagonists; it felt like it skirted the edge of stereotype sometimes.

This book took me a while to get into. I gave up on the print version a year or three ago, and even the audiobook wasn’t doing great at capturing my attention for a while—I had to rush to finish this before it was due back to Libby. I’m glad that I stuck it out, though, because I liked what I got. I never read the X-Wing novels from the old EU, but I wanted something like what I imagined they were. Alphabet Squadron ended up being the best kind of expanded universe book: Expanding on interesting ideas, filling in details, offering new perspectves, and capturing the original feel of things. This ended up feeling a lot like Andor in adding some grittiness and cynicism to Star Wars, and I was surprised how far Freed went in emphasizing that star war is star hell. I found pew pew pew spaceship fights that I’ve loved for decades to actually be quite ugly, and I’m glad for that new perspective.

Never change, Eurovision.

This volume isn’t quite as good as the last (mostly because of the filler material that it concludes with), and it has some of the same problems with trying to do diversity but sometime undermining itself. However, I still think the best superhero stories are the ones that pick at and play with tropes, and I haven’t seen anyone do that better than this series.

I love Astro City. It is definitely not perfect (the creative team is a bunch of white guys, and sometimes, that’s painfully obvious), but as far as I’m concerned, it’s the best wholesale reimagining of superhero tropes out there. I’ve read every single story in this volume before, and I read them now with a more critical eye than in the past, but I had a great time rereading them all. Glad that these large collections are on hoopla, and looking forward to reading the rest.

This afternoon, a DM let me use a firbolg’s “Speak with Beast and Leaf” ability to turn some stolen green onions into a thief detector. Not sure it’s supposed to work that way, but it was still D&D at its best.

A recent episode of The Incomparable covered this book, and even though the reviews were mixed, it seemed up my alley, so I gave it a try. It’s very obviously a book of ideas and is sometimes clumsy and didactic. That said, I wish I had taken more time to sit with those ideas; I rushed through the book to finish it before my loan was up, and I’m sure I missed bits. Even when it’s clumsy (or when I missed stuff), the ideas are interesting though. What’s more, the worldbuilding is fascinating—not least because it is so focused on the Global South to find the settings, characters, and ideas of this imagined future. Even when the plot felt arbitrary or forced, I was so delighted by a book where “the West” was so deliberately absent and the background was so detailed that I enjoyed the whole thing.

This is a fun concept—a teenager named Clark Kent who’s tired of the jokes about being named after the fictional Superman suddenly develops Superman’s powers and has to figure out how to live with them. Busiek strikes me as the perfect person to write a story about how a world familiar with superhero tropes would deal with their becoming real, but as much as I love little bits of this story, I just don’t know that it will ever stand out as a favorite of mine.

I haven’t read much on the coronation and don’t plan to read much more, but even if I were, I think this would still take first place. A surprisingly deep dive into internet culture.

I did not know until today how much I needed an Aardman Animation claymation Wedge Antilles in my life.

I really wanted to like this more than I did! North and Henderson are one of my favorite creative teams in comics, and North’s dialogue and Henderson’s art come together in perfect ways throughout the story. At the end of the day, though, I don’t know if there was enough to that story or to the worldbuilding to really interest me. There are neat ideas in here, and the plot comes together in smart ways at times, but neither feels fleshed out enough to really stand out.

This book is one of the mainstays of the old Star Wars EU. I hadn’t read it in years, but after exploring some of the new canon and hearing the news about a likely remixing of it into a Dave Filoni movie, it seemed like a good time to revisit. The audiobook production was great, and even if I’m not planning to finish the trilogy, I enjoyed checking this title out again.

I read (and listened to) a lot in the early months of this year and have hit a wall recently. This audiobook was a nice way to get back into reading; I’ve felt a hunger for Star Wars media recently, and this book came recommended on a podcast I’ve sampled. It’s fun to get more into the new canon: I thought this did a good job of setting up some of the Episode VII worldbuilding, and it reminded me of the fun I had reading through the old EU growing up.

One unexpected thing that I owe to my Mormon upbringing is my love for the weird band They Might Be Giants. That’s not to say that there’s something distinctly Mormon about TMBG in the way that there is something distinctly Mormon about the existential fear of not doing things correct way that I also picked up during these years. Rather, it’s just the fact that I learned about TMBG—more specifically, their famous cover of Istanbul (Not Constantinople)—from Craig Wilson, a youth leader in my local congregation. This is my main memory of Wilson, who moved away from Northern Kentucky shortly after the conversation in his car where he mentioned the song to me. The only time I’ve seen him since was at my wedding in Utah, about a decade later. I hadn’t even realized that my parents had invited him and was pleasantly surprised that he was there.

It sure looks like Star Wars is heading toward an Heir to the Empire remake, and even though I know it’s fan pandering, I am really excited about it.

Je n’ai plus souvent l’occasion de me servir du français, et sans pouvoir m’entraîner je crains oublier ce que je savais avant. Ce matin, j’ai eu de l’espoir en lisant une phrase en français que j’avais écrit au lycée ; c’est évident que je sais toujours m’exprimer mieux qu’il y a vingt ans.

I recently finished a relisten of my favorite Star Wars actual play podcast, and now I want to start a Star Wars FATE game.

J’ai appris cette semaine que les transports publics de ma ville sont soutenus par la RATP, ce qui m’étonne pas mal.

Ce matin, en écoutant une épisode du podcast « Gare à vous » de la Radio Télévision Suisse, un petit souvenir tout bête m’est venu à l’esprit, et j’ai eu l’envie d’en écrire ici. Il s’agit d’un petit moment vécu alors que j’habitais à Renens, tout près de Lausanne, dans le canton suisse du Vaud. J’ai adoré les quelques mois que j’ai passé à Renens, tout près de Lausanne. Il y a plusieurs raisons derrière cet amour, mais j’avoue que c’est surtout un endroit très intéressant du point de vue d’un américain qui pleure la faiblesse des transports publics là d’où il vient. Je voyageais tous les jours sur les transports publics de la région lausannoise, surtout le trolleybus de la ligne 17, qui liait Renens avec le centre-ville lausannois et (si je comprends bien) est maintenant disparue pour préparer la venue du tramway lausannois. Je passais un peu de temps à Prilly aussi, et quand j’avais de la chance, je voyais une rame du LEB qui passait. C’était rare de prendre le métro léger baptisé M1, même si il liait lui aussi Lausanne et la gare de Renens; c’était la 17 qui était souvent le moyen le plus pratique pour arriver là où je voulais aller.

Sad news! Catan hasn’t been my favorite for a while, but it helped introduce me to designer games, and I owe Teuber a lot for that.

If life were fair, I’d be out on a morning run right now, but life isn’t, so I’m not. The immediate unfairness getting in my way is a flaring up of my retrolisthesis; in short, there’s a vertebra in my lower back that isn’t inclined to stay in place, and my core muscles aren’t always successful in convincing it to. Things aren’t as bad today as they were a week ago, when my lower back was experiencing so much stiffness (and, to a lesser extent, pain) that I couldn’t even bend at the waist, but despite my improvement over the past seven days, I woke up stiff enough this morning that I knew going for a run would probably make things worse.

Tous les matins, l’Université du Kentucky envoie un courriel à tous ses employés avec des annonces et informations diverses. Ce matin, la fin du courriel affirme qu’il est aujourd’hui le jour de la langue française (c’est vrai en plus!) et nous rappelle que notre université offre plein de cours en langue française et en études francophones.

Vu ma passion évidente pour tout ce qui est francophone, je savais déjà depuis longtemps qu’ils existaient déjà, ces cours. En fait, ça fait plusieurs années que j’ai envie de poursuivre un master en français. Je n’en ai pas besoin—j’ai déjà un doctorat, je n’ai pas forcément besoin de parler français pour mon travail, et je pourrai très bien continuer mon apprentissage du français et de la francophonie sans m’inscrire dans des cours. Par contre, comme employé de l’Université du Kentucky, j’ai le droit de suivre des cours sans (trop) payer, et je sais que poursuivre un master me permettrait d’apprendre un tas de choses que je n’apprendrais pas autrement. Pourquoi ne pas le poursuivre?

After the weak middle volume in the trilogy, I wasn’t sure that I’d revisit the final one, but I’m glad I did. This book gets back to what made the first one so interesting: A mix of YA tropes, epistolary creativity, and moral complexity. It was self-indulgent at times, but it earned it by not shying away from the horror of the conflicts its teenage characters were the heroes of.

I wasn’t sure about this novella at first, which was a bummer because it’s beloved by the folks at The Incomparable. As I kept reading, though, I got sucked in and wound up loving it! It makes the most of its short length, easily working in the worldbuilding and even lampshading the tropes it uses to do so. The characters are fun, but what stands out the most is how deliberately and delightfully non-Western it is. I’d grabbed it off of an Afrofuturism and Afrofantasy display at the library, and it’s a shining example of that; it made me want to learn so much more about Egypt and its surroundings.

This is a frank, vulnerable memoir that I learned a lot from; I’m glad for Kobabe’s willingness to share eir story. I also appreciated the art style. I’d been meaning to read this in print a while ago but had checked out too many books from the library and had to return it before I got to it. I’m glad it was available on Hoopla so I could read it on my phone instead of mindlessly scrolling through TVTropes.