Impossible de regarder une vidéo sur les trains des CFF sans fort ressentir l’envie de retourner en Suisse.

Kiddo starts at a new school on Wednesday, and I’ve been putting off signing the Acceptable Use Policy and Chromebook Policy because I want to read them carefully. I don’t know how much I can do about anything that I’m really concerned with, but I’m a tech researcher when I’m not being kiddo’s dad, so I feel an obligation to be informed and raise a fuss when something is fussworthy.

When I was a teenager, I would sometimes spend a weekend setting up Axis and Allies and then playing the better part of a whole game against myself. I got pretty good at opening moves this way, and I kind of wish I had the time to do this again once.

This summer has been a good one for getting back into tabletop roleplaying. I played a lot of the Wizards of the Coast Star Wars RPG in middle and high school and have been spending most of my life since then wishing that I were still that involved with RPGs. I’ve compensated some by listening to actual play podcast: Total Party Kill rotates through several great D&D campaigns, the original Fantasy Flight Star Wars run of Campaign is so good that I’m listening to it a second time, and Penny Arcade’s Tales from the Loop campaign blew my mind when I listened to it a few months ago.

Malgré avoir grandi au Kentucky, je n’ai jamais éprouvé un grand amour pour la musique country. Ça m’étonne donc toujours quand je constate son influence dans la musique francophone.

Happily rediscovering Jonathan Coulton’s discography this morning.

I was worried this was going to be a gritty take on Astro City, but now I’m just mad they took the name of my favorite superhero for a different story.

Grâce à une épisode de Culture BD sur France Culture, j’ai décidé de lire (enfin) Corto Maltese. Content de trouver des traductions chez ma bibliothèque locale, mais il faut que je trouve plus de moyens pour lire la BD en français, quoi.

Wild article. We once knew how to do trains, so why can’t we figure it out better now?

Like the previous entry in this series, I wouldn’t say that this is a classic of science fiction, but it was a fun read. The worldbuilding continues to be interesting, the characters have potential, the plot was fun, and I enjoyed reading it.

It did make me want to play some space opera/space military RPGs, but I also felt conflicted about that. As I think about Community of Christ’ focus on becoming a peace church, I wonder how much I should enjoy reading books that make violence and warfare interesting (or consuming other media that does the same).

I read this book for the first time a few years ago. Dan is a regular panelist on The Incomparable and a regular player on their D+D spinoff, so I figured I owed it a read. When reading it then, it bounced off of me—I wasn’t all that impressed with the story or the writing, and I barely remembered any of it when revisiting it.

I recently listened to Dan talk about this book—and the sequels he’s since written—on an episode of The Incomparable, so I decided to give the series another try. It’s not a masterpiece of science fiction, but I liked the setting and the writing wasn’t terrible. I don’t know what made the difference this time, but I’ve already reserved the next one from the library.

One of my favorite podcasts, The Incomparable, recently covered this book, describing it as a crazy mix of genres and ideas that shouldn’t work but absolutely does.

That convinced me to give the book a try, and that description holds up. There’s a woman who’s sold her soul to a demon; a family of extraterrestrial refugees running a donut shop; a trans girl escaping from abuse; love for video game music; a deep respect for food, classical music, and violin construction; and so much that doesn’t seem to all fit in the same story but does anyway.

Ce n’est pas souvent que j’ai le plaisir de commander un kebab-frites aux États-Unis. C’est donc un déjeuner réussi aujourd’hui !

Je sais que nous, les Américains, nous avone une longue tradition de massacrer les mots empruntés du français, mais je ne comprendrai jamais pourquoi on dit « crêpe » comme « crépe ». C’est insupportable.

I feel like I should love Catch-22, but even though I got a lot more out of it this time than the first time I read it over a decade ago, I just don’t think it’s as funny as it’s famed to be. 📚

J’ai déjà écrit cette semaine sur mon amour pour Dijon, et c’est peut-être pour ça qu’un souvenir précis me vient à l’esprit ce matin.

Quand je vivais à Dijon, je n’avais pas d’ordinateur et ce n’était pas encore l’âge de l’ordiphone. J’allais donc chez un cybercafé toutes les semaines pour écrire des courriels à ma famille et à des amis. Le cybercafé que je fréquentais s’appellait Cyberbisey, justement parce que c’était un cybercafé sur la rue Berbisey (ce n’était qu’après plusieurs semaines que j’ai compris la blague).

Cet après-midi, je prépare mes cours d’automne en écoutant Indochine.

I have done more blogging this summer than in the two preceding years, and I love it. I don’t think I’ll be able to keep up this rate once the school year starts, but I want to keep up consistency.

Ça fait quelques années que mon frère regarde la chaîne YouTube Not Just Bikes, qui parle des vélos, des transports publics, et de l’infrastructure qui les soutient (où pas). Il m’en parle assez souvent, mais ce n’est que récemment que j’ai enfin décidé de regarder quelques vidéos. Vu mon amour pour les sujets abordés dans les vidéos (les vélos, les transports publics, l’Europe), ça m’étonne que je n’ai pas découvert cette chaîne avant. J’ai surtout apprécié ces vidéos sur le vélo en Suisse, les pistes cyclables à Paris, et les trains de grande vitesse en Italie (surtout parce que j’avais déjà regardé cette vidéo sur la service Frecciarossa entre Paris et Lyon).

I broke my site a few days ago without realizing it, so kept remote posting to it. Fixed site this morning, and now thinking about how nice it is that Micro.blog weaves the new posts into the timeline by the original timestamp instead of mass posting them.

Content de voir le retour de Culture BD sur France Culture !

When I was in college, I ran into a friend on my way to a professor’s office hours. He saw that I had a copy of Superman for All Seasons with me and gave me a hard time about it—he was much more of a Marvel fan than a DC fan (these were the days when this was primarily a reference to comics, not sprawling cinematic universes) and just didn’t get the appeal of Superman—how could you do anything interesting with a character that powerful? Fortunately, the reason that I like Superman for All Seasons is my best answer to that question: What makes the Superman character interesting is not the magnitude of his power but the ways that he chooses to exercise it. I don’t find at all interesting any comics that take the format of “Superman must prove himself stronger than increasingly stronger adversaries,” but I find absolutely fascinating the many Superman comics—and other comics clearly playing with homages to the character—the ones that ask themselves why such a powerful character would use that power for good.

Pour un album censé être féministe, il y a bien trop d’essentialisme dans Mesdames de Grand Corps Malade.

This morning’s RSS issues seem to be a problem with NetNewsWire’s standalone functionality, so as much as I love the app, it’s time to find a new one. Now taking RSS recommendations for iOS/macOS.

In happier morning news, I am now restocked on my favorite Coconut Cocoa herbal tea thanks to a recent visit to Cincinnati’s best international/odds and ends market.