Caleb is my favorite in this series, and so this volume gets full marks for introducing his anti-nihilism.

I don’t love the wild shift in premise at the end of this volume, but I do enjoy seeing Grant and Sara work through stuff in a way that feels earned, so it gets credit for that.

This series takes more turns in this volume, introducing a major villain who will continue longer than expected and further shifting the premise and main ideas of the series.

I think it works! Grant and Pia get some time to explore their identities and relationship, and playing with bonkers ideas usually works for me.

Okay, so let’s get one thing out of the way up front: After a long break from this series, I spedread the remaining five volumes in the course of a few days. My ability to distinguish the volumes is being pushed to its limits, so these reviews may not be super helpful.

I do remember liking this one, though. I’m a bit annoyed at the timeskip, but this volume signals a real shift in the series where Remender introduces some exploration of his characters alongside the bonkers sci-fi premise. That’s cool, and I appreciated getting to know Grant better here.

Grandma and Grandpa suggested we all take kiddo to go see this over the long weekend. Spouse was skeptical, but I was excited—we’d apparently had very different impressions of the trailer.

Anyway, it’s not a deep cinematic work, and you can see some of the seams (I assumed some of them were due to an overly faithful adaptation of the book, but after reading the book summary on Wikipedia, I’m less sure), but I really enjoyed it. It’s trope-y in a meta way that works, it was fun and funny, and even my skeptical spouse was won over by the joke about “eating God on Sundays,” which had her in tears.

Elle n’est pas parfaite, cette série : On nous impose de croire qu’un tout nouveau personnage est évidemment un chef naturel, et il a plusieurs éléments qui sont là pour être là, même s’ils ne sont pas fondés sur l’histoire de la série ou sur la logique en général.

Pourtant, je lui donne 5 sur 5 car j’apprécie beaucoup la série, et cette saison en particulier. En avant !

Je ne sais plus comment j’ai découvert cette série, mais je suis bien content de l’avoir regardée (merci M. Le VPN pour m’avoir aidé à convaincre Arte que j’étais en France). Si elle est minimaliste, elle est plus forte pour ça.

J’ai écrit quelque chose il y a deux ans sur comment la chanson « Coup de vieux » de Bigflo & Oli m’a beaucoup marqué, car même si je n’ai jamais eu l’expérience d’être jeune en France, je reconaissais quand-même l’expérience d’être jeune. J’ai eu une expérience semblable avec cette série. Si certains éléments m’étaient étranger (je connais pas du tout Diddl, par exemple), les souvenirs de MSN Messenger me sont fort revenus, et même sans cela, l’expérience de jeunesse a quelques éléments universels.

“Intentionally bad” is a vibe that really works for me, and this is a masterclass of that vibe. I have some complaints: Some parts are grosser than they need to be, and even though I can forgive most of that as part of the “intentionally bad schtick,” there’s a rape reference in one episode that feels unnecessary even if it’s meant to be a bad call by the characters. Despite even that, I really appreciate this show for the specific thing it’s trying to do, and it made a good break from more serious media this week.

Même si je trouve que l’application Radio France est assez pourrie (difficile à organiser, de grosses pubs qui paraîssent en début de journée), elle a été utile pour trouver d’autres émissions sur Radio Londres et ses concurrents. Hyper fascinante, cette série !

This series isn’t perfect—the shaman character has enough vague stereotype surrounding him to raise a concerned eyebrow—but it’s good. What’s more, I’m so happy to be returning to it after a month-long semi-accidental break that I’m giving this volume full marks.

It’s very weird, with beautiful art to back it up. It’s fast-paced in a way that could be annoying but is justified by the story in a way that works. The characters aren’t always sympathetic, but that usually works to the advantage of the story being told.

Loved this. I don’t know why I liked it better than Tinker Tailor—is it a better adaptation, or do I actually like the underlying story better?

That got to thinking about how much of Smiley’s People is a clear riff on Tinker Tailor (George tackles a problem from the outside, brings in Guillam, chats with Connie, recruits Toby…). You can’t have Smiley’s People without Tinker Tailor, but I wonder if Smiley’s People is actually the better version of that story.

Excellent adaptation of a book I remember enjoying. My “book is better” brain wanted to quibble with some choices, but I think those choices made sense when considering the change of medium. I also really, really appreciated the almost-throwaway joke about the Phantom Zone.

Post-timeskip Dumbing of Age is good; some parts feel rockier, some parts feel even better.

Part of me thinks that I shouldn’t enjoy this particularly dramatic, action-packed sequence, but Willis does an excellent job of it—and of making it fit within the broader world and story he’s built.

This series continues to be fun. It’s making use of a scary villain in compelling ways, and even the “let’s treat UK parliamentary elections like a US presidential race” doesn’t bug me too much.

Still enjoying this! I really appreciate Willis’s charitable, nuanced take on non-fundamentalist religion that comes out here while Joyce is wrestling with her faith.

I really ought to scan back through each volume as I read it so that I can give it a more thorough review, but these go fast, blend together, and just make a generally good impression. I’d like to wrap up the reread so that I can turn my attention to other stuff, but sometimes you also just need a quick, easy rebinge of a high quality webcomic.

It came as something of a surprise that this next part of the story felt even better. It takes some liberties with the British political system, but since it came out in November 2016, it is clearly doing so to criticize Donald Trump, and I can live with that. The story continues to play with the basic concept of the Silents as a supernatural villain, and I’m enjoying seeing where it goes.

I’ve made a few comments alluding to how interesting it is to explore expanded universe material in another franchise after a near-lifetime of exploring Star Wars auxiliary fiction. This is a good demonstration of how EUs can be good: The Silents are an interesting villain, and this story makes good use of them while fitting it nicely into the broader Doctor Who canon. I enjoyed the listen.

DoA is funny because its plot takes place over a few months, but the story has been told over years and years. That makes it hard to remember what happened when. I feel like this volume has some of the changes that most lead to contemporary characters and storylines, and yet that all happens earlier than I expected.

Still blurring together in my head, still enjoying the read.

I wrote about this on my first read through (I think), but it’s very interesting to read this take on the college experience when mine was so very different. It’s interesting to see Joyce, for example, grow in ways I didn’t until a decade or so later in life.

These are such fast reads (and I’m waiting so long to review them) that I can’t say I remember the specifics of this volume, but I’m continuing to enjoy this reread, and that’s what counts, I guess.

My favorite thing in these audioplays is getting the tv actors to come back for their parts, and this is especially fun when it brings back Peter Davison and Colin Baker, too. It’s a good story that makes the most of these characters, and I enjoyed it.

I’ve noticed this throughout the reread, but this collection really got me thinking about the connections between Willis’s previous work and this reboot/remix. It’s also amazing to me just how long this series has been going on! I’m reading material that came out when I was just starting grad school.