I never would have picked this comic up on my own, but I discovered it through TVTropes, read it over two days, and really enjoyed i!

Fraction’s take on writing it is similar to Ryan North’s take on Squirrel Girl, with a lot of humor, very little taking oneself seriously, and plenty of story to keep the whole thing together.

The comic leans into the silliness of Olsen as a character and embraces a lot of the Silver Age approach to comics. It homages that era in a way that acknowledges its silliness, and that self-aware approach is —surprisingly!—better than any attempt to reimagine or grittify the character.

I grabbed this book at the library while dropping off some overdue items and read the whole thing that night before going to bed. Reread, rather—I’ve read this book at least once before. It made a big impression on me at the time, even though I’m sure I wasn’t particularly anti-racist then, and I loved it even more this time.

The art is great and the story is even better. It’s an amazing comic with a powerful message, and I think I ought to buy a copy for kiddo to read when she’s older. I already own Yang’s Superman Smashes the Klan, which is one of my favorite comics, but I think this one might be even better.

This took me a while to read: not because i didn’t like it, but because there were some parts that enraged me (in a productive way), so I couldn’t trust myself to read it before bed for fear of getting too wound up to sleep.

I appreciated the book’s straightforward approach to laying out problems with American democracy and its optimism that we can do something about it. This year, I’ve been wanting to think—and engage—more in politics, and I think I’ll find the last chapter of this book particularly helpful for giving me the motivation to do so.

Wolk read 27,000+ Marvel comics to write this book, an attempt to trace the most important part of the Marvel universe over the past ~60 years.

I love the book for a few reasons. First, it takes comics—and Marvel Comics in particular—seriously, examining their sense-making and stories. Second, there’s a deep love of comics that’s evident in the book. Not a stilted, defensive love, but a mature one that knows what’s wrong with them but champions what they get right.

I probably would not have read this book on my own but it was selected as the 2022 Kentucky Reads selection by Kentucky Humanities. I noticed that in a headline somewhere (probably the Herald-Leader) and decided it was worth giving it a shot.

I ended up enjoying the book a lot! It plays with themes of nostalgia and wondering if the past could have or should have been different. I’ve been thinking about both of those things a lot recently, including in the context of my faith transition. Mason’s Ann tries to imagine a past that would have been different but is unable to depart from the past that actually was, and for all my question about my own past, I know it’s the past I have, and I don’t mind it.