It took me six months to finally read this book, but it’s exactly what I hoped for, so it was worth the wait. Some of Merton’s essays are more compelling than others, but his fierce condemnation of war and advocacy for peace is moving. I’m sure I’ll be coming back to this.

I believe this is the third time I’ve read this book, and I’ve also enjoyed its BBC television and radio adaptations a lot. The first time I read it, I didn’t get it, the second time I loved it, and this time I see why it’s such a classic. It was fun to read the original after watching and listening to the adaptations pretty regularly over the past several years. Le Carré does well with detail, and I’d forgotten the subplots and side comments that get left out—but that add so much to the characters, the plot, and the overall feel of the book. That said, there were times when some of those details felt extraneous (i.e., the compressed adaptations don’t suffer for their absence), and fifty years on, Jerry Westerby’s running joke with Smiley about Indigenous Americans is cringeworthy. It’s amazing sometimes how Europeans sometimes feel more racist toward American Indians than we in the U.S. are.

I read these books ages ago, but I can hardly remember any of the details, so it’s been fun to revisit this world with flashes of familiarity but mostly just waiting episode to episode to figure things out. The set design is great, the acting is good, and the music is compelling. I don’t know exactly why I’m not giving it full marks (it feels a bit strained and overcomplicated sometimes, but I think that captures the source material from what I remember), but I’m looking forward to future seasons!

I’m continuing my journey theough Le Carré, and I thought I’d give his last, posthumous book a listen while waiting for my hold on Tinker, Tailor, Soldier, Spy to cone through. It’s so interesting to compare this last book of his to his earlier works: There are more women (though I still don’t think it passes the Bechdel Test), more cell phones, and more swears than his early stuff, but the sense of inevitable plodding toward a disappointing end (for the protagonists at least) is just as strong as ever. I found that this ending wasn’t quite as strong as the buildup, but it was a fine last novel from an excellent author.

I read through this with kiddo this morning, inspired by our recent discovery of Shiga’s new Adventuregame Comics. I was surprised by how little I loved it. Don’t get me wrong: it’s an amazing concept, an interesting story, and it deserves the praise it gets from folks like Gene Luen Yang,Scott McCloud, and others. However, revisiting it after his newer work in this subgenre, I think he does better with Adventuretime Comics! Still happy to have this on my shelf, though.

I am not normally a fan of the comic strip genre of comics, but this was a good and important read.

This was an uneven final season for a show I really enjoyed. I wish they’d made it tighter and better structured, and maybe it doesn’t deserve the score I’ve given it. I’ve enjoyed the whole of these three seasons (and so many small moments in this one) too much to rate it any less, though.

Look, this is the kind of book that I bought knowing already that I’d agree with its thesis, so maybe you shouldn’t read my review of it. Nonetheless, I think Caine does an excellent job of bringing together many of the arguments against Amazon. This company is bad news, and while it’s hard to escape it entirely, I think the world would be a better place if more of us did less to support it.

I have been looking for this kind of book for a long time, and some of my recent publications would have been stronger if this had come out in time for me to reference it beforehand. It’s not perfect: Some wording is awkward and the conceptual framework (while interesting) could be stronger. However, it’s invaluable for the history it offers and I expect to cite it regularly in the future.

I picked up a copy of this book at the 2023 World Conference of Community of Christ, after it being on my wishlist for some time. It does an excellent job of examining the subjectivity of Restoration scripture by tracing its evolution over time. I remarked to a friend earlier this week that it’s a shame it was written in the 90s (and originally, the 60s) rather than now, when there’s so much more available to do this kind of work. In some ways, large parts of the book feel like they’ve been replaced by the Joseph Smith Papers project; yet, there’s still a lot to gain from this take.

A recent episode of The Incomparable covered this book, and even though the reviews were mixed, it seemed up my alley, so I gave it a try. It’s very obviously a book of ideas and is sometimes clumsy and didactic. That said, I wish I had taken more time to sit with those ideas; I rushed through the book to finish it before my loan was up, and I’m sure I missed bits. Even when it’s clumsy (or when I missed stuff), the ideas are interesting though. What’s more, the worldbuilding is fascinating—not least because it is so focused on the Global South to find the settings, characters, and ideas of this imagined future. Even when the plot felt arbitrary or forced, I was so delighted by a book where “the West” was so deliberately absent and the background was so detailed that I enjoyed the whole thing.

This book is one of the mainstays of the old Star Wars EU. I hadn’t read it in years, but after exploring some of the new canon and hearing the news about a likely remixing of it into a Dave Filoni movie, it seemed like a good time to revisit. The audiobook production was great, and even if I’m not planning to finish the trilogy, I enjoyed checking this title out again.

I have enjoyed going through this book. It’s the kind of book that invites personal action instead of just letting you read it, and that’s felt overwhelming at times (particularly as my life has gotten busier in recent weeks), but it’s a good invitation, and I know I’ll need to revisit this slowly and deliberately to get the most out of it.

I read (and listened to) a lot in the early months of this year and have hit a wall recently. This audiobook was a nice way to get back into reading; I’ve felt a hunger for Star Wars media recently, and this book came recommended on a podcast I’ve sampled. It’s fun to get more into the new canon: I thought this did a good job of setting up some of the Episode VII worldbuilding, and it reminded me of the fun I had reading through the old EU growing up.

A few months ago, I began listening to the Radio Télévision Suisse show Babel again; I have an off and on relationship with the show and decided it was time for another on. I was impressed with an interview Siegwalt gave discussing this book and put it on my list. It turned out I could buy it from the Swiss publisher, which offered a flat 5€ shipping fee, even to have it sent here to Kentucky. It’s a very interesting book, one that articulates a need to redefine and rename God there where lived reality and its anxieties meets with tradition and community. I think there’s a lot I can take from it, but it’s also characterized by long sentences and academic French that put my comprehension to the test. I wish I’d read more of it in one go instead of dragging it over six weeks; I might have held onto more of the argument. So, my fourth heart in the rating is probably aspirational, but I think this has a lot to say for the journey Community of Christ is on (and me with it), so I’m confident I’ll come back to it.

Well, this is the last of the PDFs I got from the Humble Bundle, and I think that means I’m caught up on Saga in trade paperback format. I’m hooked, though, so I’ll have to find other ways to keep up with it!

Heck of a volume right here; I can see how it would be frustrating for the series to go on hiatus right after this, and I’m glad I’m reading the series post-hiatus. It’s interesting to see just how willing Vaughan is to change things up hard, and I wonder how this will affect the running themes of the book moving forward. As usual, it’s also fascinating to follow the beautiful, very weird art. Most of this volume takes place at an abandoned, derelict theme park. It’s a choice that is very weird but somehow fits this series perfectly.

This volume is a perfect encapsulation of everything Saga: I think it hits on all the main characters, it’s weird in delightful ways, it tackles heavy subjects (but sometimes veers into edgy for edgy’s sake), and it left me excited to read more.

At this point, I’ve read so much Saga this week that it’s hard to remember what happened in what volume. That said, even if Volume 7 ended on a downer, I remember that I liked what I read here.

Still reading, still enjoying! It’s interesting to watch the stories and themes play out (sometimes slowly) over time.

I still love so much about this series and am looking forward to continuing it. Vaughan is blending together characters and plot threads in interesting and new ways, and I’m eager to see where he goes with it. This didn’t get as high as a review from me as the last volume, though. Maybe it’s because there was some more of the gore that’s my least favorite part of this, or maybe it’s because I don’t like media about couples going through rough patches, even if it’s well done.

You know, I still feel like Saga leans into being a comic for adults by putting adult material in there just because it can. That said, I’ll admit that I have a certain amount of inherent prudishness that may be coloring my thinking there. More importantly, I enjoy the art, the story is getting better and more interesting, and I’m eager to keep reading.

I gave Saga a try a few years ago, but it didn’t quite work for me (or my prudishness), so as good of a reputation it had, I didn’t stick with it. I just got the first ten volumes through a Humble Bundle, though, and so it’s time to give it another try. I’m no longer bothered by swearing and sex like I was a decade (or whatever) ago, though I’ll admit that casual gore is not something that endears me to comics. I don’t know if I think this is the best comic ever, but I can tell why it’s beloved, and I’m excited to keep reading. The art is great, the characters are compelling, it’s delightfully weird, and I enjoy the use of Esperanto as an alien language. Looking forward to the next volume!

I picked this up after hearing about it in the show notes of an EFF podcast the author appeared on. This is not the book that I expected to read, I’m not sure I entirely got it, and it even feels a bit like a shaggy dog story at the end. I still enjoyed it, though, in a way I can’t quite put my finger on. It’s neat to read fiction from deliberately African perspectives, the shaggy dog-ness is probably the point, and the characters are compelling. I’m looking forward to trying the sequel.

What a wild listen! I started this right after finishing Doctorow’s Little Brother because it’s recommended in the supplementary materials. It’s a bit odd to read in 2023: The idea of cryptocurrency has been tainted with recent news, it spectacularly fails the Bechdel test, and it seems to me to use more casual racial slurs than the chapters in the Pacific Theater might allow for in the name of realism. Yet, it’s intricately plotted, well written, just absurd enough to make it better, and technical without being overwhelming. I don’t know that I’ll ever read it again, but I think it’s deserving of its reputation.