Vaughan seems to like to be edgy in ways that I don’t always appreciate, but this series has hooked me in the way that Saga eventually did, so kudos.

Starting to recognize the Vaughan stuff I like from Saga: Unapologetically weird but still holds together somehow. I’m enjoying rereading this series.

Funnily enough, there’s a paper TPB sitting on my bedside table from when I checked it out several months ago so that I could revisit this series.

That stalled out, but I am finding it easier to get through as a PDF on my phone. The series is better than I remember it being from whenever I reread it, but it’s still not so good that I feel like I get some of the hype.

I’ve been a Star Wars fan for long enough to recognize unnecessary expanded universe material when I hear it, but I’ve also been a Star Wars fan for long enough to know that some of it is actually pretty good.

I’ve known about this book for ages and always wanted to read it because the idea of the Kobayashi Maru is just fun. I was delighted to find an audiobook on the Internet Archive and enjoyed listening to it. James Doohan can only do so many voices (I had trouble telling his Chekov from his Scotty), but I appreciated what he brought to the role, the music and sound effects weren’t bad, and the premise paid off.

I like weird fiction, and this anarchist occult book delivers. I like the mundanity of the occult stuff and the persistent but relatively subtle anarchist themes. It could be better, but the vibes alone are enough for a positive review. Looking forward to reading the next one in the series.

Fascinating read! I’m not as interested as the author in his largely geopolitical thesis, but the raw materials he uses to construct that thesis are depressingly fascinating. They could also make up the elements of an Ellulian thesis on the dangers of power, efficiency, and technical systems. It’s harder to use Apple products after reading the book—and it’s a stark reminder of how the world we live in is so different than the world I’d like us to.

This series continues to be compelling, even if I have some complaints about it. Casey’s dialogue for Black characters sometimes feels stereotypical, I don’t love his use (or depiction) of rape as a plot point, and (like some of the other Image series I’ve read) I feel like there’s a fine line between “comics can be a mature medium” and “let’s draw all the boobs and butts we can.”

And yet. This is a more interesting Batman story than so many actual Batman stories I’ve read. For all my baseline prudishness and legitimate concerns, I don’t (usually) think this is just mature content just to be titillating, and I really want to see how things play out.

Just over a year ago, I read and reviewed Matt Fraction’s Sex Criminals, which felt weird to read and even weirder to publicly acknowledge having read. I got why it received the acclaim that it did but didn’t really like it.

This Image comics Humble Bundle that I’ve been working my way through included the entire run of Sex Criminals, which I don’t intend to reread, but I am trying to read basically everything else in the bundle, including other series that it feels weird to read and even weirder to publicly acknowledge reading. I’ve been oblique in referencing that so far, but it’s hard to avoid with this review.

So, this still doesn’t sit totally right with me. The sleaze as art choice is still not my style, and I’m not sure which side of the “artistic vs. objectifying” it falls on, though the former is clearly the goal. I also think that plot and character “development” sometimes move too quickly to really land.

If I’m more generous toward this volume, though, it’s because it’s more clear what the creators are trying to do here. The characters are more compelling, with backstories and relationships that make them interesting. The plot twists add genuine drama. It feels like they are trying to prove that comics can be a serious, “adult” (in not just one sense of the term) medium, and I think they mostly succeed? It feels like a comics equivalent of all those blockbuster TV shows I don’t watch, and I can give it credit for that even if there are reasons I tend not to watch those shows.

This book starts off strong, with a very interesting exploration of Christology in the Book of Mormon. There are some other interesting observations, too (including a frank-to-the-point-of-productive-discomfort evaluation of race in the Book of Mormon). If I were only reading the conclusion, I’d likely give it full marks. A few things keep me from doing that for the book as I read it, though.

I admit that some of those things are entirely my fault. As with the last two books in the series, I’ve read this one too quickly to appreciate the arguments it’s making. Furthermore, I confess that I have personal biases against a couple of the authors cited even though I don’t know much about those authors—it’s the laziest kind of bias, and while I might still dislike those authors after a thorough evaluation of their work, it’s not solid ground for grumping about their appearance in this book.

Okay, once I got over the ways that generative AI have ruined the premise, it’s not a terrible story. It’s not deep or particularly original, but I enjoyed it enough to be more generous this time around.

This book is great: its emphasis on sight and invisibility, its meta-emphasis on self-evaluation and self-deception, and its leaning into the Book of Mormon’s condemnation of wealth and departure from contemporary Latter-day Saint understandings. So much good stuff in here. The only thing keeping me from giving full marks is that I’ve skimmed it too quickly to critically evaluate (or appreciate) the throughlines of the book.

I struggled my way through this book, but I also liked it? My wanting to quickly fly through this series hampered my ability to sit with it and evaluate its arguments in the way that it deserves, and it feels weird to review the book based on the skim that I ended up settling for. Yet, I also really liked the directions Wrathall explored, and I would be eager to reread what he has to say with more care and attention sometime in the future.

I’ve been meaning to reread this for a while, and I’m glad I finally got to it. It’s fifteen years old now and feels it sometimes (not necessarily in a bad way), but it’s a fun read.

I appreciate Doctorow’s use of MMOs as a metaphor for economics, and even if I’m not economically savvy enough to follow all the details or evaluate their accuracy, it’s a lot of fun to read about “Great Recession, but a heist carried out by unionized workers.”

We bought the English translation of this comic after falling in love with the series in the original French. The goal is to donate this copy to kiddo’s school library, but we couldn’t help but read it as a family first. It’s darling and wonderful, but it loses a bit of the fun in translation.

There’s a lot I like in this book: the call for urgency; its focus on bottom-up movements; echoes of Ellul, Graeber, and other authors I’ve appreciated. It feels like an example of the prophetic voice, and I hope to keep it in mind in the years to come.

I’m not an economist or an environmental expert, so I feel inadequate in my ability to thoroughly review it. I wish it were easier to translate those lofty ideals into daily action, though maybe part of the point is that there are no easy answers to this.

I have been meaning to read this book for months and was happy to have an uninterrupted couple of hours on a flight so that I could finally get to it.

It covers familiar ground but without feeling repetitive. I expect to cite it frequently in the future—in fact, I ought to work it into some slides I’m presenting tomorrow!

I wasn’t sure about this book at first, and I’m not totally sure about it at the end, but there was enough in the middle to mostly win me over. Herron continues to be a cruel narrator with one of the major developments of this book, and the other major development really raises questions about where the series will go from here.

I’ve been waiting for this one for a while, and I got weak and ceded to Hoopla rather than wait for the TPB to arrive at my local library.

I continue to appreciate this series, and Issue 43 (the real horror is what’s going on in the world right now) is really good, a highlight of the whole thing. I have to admit, though, that it didn’t otherwise feel worth the wait. Maybe I got my expectations too high, or maybe there are just diminishing returns. I’m not giving up on the series, but I feel like it’s uneven.

I probably ought to rate this book higher. Even if I’m not terribly interested in psalmic structure and how it applies to the Book of Alma, there are some fascinating readings of familiar characters and stories in this book. In particular, Turley’s reading of Ammonihah and “fire and brimstone” has really impacted me, and I want to spend more time with it.

In fact, that’s ultimately what keeps me from rating the book higher. I’m powering through this series and more often skimming than reading. I don’t regret that if it’s the price I pay for finally making my way through all twelve volumes, but it does mean it’s hard to truly evaluate some of these books.

It’s not great literature, but I don’t remember ever having read it, and it felt like the kind of escapist fun I could use right now. I think the Alphabet Squadron series is a superior successor in terms of having something to say beyond escapism, but Corran Horn is a fun Mary Sue to read about, and I think I’ll keep reading.

It’s not my favorite book in the series, but it isn’t bad. There are some interesting plot developments here, but I also feel like Diana Taverner is stuck with the idiot ball from page one, which isn’t as fun as it could be. Won’t stop me from continuing to read, though.

Oh là là, comme il a beaucoup exigé ce livre ! Ça fait des mois que j’essaie de le lire, et les écrits d’Ellul ont souvent dépassé ma capacité de comprendre le français philosophique.

Je pardonne beaucoup à ce livre pour trois raisons. D’abord, c’est surtout un brouillon, n’ayant jamais été publié, et ce qui était surtout pénible aurait sans doute été corrigé lors d’une vraie édition du livre. Deuxièmement, il y a beaucoup de pépites d’or là-dedans, même s’il faut beaucoup creuser pour les atteindre. Enfin, malgré mes plaintes, j’aime beaucoup la façon dont ce livre joint les deux grands thèmes de l’écriture d’Ellul lors de son vivant.

Bon, j’avoue que elle devient de mojns en moins intéressant, cette série, mais je peux beaucoup pardonner pour une aventure en Alsace.

I remembered enjoying this volume, and it lived up to my memory! It’s one of the darker entries in the series, but it’s not as absurd or outright bleak as some of the others. A nice balance that was fun to revisit.