You know, I’d kind of been dreading getting to this book because I remembered the climax, and I remembered not liking it. After reading it, though, I’m starting to think that it’s better done than I remembered but just that it stresses me out. At any rate, this comic continues to be good, and I also feel like we’re getting more Carla, which I appreciate. She’s the best.

Once you read enough Cory Doctorow, you start to pick up on the story elements that he reuses and recycles, and that’s pretty obvious here. Not only is this a graphic novel adaptation of a short story, but it’s very close to the premise of For the Win, too. That’s not necessarily a bad thing, though!

In fact, I really like this comic. The plot is interesting, and the art is AMAZING. The story doesn’t bog you down and treats the reader as though they’re smart enough to keep up. My only complaint is that there are a couple of plot elements (in the main comic and the bonus one) that would benefit from a bit more explanation. Other than that, though, I think this is great, and I can’t wait for my kid to be old enough to read it.

This actually has an absurdly long(er) title that I refuse to include in its entirety. I appreciate the effort, but I think it might break something somewhere on my web workflow.

It’s interesting to read this volume with knowledge of what’s coming up in the series! I can see plots being set up that I might not notice otherwise. Not all of those plots are my favorite, but I still really like this comic, so I’m looking forward to them anyway.

In some ways, I can’t at all relate to Dumbing of Age because my college experience was so wildly different. Yet, it’s funny how I can relate so much to parts of it now, well after my college years. I don’t know that I would have wanted to have this freshman year (especially not the melodramatic bits or superhero fights), but I do wish I could have learned some of the lessons in the story earlier in life. Anyway, it’s a great comic.

This continues to be good, the bonus material keeps getting better, and even though I can’t be bothered to write thorough reviews for these volumes (still 6 to go!), I’m really glad I own them.

The lines between books continue to blur, and as much as I like Becky’s growing importance, I’m not always a huge fan of Amazi-Girl scenes. This continues to be a good comic, though, and I’m enjoying the reread.

Lots of plot developments that will go on to define the comic here, and I enjoyed revisiting them. The bonus material is also really starting to pick up here with the inclusion of Patreon strips, so that’s fun, too.

To be honest, the collections are starting to blur together some, so I don’t exactly remember where the dividing line is between this one and the last. The series continues to be good and fun, though, so it gets this rating nonetheless!

I think one reason I like DoA so much is because it’s so different than my own college freshman experience. Some of that is clearly because it’s a work of fiction, but it’s also because BYU is a very different place than other universities, so it’s still interesting to consider different experiences.

DoA can get kind of melodramatic sometimes, and there’s plenty of that in this book. Sometimes it strains credulity, but it doesn’t get in the way of a fantastic webcomic.

Like the first volume, this was familiar (since I’d just read these comics a few months ago) but worth rereading—both because the comic is good and because the bonus materials are interesting.

It was just earlier this year that I archive binged this comic, but I recently bought PDFs of the collections through a Kickstarter and decided to reread it with the commentary and bonus material.

I can see the rough spots that have been improved in over a decade of webcomic history (in art and choice of language, for example), but this still makes for an excellent introduction to the universe, and I feel such a connection with Joyce that it’s interesting to meet her again in her original characterization.

This tiny little book is a great addition to the worldbuilding of Walkaway, and I love it for that.

The book has a fun premise for science fiction: An alien craft lands in medieval England, a series of forced worldbuilding details makes the English knights stronger than the aliens, and before you know it, they’ve gone to space and conquered themselves an empire. The book also has the benefit of being written in a way that anything that hasn’t aged well can be attributed to the fictional characters narrating the story.

I had started listening to the recent Audible adaptation, believing that it was a BBC adaptation, but between not loving Audible and it feeling overdone, I ditched it pretty quickly and found this actual BBC adaptation instead. For bonus points, Christopher Eccleston is in the lead role!

I feel like it’s the kind of adaptation that you have to know the original to really appreciate, but that doesn’t make it bad. I haven’t read the novel for years but still enjoyed it.

Manga is one comics tradition I’ve never really gotten into, but I was impressed by someone else’s description of this series on Micro.blog and decided to give it a try. There are some manga conventions I’m still getting used to, and I don’t know that I fully “get it” yet, but it’s fun! The “cozy apocalypse” vibe it gives off is nice, and I’m looking forward to reading the next volume.

I discovered this cycle of 12 radio plays that adapted the four gospels for the BBC on the Internet Archive and decided to give it a try!

From a hermeneutical and theological perspective, I have some complaints. For one thing, even though it’s a radio play, it still manages to make clear that its Jesus is blond (and, by extension, white) through repeated references to golden hair, so that got under my nerves. You could explain that away as an adaptation for British culture, with the disciples having a range of accents, Roman soldiers using British military jargon, etc. (and I actually really like all those choices), but it still rubs me the wrong way.

After my last read was such a guilty pleasure (still not sure if I’ll bring myself to read the next Honor Harrington or if it’s just not worth it), I decided I needed some Doctorow so I could read something fun and meaningful.

This isn’t my favorite of Doctorow’s, but it’s good! The more I read of his, the more I see the cross-cutting themes, the elements that get recycled from book to book, the earlier versions of plots that I’ve read in his more recent stuff.

My spouse has been trying to get me to read the book for years, so we had to watch the show! It’s an interesting premise with compelling characters (who are well cast and well acted), and I enjoyed the whole thing.

My biggest irritation with it is how the main character’s nobility is seemingly celebrated. I’m no Soviet apologist—it was a repressive country that committed unjustifiable wrongs—but I would have preferred to see the Count reflect on the unmerited wealth and power he held as a member of the Russian nobility rather than be a simple victim of Marxist zeal.

This show is the very definition of weird-but-delightful. I watched (some of) it with my now-spouse right around when we first started dating, and it’s fun to revisit. The aesthetic is very specific, the vibe is dark-but-cute, and the dialogue is snappy if strange. Looking forward to Season 2!

Still fun! Just didn’t stand out as much as some of the other series.

I have a bunch of small complaints about this movie, but I came away from it generally feeling like it was well done, so I’m erring on the side of a more positive rating. I don’t know if that makes me an uncritical movie watcher, but whatever.

For the most part, I liked the aesthetic choices! It bugged me that the spaceship was modeled after a space shuttle, because that doesn’t make a ton of sense, but I did appreciate that the film went with shorthand in terms of set design instead of trying to make it realistic or whatever.

I miss the traditional “storyteller” sketches at the end of every episode, but I know they’ll be back in future series, and there were plenty of laugh out loud moments in this one.

This show continues to be fun, even if it wears off its genius on the third run. Some parts still make me laugh out loud, though!

The last few chapters of this book really captured me, but I was of more mixed feelings on the rest of it. It took me a couple tries to get through it, and as late as last week, I was ready to abandon it.

Spong is one of those writers who repeats arguments; having read another of his books, much of this one sounded familiar. Some of his arguments also felt simplistic, and I think a more nuanced look at the historical Jesus would stand in tension with his perspective (though this is based on my reading of other authors—this is clearly not an area of my expertise). In other cases, I would have liked to see more sources cited or despite his progressive commitments, a choice of words rubbed me the wrong way.

This is the third time I’ve listened to this series in the past five years, and I wonder if I’m rating it a bit low because of that. At any rate, I couldn’t help myself from trying it again after finishing Cabin Pressure. I might like this show even better—Finnemore has more freedom to show off his gift for words and his intricate plotting and callbacks.