I struggled with what to rate this series. It’s great in a lot of ways, and it’s fun to watch a political show that is based in a country I don’t know very well (plus, explaining parliamentary coalitions and other election systems to my spouse made me feel smart).

That said, it’s also not as tight and polished as something like The West Wing, and while it might not be fair to compare the two, it’s inevitable. Some of the story arcs would land better with a bit more preparation, and some plot elements feel contrived for the sake of a specific episode.

I was living outside the country and in my own little religious world when the 2008 financial crisis hit, and so my understanding of that moment in history has always been kind of flimsy. Despite being a weird near-future MMO-centric book, I kind of feel like reading this helped?

I read on Wikipedia that some critics weren’t a fan of the economics tangents, but I like Doctorow when he’s didactic, so even though I didn’t follow all the details, I enjoyed what he was going for (I just don’t have a head for economics or finance). Doctorow’s social concerns are also front and center here, in the same way they are in some of his more recent fiction, and I appreciate the way his narratives move me in a way that a philosophical argument wouldn’t.

The Dune universe is super weird, and I don’t know that it’s my favorite, but this is a really well done movie.

This movie looks great and was a lot of fun to watch. I have very vague movies of the book but liked this a lot better.

I came for the Ms. Marvel, and this delivered! She’s a great character, and it was fun to see her in this movie. There were also lots of weird-but-fun bits that I enjoyed.

There are plenty of things about the movie that didn’t work for me, but it’s no less dumb than most Marvel movies, and I have no interest in feeding what I understand is a bunch of hating on the movie. It’s not the best MCU film out there, but it was plenty fun, and I’d blame the growing unwieldiness of the universe as much as anything about this installment for the clunky bits.

Romance is not my usual genre, but this came recommended by my spouse, who rightly guessed I would enjoy just how bonkers weird this story gets. It was a fun read!

I love this show, and this season was a delight to watch. There were bumps along the way, some characters were done dirty, and I don’t know that I like the characters that the finale wants to be in the right (or that the characters I like weren’t in the wrong), but it was a wonderful piece of television.

This is a fascinating book written by two authors who began the project wanting to write about how cool it would be to settle space… but after consulting all the evidence, concluded that it might not be a great idea.

It’s kind of a downer book in a way—I’ve always been excited about space, and it’s a bummer to think of it as an awful place where we might not have a future. I’m glad for the chance to re-evaluate my thinking, though!

Kind of like the Spong book I recently finished, I enjoyed this book, but I think I would have gotten about as much from a condensed version. I’ve gotten to a point after nearly a decade of this kind of reading that I don’t need to be eased into a lot of these arguments and just want the crux of them. I think the academic in me (though this is certainly not my area of training) also wants more sources and footnotes. Nonetheless, it was a really helpful book despite my impatience with it.

What an excellent series this is. The finale was more violent than I’m comfortable with, but I appreciated that it never glorified the violence; rather, it fit in nicely with the series’s habit of showing that as screwed up as the Slow Horses are, it’s the dignified leadership of this fictional MI5 who are the real monsters. Power corrupts, and all that. I’m wondering how next series will go—I have only vague recollections of the book, and what I do remember is that it’s one of the weirder ones.

I’d been meaning to read these for a while and was happy to find them collected in a single (Libby) volume. Herron is great at adding a lot to his universe full of terrible people, and I wish I recognized all the cameos and continuity nods from the main series. I did appreciate Herron’s lampshading of his characters’ not aging despite a decade of publication history—it was clever without feeling out of place.

I have a lot of small irritations with this book: I feel like Spong takes too long deconstructing before reconstructing (though that may reflect my own personal stage of faith), like his arguments are sometimes sloppy, and like he can be awkward (but clearly sincere) to modern eyes in his commitment to non-discrimination. He also seems more sure than I am that this is the obvious and only way to read Jesus; I agree with his reading, but I’m not sure it’s as straightforward as he makes it. At the end of the day, though, I want to come back to this thinking. I’m reminded of Leo Tolstoy and Gérard Siegwalt, and I appreciate his articulation of a non-theist Christianity. Lots to like here.

I enjoyed this semi-prequel to the Slow Horses series. I’d forgotten some series details along the way and wish there were a series wiki out there to help me catch up. Nonetheless, I remembered enough to enjoy the connections and figure most bits out.

I don’t think this prequel is quite as good as the original Legends & Lattes, but it is clearly cut from the same cloth. It’s a fun mix of D&D tropes and general coziness and made for a nice way to spend some of my winter break.

I don’t really like gag-a-day strips (or many comic strips at all), but Jaimes’s run on Nancy speaks to me in a way I can’t explain. I checked this out from the library for kiddo but ended up reading it myself.

I’ve complained a lot about superhero comics nonsense throughout this series, but it’s still depressing to finally show that a 16-year-old wouldn’t survive all of these fights. It’s an interesting wrap up for this character, and I ought to find and read the Miles Morales series, but after 26 TPBs in a couple of months, I think I need a break from Spider-Man. There are other books I ought to read, and on the comics landscape, I hear there’s a new Saga TPB to get caught up on.

I miss the earlier art, and there’s still plenty of comic book nonsense, but this series has found a good groove. I don’t know a whole ton about main Marvel continuity, but I do feel like Bendis has the freedom to do his own thing here, and I gather that was the point of the Ultimate universe. Kind of wild to have the next volume’s big event spoiled in this volume’s title, but I guess it’s been long enough for it not to matter.

This book took a while to finally get through. After two failed attempts at an ebook, I finally succeeded thanks to a LibriVox audiobook!

I have mixed feelings about the book, though I ultimately liked it. Tolstoy’s ideas are radical, and though I aspire to a certain radicalism in my faith and politics, that is certainly not my nature, so I brought some resistance with me into the text.

Even accounting for that, though, I don’t think Tolstoy’s argument is as self-evident or well reasoned as he thinks it is. He sometimes seemed to spend more time assuring the reader that his conclusions were sound than actually presenting an argument that led to those conclusions. Similarly, he has some views that smack of supersessionism and even racial superiority that need to be wrestled with.

Fun arc! I like the whole range of characters at Bendis’s disposal, and even though it strains credulity sometimes, it is fun to have Peter and friends as teenagers. Lafuente’s art isn’t bad, but I’m not used to it, so I have trouble recognizing Peter as Peter sometimes (especially in this arc!). Nearing the end of this journey, though I ought to read the Miles Morales volumes after that.

I don’t know how to deal with the renaming and renumbering going on in this series, and trying to read up on it on Wikipedia is just making me more confused. This is very clearly a “reset the status quo” effort, but it’s not entirely bad? Bendis continues to mistreat Mary Jane, and I feel like it’s actually getting worse, so that’s not great. I do like the dynamic of Aunt May taking in more and more superheroes, though, so we’ll see how that turns out.

I’d heard a lot about Ultimatum before, but this was my first time actually reading the arc. There are things I don’t like in these issues—including some of the low-level misogyny I pointed out in previous volumes—but for a major crossover event filled with comic book nonsense, it was actually pretty good.

I really shouldn’t like this volume. I don’t care that much about Venom or Carnage, and I think their Ultimate origin stories are dumb. Gwen Stacy got treated terribly earlier in the series, and this comic book resurrection is as silly as her death was stupid. Yet, I thought the framing story was interesting, Venom is compelling as an eldritch villain, and I… enjoyed myself? Dunno what to make of all that, but four hearts it is.

I think this might be my least favorite of the three volumes I now own (need to track down the fourth to complete the collection). The first arc was good enough (and felt straight out of The Sandbaggers—Rucka borrows HEAVILY from a couple of episodes), but the second seemed like supplementary material to Rucka’s novels. I like this series when it’s riffing off of The Sandbaggers, but when it feels like its own thing with lots of continuity, it’s harder to enjoy. The scripts that fill out the volume saved it for me, though. I didn’t think I’d like them, but they were a fantastic behind the scenes peek!

This volume also feels like a step in the right direction! It seems like Bendis is willing to stretch with and fill out the universe some: What he did with Liz Allan and recurring villain/joke The Shocker are especially interesting. I’m having fun with this series again!

I feel like this series found its groove again! I miss Bagley’s pencilling, but Immonen makes a fine replacement. A lot of the stuff that bothered me in recent volumes has been redeemed here: Kitty Pryde is interesting instead of just a drama device, Norman Osborn gets some depth, S.H.I.E.L.D. is engaged with as the creepy organization they are, and it turns out that comic book nonsense can actually be fun sometimes. Hope this keeps up.