I enjoyed watching some of my favorite characters in this series, but it does not have the coherence or cleverness of the first one.

I was more generous to the first series this time around because I was impressed by how tightly it works as a single story, despite being episodic. While there are lots of gems in this series, it doesn’t feel as tightly constructed, and there are also some weird things that don’t really work for me (like a conspiratorial diatribe against the FBI?). I don’t regret rewatching it, but it just isn’t as good as the first series.

I have tried to rewatch this a few times since discovering it in 2023, and I’ve always stalled out by the final episode of Series 1, which is so cruel and cynical that it’s difficult to watch. Yet, it fits nicely with the themes of the show (and especially the first series), so I’m glad I made it through this time. I’m still critical of the misogyny and brownface that led me to dock points from my last review, but seeing how carefully the show sets up that final episode of the series (especially during an era where season arcs weren’t nearly as important as they later became) has won my respect.

I love the premise and the characters of this show, but it felt like it was running out of steam by the third series (though I’ll admit I don’t know how much the mysterious disappearance of its creator had to do with this—I’d like to read the book on the subject). Burnside got less and less likeable as the show went on (though this might be the point!), and I got tired of how many plots boiled down to “Burnside doesn’t care and goes rogue.” I was also disappointed that what could have been an interesting series-long subplot about a strained relationship between Burnside and Ross went nowhere. If I revisit this show again in the future, I’ll stop after the first series.

I’m not sure I enjoyed the second series as much as the first, but over time, it grew on me. The finale nicely tied things together and helped me see how Burnside’s hubris was a running theme of the series (rather than a character derailment). Interested to see what happens in the final series!

I only learned about The Sandbaggers last weekend, on an episode of The Incomparable, but I watched the entire first series this week—and loved it. It isn’t perfect: There’s too much 1970s casual misogyny for it to be self-critical in the same way that a modern show set in the 70s would be, and the brown face in one episode is also embarassing. Not setting those aside, I was still impressed with the way the show combined the bumbling hypocrisy of Yes, Minister; the self-serving internal politics of Slow Horses; and the cynical despair of Le Carré into a single, compelling show.