I’ve been tempering my praise of this series through this relisten, but the time travel sketch in the finale is excellent, and there are other top notch examples of Finnemore’s humor scattered throughout.

What’s more, the recordings of this series on the Internet Archive are actual recordings and have bits of continuity announcer on either end of the episodes. I just love that, for reasons I can’t fully articulate, and I wish all the series were like that.

My journey through Cabin Pressure continues! I can’t remember how much of this series I’ve previously listened to—definitely not the Christmas special, but probably the rest of it. At any rate, it continues to have exceptional writing and lovely acting. Radio is underrated, and John Finnemore is perhaps the best example of that.

I skipped The Honourable Schoolboy for this Le Carré adventure because I think it’s the weakest of the Karla trilogy, and because the BBC Radio 4 adaptation made me dread what kind of stereotypical Chinese accents an audiobook reader might adopt. I couldn’t possibly skip Smiley’s People, though; I think I might like it even more than Tinker Tailor, though you can’t appreciate this without having read that. It has the best of Le Carré—copious but not irrelevant detail, moral ambiguity without needless grittiness, and a sense of inevitability that still keeps you hooked on the story.

During my two years living in France and Switzerland, I fell deeply in love with travel by rail. But alas, I live in a particularly rail-unfriendly region of a rather rail-unfriendly country. One of my guilty internet pleasures is consuming rail-related media so that I can feel like I’m having train experiences anyway.

Geoff Marshall’s YouTube channel is a favorite of mine. Le Ferrovipathe and Urban Traveler are a couple of Francophone channels that I like much more, but that produce less content. That said, I’d gladly rewatch Urban Traveler’s #TourDeFranceEnTER or Tour de Suisse en train series, which make me ache for the experience of taking European rail.

I believe this is the third time I’ve read this book, and I’ve also enjoyed its BBC television and radio adaptations a lot. The first time I read it, I didn’t get it, the second time I loved it, and this time I see why it’s such a classic. It was fun to read the original after watching and listening to the adaptations pretty regularly over the past several years. Le Carré does well with detail, and I’d forgotten the subplots and side comments that get left out—but that add so much to the characters, the plot, and the overall feel of the book. That said, there were times when some of those details felt extraneous (i.e., the compressed adaptations don’t suffer for their absence), and fifty years on, Jerry Westerby’s running joke with Smiley about Indigenous Americans is cringeworthy. It’s amazing sometimes how Europeans sometimes feel more racist toward American Indians than we in the U.S. are.

This week, it felt like it was time to revisit George Smiley. Smiley has been something of a comfort read these past several years, but it’s been some time since I visited the actual books, instead preferring the BBC Radio 4 dramatizations. They are superb, but I decided to listen to the “full” audiobooks this time through. Not all are available through my library, but the best ones are, and that works just fine for me. This book shows its age in some uncomfortable ways, and it’s not fully polished, but it introduces so much of what I love about George Smiley and the books built around him. I like Mendel in particular, even though he never plays a huge role. The story is interesting, it’s attentive to morality, and it’s a good read all around.

I’ve been a big fan of audio-only media for a big chunk of my life. I grew up listening to NPR radio shows like Car Talk and Wait Wait Don’t Tell Me on Saturdays while my dad drove us around to do errands. TV wasn’t allowed in my family on Sundays, but the NPR Sunday Puzzle was—depending on what time church was that year, we’d listen to it on our way to Sunday meetings. I discovered podcasts in their infancy, during my final years of high school, and started really getting into them near the end of college.

Old favorite thing: Finding BBC Radio 4 shows on Audible; new favorite thing: Finding BBC Radio 4 shows on the Internet Archive.