I have recently been (slowly) getting back into my exploration of what a modernized Book of Mormon might look like, which has meant spending some time in the opening chapter of the Book of Mormon and some commentaries on that chapter. One of the most interesting things about I Nephi 1 (by the original and Community of Christ chapter breaks—LDS editions split this into 1 Nephi 1-5) is that the reader is almost immediately forced to deal with a tension between our protagonist and narrator Nephi’s insistence that he is a good guy of whom God approves and Nephi’s willingness to murder a passed-out drunk to steal his clothes and con his way into taking control of some of his property. One of my favorite things to come out of critical readings of the Book of Mormon is trying to understand this episode: not to dismiss it or to justify it, but to wonder how there might be more to the story than our narrator might be letting on.

For the past few years, my family has been getting into the annual Eurovision Song Contest, which is a lot of fun. In the three years that we’ve watched it, at least one of us has always been cheering for Switzerland. This is perhaps because of my own personal bias toward Switzerland, having spent some time there, but it’s also that the songs stand out to (at least one of) us. I was bummed in 2021 when Tout l’univers narrowly lost out (though Måneskin’s winning song has grown on me), and my kid was a big fan of 2023’s Swiss entry, Watergun, even if the rest of us (including the Eurovision judges and audience) weren’t huge fans.