This is the third time I’ve listened to this series in the past five years, and I wonder if I’m rating it a bit low because of that. At any rate, I couldn’t help myself from trying it again after finishing Cabin Pressure. I might like this show even better—Finnemore has more freedom to show off his gift for words and his intricate plotting and callbacks.

It’s been about a decade since I was introduced to this show, and I’m very glad to finally have experienced the whole thing. The last season was fun, the finale was a nice wrap-up, and I really do think the whole thing is a masterpiece.

This series feels like Finnemore kicking things up a notch. There are some interesting new character arcs in play, and it’s fun to see Finnemore playing with the fact that one of his actors is now taking on the role of Sherlock Holmes. He’s also clearly having fun subverting some audience expectations with stories and characters. I hadn’t heard this series before, and it was fun to come back to it!

My journey through Cabin Pressure continues! I can’t remember how much of this series I’ve previously listened to—definitely not the Christmas special, but probably the rest of it. At any rate, it continues to have exceptional writing and lovely acting. Radio is underrated, and John Finnemore is perhaps the best example of that.

It’s been ages since I’ve listened to this, though I’ve listened to some of John Finnemore’s other work in the meantime. It’s such an excellent show: brilliantly written, well acted, and a real joy to listen to. I’m confident I haven’t listened to all four series, though I can’t remember which bits I’ve missed. Looking forward to finding out!

I first picked this up through an Audible deal several years ago, with the idea that it would help with the move from Michigan to Kentucky (I can’t remember if I wasn’t yet anti-Audible or if it was just a good deal that I couldn’t pass up with the whole family living off my grad school fellowship). Anyway, the U-Haul didn’t have an aux jack or Bluetooth, so my brother-in-law and I cranked my phone as loud as it would go and tried to make out the jokes over the highway noise.

Since April, I’ve gotten sucked into the Slow Horses British spy series after really enjoying the Apple TV+ adaptation. I’ve been powering through all the full-length novels and am now reading 2021’s Slough House, which features a character who’s survived a bullet wound to the head. Her description stood out to me for one particular detail, though: Her hair was different. Maybe that’s what death does to you. I twas still mostly red but now punkishly short, with a white stripe across her left temple where the bullet had passed…

I’ve been a big fan of audio-only media for a big chunk of my life. I grew up listening to NPR radio shows like Car Talk and Wait Wait Don’t Tell Me on Saturdays while my dad drove us around to do errands. TV wasn’t allowed in my family on Sundays, but the NPR Sunday Puzzle was—depending on what time church was that year, we’d listen to it on our way to Sunday meetings.