Il y a un terrain de golf non loin de chez moi qui s’appellle Connemara. Je suis incapable de le voir sans penser à Michel Sardou.

Il faut une version de la chanson « Sacré Charlemagne » qui se plaint des responsabilités de la vie adulte.

Franchement, c’est parfait. link to ‘Les Jones releases “Burger,” an homage to /mocking of America | Boing Boing’

a-ha’s “The Living Daylights” came up on a playlist just now, and it made me want to play Axis and Allies. I received the game the same Christmas my brother received a CD of James Bond music, and the two will always be associated in my mind.

Boosted kiddo’s motivation to help put away the dishes by convincing her to think of it as a magic trick (making the dishwasher’s contents ‘disappear’). Boosted my own by remembering it’s now legal to play Mannheim Steamroller Christmas music around the house.

J’aime quasiment toutes les pistes sur le nouvel album de Stromae, mais j’apprécie surtout « C’est que du bonheur », où il parle en toute franchise des hauts et des bas de l’expérience d’être parent d’un jeune enfant.

Le mec sur RTS Option Musique dit que Johnny Hallyday a fait une version française de « Sweet Home Alabama », et je ne sais pas comment réagir.

Recently, I was listening to a podcast episode that was touching on deconstruction. It was chiefly concerned with the term as it’s used in religious contexts, but to do so, it was going back to its intellectual roots, with Jacques Derrida and Ferdinand de Saussure. As the host, Jared Byas, summarized the ideas of deconstruction: we can’t ever escape language and the meaning of language depends on other parts of that language.

Hier, je voulais identifier une chanson française dont je me souvenais. Je ne savais ni son titre ni son auteur—juste que le mot « admiration » figurait plusieurs fois parmi ses paroles. Grâce à DuckDuckGo et pas mal d’effort mental, je l’ai trouvée ! « Bidon » de Alain Souchon.

Ce matin, j’ai couru mes cinq petits kilomètres sans écouteurs—un évènement rarissime. Je dis pas que je vais faire comme ça tout le temps, mais je suis content de savoir que je peux laisser les podcasts et la musique chez moi quand je veux.

Using the Stardew Valley soundtrack as a chores anthem seems to get kiddo more excited (or at least less resentful) about helping out around the house.

I put in an earbud an hour or two ago so I could listen to music while preparing class readings, and I’m only now realizing that I never hit play.

Cet après-midi, je fais des corrections en écoutant ma collection de musique francophone. Après une quinzaine d’années d’effort, je suis bien content de ce que je peux écouter quand je veux.

I love this theme tune, so this video was a delight to watch. link to ‘Watch how Peter Howell helped remix the 80s Doctor Who theme’

Hier, j’ai regardé pour la première fois le clip de « Coup de vieux » de Bigflo et Oli. C’est une chanson que je connais depuis queques semaines et un groupe que je connais depuis quelques mois, et j’ai beaucoup apprécié le clip : Je n’ai jamais été un grand amateur du rap, et ça fait donc un peu bizarre de trouver que j’aime tant ce groupe. Pourtant, j’ai beaucoup écouté leur album « La vraie vie » car j’aime bien les paroles de plusieurs chansons sur cet album.

A couple of weeks ago, I was invited to preprare a “focus moment” for today’s worship service in my Community of Christ congregation. There are some things I might change for a different audience (putting more nuance into my current view of God, for example), but I’m still pretty happy with what I came up with. I’m particularly happy about the translation of the song—I didn’t bring it up when sharing, but this is a French Canadian song that I translated for today’s purpose.

J’ai commencé à écouter la musique francophone il y a onze ans. Avant ça, j’avais quelques albums (Caféine de Christophe Willem et la bande originale de Le Roi Soleil), et je connaissais Serge Gainsbourg, mais selon mes souvenirs, j’ai du attendre janvier 2011 pour me foncer vraiment dans la musique en français. En ce temps, je commençais un poste comme « instructeur étudiant » du français à l’université où je faisais mes propres études.

Ma fille se plaint quand on écoute « La marine marchande » des Cowboys fringants parce qu’elle ne comprend pas le français, mais si elle comprenait le français, je n’oserai jamais écouter cette chanson devant elle !

It’s been an existentially and emotionally tiring weekend, so the “person man” verse of TMBG’s Particle Man is hitting in a way it hasn’t before.

Hier soir, juste avant de me coucher, quelqu’un a posé une question sur r/French: Pourquoi les non-Francophones choisissent-ils d’apprendre le français ? J’ai vu la question peu après qu’elle a été posée, et j’ai dit la vérité : On m’avait offert le choix entre les cours de français et les cours d’espagnol. Il y avait plus de monde qui voulaient étudier l’espagnol, et j’avais envie de contrarier. J’ai donc choisi le français comme acte de rébellion.

A week ago today, my MacBook Pro suddenly stopped being able to communicate with its SSD. I’m not entirely sure what happened, but I spent most of my Tuesday afternoon wiping everything from the drive and reinstalling macOS so that I could get back to work. While I haven’t kept a physical backup for a couple of years (I accidentally fried mine when moving back into my campus office in Fall 2020), I have all of my most important documents scattered between three cloud services, so this wasn’t too painful of a process.

Thanks to a recommendation from Boing Boing, I’ve spent part of this afternoon watching this amazing video cataloging “Every Music Reference & Sample in They Might Be Giants Songs”: Flood was one of the first albums I ever owned (I think it was beat by the deluxe soundtrack for Star Wars: A New Hope, but not by much), and while I don’t listen to TMBG as often as I ought to, videos like these remind me how much I love the band.

Malgré avoir grandi au Kentucky, je n’ai jamais éprouvé un grand amour pour la musique country. Ça m’étonne donc toujours quand je constate son influence dans la musique francophone.

Happily rediscovering Jonathan Coulton’s discography this morning.

Cet après-midi, je prépare mes cours d’automne en écoutant Indochine.

Pour un album censé être féministe, il y a bien trop d’essentialisme dans Mesdames de Grand Corps Malade.

I remember the first Floppotron, and 3.0 continues to be delightful. I may have to show this in class next year. link to ‘This PC orchestra, built from 512 floppy disk drives, is wondrous to hear and behold - The Verge’

There’s a SomaFM internet radio station that plays NASA recordings of Apollo missions over calm electronic music. I don’t listen to it often, but I love it when I do.

Il y a plusieurs années, un ami m’a prévenu qu’il y a tant de jeux de mots dans les albums Astérix qu’un Américain ne les comprendraient jamais pleinement. Les chansons Stromae me donnent maintenant la même impression.

Woke up to a They Might Be Giants song stuck in my head, which I choose to interpret as a good sign.

Listening to The Aquabats tonight and remembering how I pegged the Mormon connection when I was first listening to them because of subtle allusions to food storage and pioneer hymns.

Recently bought a used ABBA greatest hits CD for next to nothing, which has led to a comically difficult effort to get access to an optical drive so that I can actually listen to the music.

Today’s writing music is Manu Chao, whom I was surprised to discover in the 2010s was a real musician, not someone my 1990s-era high school French textbooks had made up for sample dialogues.

I think I like to listen to the Interstellar soundtrack when I’m feeling anxious, but the truth is that listening to the Interstellar soundtrack makes me more anxious, so I gotta stop doing that.

Ça fait 10 ans que j’écoute Les Cowboys Fringants, mais je les apprécie davantage avec chaque année qui passe.

Very relieved to learn that the singer on French radio that I can’t tell apart from Johnny Hallyday started his career as a Hallyday impressionist.

Pleased to see Stromae reviewed in the NYT—by someone who liveblogged Eurovision no less. Will be listening all afternoon, I’m sure. link to ‘Stromae’s Music Delves Into Dark Topics. His Return Is Right on Time. - The New York Times’

Long week ahead, but there’s a new Stromae album coming out Friday, so I already have some self-care plans in place for the end of it.

Why did no one tell me there’s a new Stromae single???

I feel a lot of anxiety about being a parent, but at the end of the day, I take comfort in knowing I’m trying my best—and that I’ve done my part in introducing the next generation to Queen’s Live Aid performance.

I know it’s an obvious choice, but including « Gentleman cambrioleur » in the soundtrack for the Lupin finale was just perfect.

I know that Stromae has had good reasons to be taking a break these past few years, but I can’t think of anyone better qualified to put the feel of 2020 to music, so I’m still hoping for an eventual return.

There is a 1976 song by a French artist, the lyrics of which are sung from the perspective of a dolphin that is upset because children are afraid to go swimming because of the recent success of the movie Jaws. It is so weird, but I love it.

A local library offers access to a fourth-tier music streaming service with a limited collection. Don’t know why most people would bother, but me and my ultra-niche music tastes are doing great.

Madeleines are to Proust what theme songs from James Bond movies are to me, except I couldn’t write an entire book about how they remind me of playing Axis and Allies with my brother.

Pandemic parenting is full of frustrating moments—but also gems like this morning’s inventing games using the pieces to Ticket to Ride while listening to Indochine.

My brain has decided to treat me to an unrequested Serge Gainsbourg/Hamilton mashup, and I’m not sure what to think.

One of the greatest joys I experience as a veteran of a decade of French classes is whenever I discover that a song we used to listen to in high school is an actual song, not just something made up for class.

The Empire Strikes Back soundtrack just came up in iTunes; it’s good to occasionally remind oneself that Star Wars owes as much (if not more) to Williams, Burtt, and McQuarrie as it does to Lucas.

I am incapable of listening to Devo without remembering that they get a shout out in Watchmen.

Sometimes I unplug my headphones and give anyone walking by my door the gift of learning about Johnny Hallyday.

One of the best gifts I’ve ever received was when my mom sent me a copy of The Moody Blues’ “Days of Future Passed” for my birthday when I was a freshman at BYU, assuming that because it was quirky, I would like it. She was 100% right.

Today’s writing is powered by The Doubleclicks. Hard to believe it took me this long to start listening to them!

Prisencolinensinainciusol is my favorite song-whose-name-I-can-never-remember. It’s an amazing rendition of what American music sounds like to someone who doesn’t speak English, and it’s worth a listen.

I think my favorite takes on La Marseillaise are the 1812 Overture and that scene from Casablanca.