I love this theme tune, so this video was a delight to watch.

A couple of weeks ago, I was invited to preprare a “focus moment” for today’s worship service in my Community of Christ congregation. There are some things I might change for a different audience (putting more nuance into my current view of God, for example), but I’m still pretty happy with what I came up with. I’m particularly happy about the translation of the song—I didn’t bring it up when sharing, but this is a French Canadian song that I translated for today’s purpose. I recently blogged about this same song, because I’ve been listening to it for years but only just recently learned what the words actually meant (this happens a lot to me in French music). I ended up learning a some new French Canadian vocabulary from this, and I’m pleased with how I managed to translate the lyrics in a way that mostly preserves rhymes and rhythm in English.

J’ai commencé à écouter la musique francophone il y a onze ans. Avant ça, j’avais quelques albums (Caféine de Christophe Willem et la bande originale de Le Roi Soleil), et je connaissais Serge Gainsbourg, mais selon mes souvenirs, j’ai du attendre janvier 2011 pour me foncer vraiment dans la musique en français.

En ce temps, je commençais un poste comme « instructeur étudiant » du français à l’université où je faisais mes propres études. Pendant une réunion de formation, la représentante de l’entreprise qui publiait notre manuel nous a donné des cartes cadeaux iTunes pour qu’on puisse acheter de la musique francophone et nous inspirer professionnellement. À l’époque, c’était bien plus facile de trouver de la musique franco-canadienne que de la musique francophone européenne, et j’ai donc acheté quelques pistes des groupes comme Mes aïeux et Les Cowboys fringants. Peu après, j’ai découvert Les Trois Accords, et la musique franco-canadienne est ensuite devenu un élément important de ma bibliothèque musicale. Quelques années plus tard, pendant mes études de doctorat, j’ai passé un peu de temps avec Spotify (avant d’abandonner définitivement) et beaucoup de temps avec la radio en ligne, et ces deux ressources m’ont aidé à approfondir ma connaissance de la musique francophone.

Ma fille se plaint quand on écoute « La marine marchande » des Cowboys fringants parce qu’elle ne comprend pas le français, mais si elle comprenait le français, je n’oserai jamais écouter cette chanson devant elle !

It’s been an existentially and emotionally tiring weekend, so the “person man” verse of TMBG’s Particle Man is hitting in a way it hasn’t before.

Hier soir, juste avant de me coucher, quelqu’un a posé une question sur r/French: Pourquoi les non-Francophones choisissent-ils d’apprendre le français ?

J’ai vu la question peu après qu’elle a été posée, et j’ai dit la vérité : On m’avait offert le choix entre les cours de français et les cours d’espagnol. Il y avait plus de monde qui voulaient étudier l’espagnol, et j’avais envie de contrarier. J’ai donc choisi le français comme acte de rébellion.

A week ago today, my MacBook Pro suddenly stopped being able to communicate with its SSD. I’m not entirely sure what happened, but I spent most of my Tuesday afternoon wiping everything from the drive and reinstalling macOS so that I could get back to work. While I haven’t kept a physical backup for a couple of years (I accidentally fried mine when moving back into my campus office in Fall 2020), I have all of my most important documents scattered between three cloud services, so this wasn’t too painful of a process.

Thanks to a recommendation from Boing Boing, I’ve spent part of this afternoon watching this amazing video cataloging “Every Music Reference & Sample in They Might Be Giants Songs”:

Flood was one of the first albums I ever owned (I think it was beat by the deluxe soundtrack for Star Wars: A New Hope, but not by much), and while I don’t listen to TMBG as often as I ought to, videos like these remind me how much I love the band. I’ve mostly appreciated them for their weirdness, but it’s been amazing to see how aware they are of other music and how they bring it into their own discography. This is also a beautiful example of everything being a remix—we ought to spend more time supporting that rather than constraining it.

Malgré avoir grandi au Kentucky, je n’ai jamais éprouvé un grand amour pour la musique country. Ça m’étonne donc toujours quand je constate son influence dans la musique francophone.

Happily rediscovering Jonathan Coulton’s discography this morning.

Cet après-midi, je prépare mes cours d’automne en écoutant Indochine.

Pour un album censé être féministe, il y a bien trop d’essentialisme dans Mesdames de Grand Corps Malade.

I remember the first Floppotron, and 3.0 continues to be delightful. I may have to show this in class next year.

There’s a SomaFM internet radio station that plays NASA recordings of Apollo missions over calm electronic music. I don’t listen to it often, but I love it when I do.

Il y a plusieurs années, un ami m’a prévenu qu’il y a tant de jeux de mots dans les albums Astérix qu’un Américain ne les comprendraient jamais pleinement. Les chansons Stromae me donnent maintenant la même impression.

Woke up to a They Might Be Giants song stuck in my head, which I choose to interpret as a good sign.

Listening to The Aquabats tonight and remembering how I pegged the Mormon connection when I was first listening to them because of subtle allusions to food storage and pioneer hymns.

Recently bought a used ABBA greatest hits CD for next to nothing, which has led to a comically difficult effort to get access to an optical drive so that I can actually listen to the music.

Today’s writing music is Manu Chao, whom I was surprised to discover in the 2010s was a real musician, not someone my 1990s-era high school French textbooks had made up for sample dialogues.

I think I like to listen to the Interstellar soundtrack when I’m feeling anxious, but the truth is that listening to the Interstellar soundtrack makes me more anxious, so I gotta stop doing that.

Ça fait 10 ans que j’écoute Les Cowboys Fringants, mais je les apprécie davantage avec chaque année qui passe.

Very relieved to learn that the singer on French radio that I can’t tell apart from Johnny Hallyday started his career as a Hallyday impressionist.

Pleased to see Stromae reviewed in the NYT—by someone who liveblogged Eurovision no less. Will be listening all afternoon, I’m sure.

Long week ahead, but there’s a new Stromae album coming out Friday, so I already have some self-care plans in place for the end of it.

Why did no one tell me there’s a new Stromae single???