Despite what my recent Star Trek comics binge might lead you to believe, my Star Trek fandom is actually kind of spotty in its coverage. It’s not so complete that I’ve ever actually seen Star Trek V (though I hear I’m not missing much), but it’s absolutely complete enough to be familiar with its most famous line. A being claiming to be the ultimate, galaxy-wide monotheistic deity asks for transport on the Enterprise, prompting a skeptical Kirk to ask “what does God need with a starship?

How about a sequel to “The Measure of a Man” where some future tech bro (Trek bro?) uses the events of the original episode to argue that his LLM is sentient, and so Picard, Riker, and Data team up to respond “wtf, no.”

I think I’ve finished my IDW Star Trek comics binge. I was hoping to conclude with their TNG/Doctor Who crossover that I bought for Kindle years ago, but reading comics in that app is so much worse than I remember.

I’m in a grumpy mood this morning, so I might be a little harsh here, but nothing’s really standing out. There are some interesting things here (Spock resisting the Borg! Minor Wrath of Khan cameo!), but I think there are continuity errors, and even if there aren’t, it’s just not super interesting.

Once again, anthologies are fun. I almost didn’t read this, because it felt weird to read and review a single issue of a comic, but I’m glad I did! Q meets Decker who’s wrestling with what it means (along with Ilia and V’Ger) to be an all-powerful being! There’s a funny and great story about Data’s cat! Ezri Dax consults with past symbiont hosts in a way that makes it seem more interesting than DS9 ever did!

Anthology collections are fun, and this is no exception! Some stories are better than others, but short stories spanning Trek time and characters make for a good read.

This ended in a confusing rush that spoiled all the fun that I was having, but up until that point it was great. Not high art by many means, but exactly the sort of thing two comics companies should do as a crossover so long as they had the licenses to make it happen.

Comics are an undervalued medium capable of telling powerful stories with great beauty—and also they let you do dumb-but-fun franchise crossovers like this one here.

I have more Star Trek IDW comics to read, but I’ve completed this whole series! It ended on a good note, with a tribute to Leonard Nimoy and then some semi-fourth-wall breaking explorations of what it means for there to be two timelines in “main” Star Trek canon.

I have a lot of complaints about this volume, not least making Khan look like Benedict Cumberbatch. It also has some of the stronger stories of this series, so I’m trying to give it some benefit of the doubt.

I was excited about the prospect of a Mirror Universe good guy Khan in this comic, but it sure seems like they put a Benedict Cumberbatch drawing in brownface, and ugh.

Another day, another TPB’s worth of Star Trek comics. Not terrible, but not keeping my attention either.

It’s probably unfair to get pickier about these comics over time, because this is the kind of story I would have liked to see when I first began reading through, but now it’s boring compared to some of the more interesting arcs. Alas.

Now this is how a comic book company uses a Star Trek license: Using a universe-hopping Q to take the Kelvinverse Enterprise to a bad future Deep Space Nine setting for plenty of extradimensional being nonsense and fanservice. Keiko O’Brien is a starship captain! Q merges with one of the Prophets! It’s not high art, but it’s exactly what I want from the medium.

There is one really good story in here and one okay one, but I finally found the limits of my impatient with Star Trek and/or comics nonsense, and it was a Star Wars-like “let’s take a character who barely appears on screen and explain why they are the most important person in the world” story smack in the middle of the volume. Not going to stop reading the series, but it’s definitely slowing me down.

Lots of comic book nonsense mixed with Star Trek nonsense, but it’s still a fun read, and that’s what I care about right now.

Some interesting original stories in here, even if the pon farr one obviously riffs on TOS material (I even admit that it does an interesting job of considering the alternate continuity’s implications for that storyline). Some of the art was weird, but I’m used to that at this point.

The problem with trying to make comic characters look like their screen counterparts is in those panels when Spock looks nothing like Zachary Quinto (or either of the other options, for that matter).

One of the stories in this collection has the creepiest attempt at capturing the Kelvinverse actors yet, and that was pretty hard to get through. The stories in this volume were all pretty good, though, so I can try to look past it. Playing with the Mirror Universe within the Kelvinverse was a fun idea in particular.

This weekend, I read some Star Trek comics, did some cool stuff in Kerbal Space Program, and bought a new tin of my favorite chocolate mint tea. It’s exactly what I needed to let my mind relax for a bit.

There’s something inherently fanservice-y about spinoff comics, especially comics that are interested in reimagining beloved stories for a reboot. Not all fanservice is bad, though. I think the art is getting better, I appreciate those riffs, and if it’s not the best Star Trek, it’s fun to spend time with Star Trek.

This continues to be better than I expected. I’m just not likely to watch TOS anytime soon, so it’s interesting to see these takes on old stories, even if the off-model Chris Pine and company art bugs me. There’s also finally some branching into original stories, which is interesting.

Okay, also: In the ranking of Khans, Cumberbatch is way down at the bottom, and Montalbán should be clearly at the top, but this Lower Decks!Khan is at least a close second… and might even be my favorite?

Every once in a while I surprise myself with how well I can read music, despite all I’ve forgotten since long ago piano lessons. Getting the musical jokes in Ryan North’s Lower Decks comic is the most delightful this has ever been, though.

This felt more consistent than the second season. The in-jokes and continuity nods continued to be great, especially the Deep Space Nine episode and its riffs on that series’s opening credits. I love so much that this is a Star Trek show about loving Star Trek (even its dumb bits).

This is mostly because I grew up in Northern Kentucky, but my favorite Lower Decks throwaway joke so far is the idea of an adopted Orion growing up in Cincinnati.

The finale was a perfect summary of everything I love about this show, but I had some trouble getting into the earlier episodes.

This is such a fun show. I am not as well-versed in Star Trek as I’d like, so I’m sure I’m missing some of the jokes, but there are still so, so many of them. It’s bizarre, it’s a loving homage, and it’s really good.

Whenever we visit my in-laws, it’s a tradition to put any kids who are present to bed and then gather around one of the big TVs to watch something together. Sometimes it’s something that one family is watching and introducing to another, sometimes it’s something that we’re all watching and are at the same place in the season, and every once in a while it’s something new. When we drove down to visit in January, I took advantage of that third possibility to get everyone to try Star Trek: Lower Decks, which I’ve wanted to watch for a while but never had the chance to.

Adding “Star Trek: Lower Decks” to my running list of “things I sample on YouTube that I wish I had time to really commit to instead.” (Other entries include the Keyforge unique deck game and solo campaigns of the Starforged TTRPG).

Leandro Palacios from the Beyond the Walls ministry out of the Toronto Community of Christ congregation gave me a heads up yesterday that they would be using a clip from the most recent sermon I gave for them as part of today’s service. I forgot about this until well after the service, but I visited the recording later in the afternoon to see what clip they’d used and to see what else I could catch from the service.

The Kobayashi Maru scenario is one of the best things to come out of Star Trek, and this is one of the best takes on it I’ve read.

Joost versus the Romulans: A Star Trek/Eurovision crossover with lots of shoulder pads.

TNG episode where Picard realizes that all voice interactions with the Enterprise’s computer are being sent to servers in Cupertino to be processed there; and that Future!Apple employees listen in on some for quality control.

I didn’t learn to swear until I was in my 30s, so I have a lingering suspicion that I wind up sounding like Captain Kirk in Star Trek IV.

Resolved, that watching a clip of the first Enterprise vs. Reliant fight from Wrath of Khan shall be accepted as a legitimate reason for staying up too late.