In a Zoom meeting with the dean, with my X-Wing and Enterprise-D posters clearly visible in the background. Living my most professional life.

Heck yes, new nerdy magnets for the office.

This comic is dumb, but mostly the funny kind of dumb, but still not quite enough to get more than a middling review.

It’s not great literature, but I don’t remember ever having read it, and it felt like the kind of escapist fun I could use right now. I think the Alphabet Squadron series is a superior successor in terms of having something to say beyond escapism, but Corran Horn is a fun Mary Sue to read about, and I think I’ll keep reading.

I have gotten a remarkable amount of work done on my phone while waiting for my delayed eye doctor’s appointment, but it is now time to read Rogue Squadron on Libby and not feel guilty about it.

I tend to overthink media, and one thing I’ve been overthinking recently is whether books and radio are more ethical media than television and film, because I understand the former (perhaps naïvely) as involving less waste of resources for the sake of entertainment.

I bring this up not because I’m convinced by the argument (which I haven’t really thought through) but because the second season of Andor had me back on the side of television, because how else could you tell such a great story as that? Here’s the thing, though: This (audio)book had me mulling over the question again, because I might like it more than Andor.

This took a while to get through for a book I enjoyed so much. It has Andor-level grittiness and complex characters and narratives that make it better than a lot of Star Wars stuff. The audiobook’s use of Star Wars music and sound effects is also a big plus. I’ve already checked out the final book in the trilogy so that it’s not another two years before I wrap it up!

This was Star Wars at its best, and there is (unfortunately) no better time than now for it to come out.

I’ve wrestled a lot recently with the tension between my love for Star Wars and my aspiration toward non-violence. I don’t know that I agree with this series’s implicit argument that sometimes ugly things are necessary to make a better world, but I appreciate that it deals with that ugliness rather than just letting Luke blow up the Death Star without counting how many people that act of self-defense killed.

Ayant grandi dans l’Église de Jésus-Christ des saints des derniers jours, c’était normal que je m’engage comme missionnaire mormon à l’âge de 19 ans. Comme j’avais déjà beaucoup étudié le français, on m’a affecté au service missionnaire en France et en Suisse, où j’ai donc habité entre 2007 et 2009.

Mes souvenirs de cette période de ma vie sont un peu compliqués. Comme je n’ai plus les mêmes croyances religieuses, j’ai certains regrets. Comme c’était quand-même très cool de vivre en Europe francophone pendant deux ans, j’éprouve quand-même de la nostalgie pour cette saison de ma vie.

Remaking Star Wars would be unpardonable, but once enough hits the public domain, I want alternate sequels and prequels. Riff on the original in new ways. Give me a follow up where Darth Vader was never Anakin Skywalker. Bring back human, Irish Jabba. Go wild.

Very excited to watch this.

I think I got this in an NPR Humble Bundle, and I’ve been meaning to relisten to it for a while. It’s a real mix of good and bad: Thanks to John Williams and Ben Burtt, it’s got some great audio to work with; however, it does a lot of awkward “tell since we can’t show.” It sometimes feels like it’s reaching to fill in an extra four hours, but also it maybe demonstrates that Star Wars could maybe be a miniseries with some better writing? It’s not great, but it’s good for what it is, and I enjoyed it:

The NPR radio adaptation of Star Wars would be a lot worse if the movie’s sound design and music weren’t so dang good.

I recently finished an audiobook of Jacques Ellul’s The Technological Society and have been finding other things to listen to now that I don’t have mid-twentieth century French philosophical reflections on technique to think through anymore. Last night, I began (re)listening to the National Public Radio Star Wars radio drama—adapted by Brian Daley—while cleaning up the kitchen, and I continued listening on the way in to work today. The radio drama is interesting in so many ways! For one, it expands a two hour movie into a nearly six-hour radio serial, and so it crams in a lot of material that isn’t present in the movie (or even—as far as I can tell—the original script).

There is one really good story in here and one okay one, but I finally found the limits of my impatient with Star Trek and/or comics nonsense, and it was a Star Wars-like “let’s take a character who barely appears on screen and explain why they are the most important person in the world” story smack in the middle of the volume. Not going to stop reading the series, but it’s definitely slowing me down.

John Siracusa recommended the anime adaptation of this on the year-end episode of The Incomparable, and the premise sounded interesting enough to try getting into manga again.

I love stories that explore the mundanity of fantastic worlds—there are lots of things I don’t like about the Star Wars prequels, but Jedi Knights resolving trade disputes is great—and this story delivers on that. It picks up after a D&D-style adventure party has completed their quest and asks what happens next. More particularly, it asks what it means to be a long-lived elf in a world of mortals with lesser lifespans. It leans into low-stakes tasks and semi-useless spells. It has interesting characters and great callbacks and connective tissue.

Look, I’m a bit hesitant here, but Aardman’s take on Star Wars was great, so fingers crossed!!

J’ai une petite collection d’aimaintins au travail qui me donne de la joie, même si la plupart serait incompréhensible à mes collègues.

Excellent article that sums up a lot of my thinking on this show.

I’ve blogged a fair amount over the past year or so about how ethics intersect with fiction. I’ve blogged about whether one should try to live by one’s values in TTRPGs and about my discomfort with the Star Wars franchise (which I otherwise love!) when I put it in tension with my aspirations toward non-violence. I think these are valuable questions (otherwise I wouldn’t publicly write on them), but whenever I write that sort of thing, I also worry that I’m overthinking things, that there’s a way to enjoy fiction without having to think through all of its ethical and moral ramifications.

Over the weekend, I bought a print of a Biggs Darklighter portrait from a local artist, and every time I walk past it, I feel better about the purchase.

We are big fans of libraries in our family. In fact, live near the border between two counties, and we split our library visits between the Lexington Public Library (where we are residents) and the Jessamine County Public Library (where we are not). Luckily, Kentucky library systems tend to be fairly liberal in handing out library cards, so this isn’t usually a hassle (this was not the case in Central Michigan, but that’s a story for another time).

When I was slowly making my way through David Graeber and David Wengrow’s The Dawn of Everything last month, I was having trouble processing all of the ideas in the ambitious, dense book, so I was surprised when one idea sounded familiar: schismogenesis. A few years ago, Cory Doctorow wrote an essay using schismogenesis as a theme. Here’s Doctorow’s explanation of the concept from the original book, and the beginning of his thesis in the post:

One of the joys of teaching a class on content management is the way that the concepts we discuss and work with have seeped deep into my brain, making it impossible to consume web content casually ever again. I write that half jokingly, but it’s amazing how much ICT 302 affects the way that I see the web, and how much my everyday encounters with the web shape my teaching in that class.

I’ve been reading up on (and aspiring to) non-violence recently. As I noted in a series of posts almost a year ago (here’s the one that wrapped up the series, and it links to the two earlier ones), I’ve been trying to figure out what that means for playing games and consuming media. I don’t necessarily believe that a commitment to non-violence means that you can’t play through an epic battle in D&D, but I think the question is worth thinking about.