I don’t know if I’m pleased or disturbed by how often the classic British political sitcom “Yes, Minister” is relevant to my work in academia.

I only learned about The Sandbaggers last weekend, on an episode of The Incomparable, but I watched the entire first series this week—and loved it. It isn’t perfect: There’s too much 1970s casual misogyny for it to be self-critical in the same way that a modern show set in the 70s would be, and the brown face in one episode is also embarassing. Not setting those aside, I was still impressed with the way the show combined the bumbling hypocrisy of Yes, Minister; the self-serving internal politics of Slow Horses; and the cynical despair of Le Carré into a single, compelling show.

Over a decade ago, when I was discovering British TV, I imagined a ridiculous hypothetical crossover of all my favorite shows. For example, Sir Humphrey from ‘Yes, Minister’ turned out to be the Master from ‘Doctor Who.’

Jim Hacker is in The Prisoner???