I really shouldn’t like this volume. I don’t care that much about Venom or Carnage, and I think their Ultimate origin stories are dumb. Gwen Stacy got treated terribly earlier in the series, and this comic book resurrection is as silly as her death was stupid. Yet, I thought the framing story was interesting, Venom is compelling as an eldritch villain, and I… enjoyed myself? Dunno what to make of all that, but four hearts it is.

I think this might be my least favorite of the three volumes I now own (need to track down the fourth to complete the collection). The first arc was good enough (and felt straight out of The Sandbaggers—Rucka borrows HEAVILY from a couple of episodes), but the second seemed like supplementary material to Rucka’s novels. I like this series when it’s riffing off of The Sandbaggers, but when it feels like its own thing with lots of continuity, it’s harder to enjoy. The scripts that fill out the volume saved it for me, though. I didn’t think I’d like them, but they were a fantastic behind the scenes peek!

This volume also feels like a step in the right direction! It seems like Bendis is willing to stretch with and fill out the universe some: What he did with Liz Allan and recurring villain/joke The Shocker are especially interesting. I’m having fun with this series again!

I feel like this series found its groove again! I miss Bagley’s pencilling, but Immonen makes a fine replacement. A lot of the stuff that bothered me in recent volumes has been redeemed here: Kitty Pryde is interesting instead of just a drama device, Norman Osborn gets some depth, S.H.I.E.L.D. is engaged with as the creepy organization they are, and it turns out that comic book nonsense can actually be fun sometimes. Hope this keeps up.

I’ve complained a lot about comic book nonsense in recent volumes, and there’s plenty of it here, too, but this pulled a lot together in a way that just plain works. Interesting crossover action, classic Spider-Man morality of superheroes, good art, interesting stakes. I guess this is why I keep reading this series.

I almost gave this four hearts because I kind of like how it turned out, and it did touch on some good Spider-Man themes. However, I then remembered all the comic book nonsense that happens here—and the way that so many of these issues demonstrate how terrible it would be to live in the (Ultimate) Marvel universe.

As has been the case for the past few volumes, this has some genuinely interesting stuff in it (the X-Men crossover was more engaging than I’d like to admit), but for the most part, this feels like advancing a broader Marvel landscape than doing actual Spider-Man stuff.

Over the weekend, I watched The Muppet Christmas Carol with kiddo for the third year in a row. That makes three years that I’ve been meaning to read the source material, so I went to LibriVox and found a free audiobook.

It was an excellent read! It’s aged, and not always well, but the message is just as biting, and I appreciate the Muppet adaptation all the more. Dickens has clever writing, which I appreciated, and it was nice to read the original after seeing so many adaptations.

It has puppets, Christmas, and social justice—what more can you ask for? This is at least the third year in a row I’ve watched this with kiddo, and it still makes me laugh and cry when I watch it.

I picked up this comic about a post-pandemic-apocalypse from the library on a whim. I have mixed feelings about this genre—especially since it’s hard to believe that it was begun before COVID-19. The story is somewhat interesting but choppy, and the characters are compelling but flat. The translation is rouuuugh, and I wonder how much better it might be in the original German. What saves this for me, though, is how clearly Swiss it is. The Bernese patches on some uniforms, the references to Coop, and probably lots more that I’ve missed for not having spent that much time on this side of the Sarine. I won’t miss not having the next volume available, but I really enjoyed the art and seeing all the Swiss references in there.

There’s some interesting stuff here, including Bendis’s riffs on power and responsibility and how that relates to secret identities. However, there’s too much welding to the broader Ultimate universe, including introducing characters I just don’t care about. I also still feel like Peter’s attitude toward MJ is more low-level misogyny than anything justified.

Definitely not my favorite of the series. Lots of crossover nonsense with characters I don’t really care about. Way too much casual misogyny (Peter toward MJ and creators toward the women they put in impractical fanservice costumes). Starting to question my commitment to this series binge.

This volume was excellent. Much more of the Sandbaggers vibes and less saving the world spy fiction. I ordered the third volume today!

I’ve been wanting to read this since binging all three series of The Sandbaggers, since I’ve seen it repeatedly referred to as a spiritual sequel. They weren’t kidding—the first story arc feels like a remix of the show!

The third story arc was the least interesting to me (and probably the reason this didn’t get full marks). The first two deal with the cynicism of espionage and the brokenness of spies in the way I expected the series would, whereas the third arc felt more like a traditional spy story with maybe some furniture moving for future arcs.

Peter and MJ’s relationship is one of my favorite things to follow in this series, and that makes this volume a real disappointment. It seems like so much of the story is built around forcing drama and idiot balls into these two characters for the sake of adding twists and turns to the plot. Plus, it really comes through in this volume how often MJ is treated as an extension of Peter instead of a character with her own depth and agency. Pretty disappointed in that—and in myself for not paying more attention to it earlier.

This is mostly crossover nonsense, but it’s actually kind of good? The Doctor Strange issues feel overly dramatic at points, but Peter’s nightmare is classic Spider-Man responsibility angst, so I’ll give it a pass.

Gwen Stacy is wasted in the Ultimate continuity, and I have even less interest in Carnage than I do Venom. What saves this volume for me, though, is the throughline of the classic Spider-Man theme of power and responsibility.

This is a shameless attempt to profit off of whatever Spider-Man movie was coming out at the time, but it’s still a pretty fun story. It continues to strain credulity that this kid could keep up superhero hijinks without Aunt May finding out, but it’s enough of the mythos that I can deal with it (mostly).

This story is interesting, but it suffers from too much of superhero continuity bloat. I also miss Mark Bagley’s illustration—this artist’s faces all look alike, whereas Bagley’s characters are distinct and familiar to me. It’s just meh.

The first few issues of this are just about peak Spider-Man, and I came very close to giving this full marks. By the end, though, there was too much treating female characters as fanservice—and I have never liked temptation to infidelity as a plot device. So, some ups, some downs.

I finally got access to my spouse’s hoopla password so that I can continue my binge of this series without waiting for my loans to refresh in December. There was a lot that I don’t like about this volume: 2000s language that doesn’t age well, oversexualization of costumes and characters, and crossover nonsense. I like the characters, though, and the issue with Aunt May in therapy was good enough on its own to bump my rating up a heart. On to the next volume!

I like herbal tea, but there’s only so much interest I can show in a cookbook on the topic. The only reason I read this was because reading a cookbook is one of the squares on my local library’s 2023 reading challenge. It could be interesting to grow my own herbs and make my own blends, but I just don’t see myself doing it.

So, the thing is that I don’t really love the genre of the classic Disney movie, and this suffers from a lot of the issues of that genre. As a somewhat self-indulgent anniversary celebration, though, I think it’s a good homage to the past 100 years of Disney, blending the tropes of the genre with modern sensibilities and interesting animation.

I’ve read a LOT of Doctorow in 2023—including Walkaway twice, Red Team Blues twice, and relistening to Little Brother—so I can’t help but place this hopeful solarpunk novel in the context of these others.

Even though The Lost Cause touches on some of the same themes as Walkaway, I like the latter book a lot better, though perhaps because it feels less “real” than a book about paramilitary Maga Clubs and impending climate catastrophe. Yet Red Team Blues is also more grounded than Walkaway, but I enjoyed it more than The Lost Cause, so it’s hard to say why this book didn’t click with me as some of Doctorow’s other writing.

Rereading this book after a few years, and it continues to be great! The organization could be more clear, and it sometimes feels repetitive, but it provides important historical detail that allows the reader to understand Latter Day Saint priesthood in new ways.