I discovered this cycle of 12 radio plays that adapted the four gospels for the BBC on the Internet Archive and decided to give it a try!

From a hermeneutical and theological perspective, I have some complaints. For one thing, even though it’s a radio play, it still manages to make clear that its Jesus is blond (and, by extension, white) through repeated references to golden hair, so that got under my nerves. You could explain that away as an adaptation for British culture, with the disciples having a range of accents, Roman soldiers using British military jargon, etc. (and I actually really like all those choices), but it still rubs me the wrong way.

The book seems to be beloved in Community of Christ: I’ve heard a member of the First Presidency recommend it on a podcast, I’ve seen an emeritus senior president of seventy recommend it in the Herald, and this copy was given to me by an apostle. I can see why! It’s interesting, full of important observations, and I think Community of Christ will need to adopt some of these ideas to survive in the decades to come (at least in the Global North).

After my last read was such a guilty pleasure (still not sure if I’ll bring myself to read the next Honor Harrington or if it’s just not worth it), I decided I needed some Doctorow so I could read something fun and meaningful.

This isn’t my favorite of Doctorow’s, but it’s good! The more I read of his, the more I see the cross-cutting themes, the elements that get recycled from book to book, the earlier versions of plots that I’ve read in his more recent stuff.

My spouse has been trying to get me to read the book for years, so we had to watch the show! It’s an interesting premise with compelling characters (who are well cast and well acted), and I enjoyed the whole thing.

My biggest irritation with it is how the main character’s nobility is seemingly celebrated. I’m no Soviet apologist—it was a repressive country that committed unjustifiable wrongs—but I would have preferred to see the Count reflect on the unmerited wealth and power he held as a member of the Russian nobility rather than be a simple victim of Marxist zeal.

I have really mixed feelings about this book! I’ve read it at least twice before, and after looking at the series on TVTropes, I decided to give it another go. I understand that the series is done now, so I thought I might try reading the whole thing.

It’s an interesting premise, with detailed worldbuilding, a compelling narrative, and characters that are fun to follow. I enjoyed reading the book, and I can see myself enjoying the rest of the series, too.

Neff is one of the most influential figures in the recent history of Community of Christ. On my second read of this biography, I’m less comfortable with some of the imperial and colonial aspects of RLDS expansion in the late 1960s, but for all Neff’s complicity in those attitudes, he also worked hard to shed his own (and his church’s) ethnocentrism and exclusivity, and I appreciate that. I’ve joked about this before, but it’s wild that he was a contemporary of Ezra Taft Benson.

There’s an interesting premise behind this spy thriller adaptation, and some of the radio work is pretty good, but I felt like there wasn’t enough connective tissue to keep it together. I don’t know how much of the weakness was in the original novel versus introduced in the adaptation—the rushed pacing makes me suspect the latter—but while I don’t regret finishing it, I can’t say I was impressed.

This show is the very definition of weird-but-delightful. I watched (some of) it with my now-spouse right around when we first started dating, and it’s fun to revisit. The aesthetic is very specific, the vibe is dark-but-cute, and the dialogue is snappy if strange. Looking forward to Season 2!

This series wasn’t bad—it’s just that maybe I shouldn’t be binging them series after series, because despite some clever moments, I just felt like there wasn’t much new about this material.

This rating isn’t fair! I’ve praised this book in the past, and it really is an excellent introduction to modern Community of Christ theology. I just happened to reread it at a time where I’m hungering for something different in terms of theological writing, so this rating reflects what I got out of the book in this moment, not all that the book actually has to offer.

I didn’t listen to the finale all in one chunk, so I didn’t appreciate it as much as I could have, but the excellent use of callbacks and flashbacks in that episode was enough to bump up my rating. I think this is also the first series I hadn’t heard before, so it was nice to hear some new content.

Still fun! Just didn’t stand out as much as some of the other series.

I really enjoy metahumor, and Finnemore’s talent for it is on full display in this series—even to the extent of calling himself out on overreliance on it. Doesn’t bother me, though!

I have a bunch of small complaints about this movie, but I came away from it generally feeling like it was well done, so I’m erring on the side of a more positive rating. I don’t know if that makes me an uncritical movie watcher, but whatever.

For the most part, I liked the aesthetic choices! It bugged me that the spaceship was modeled after a space shuttle, because that doesn’t make a ton of sense, but I did appreciate that the film went with shorthand in terms of set design instead of trying to make it realistic or whatever.

I’ve been tempering my praise of this series through this relisten, but the time travel sketch in the finale is excellent, and there are other top notch examples of Finnemore’s humor scattered throughout.

What’s more, the recordings of this series on the Internet Archive are actual recordings and have bits of continuity announcer on either end of the episodes. I just love that, for reasons I can’t fully articulate, and I wish all the series were like that.

I miss the traditional “storyteller” sketches at the end of every episode, but I know they’ll be back in future series, and there were plenty of laugh out loud moments in this one.

This show continues to be fun, even if it wears off its genius on the third run. Some parts still make me laugh out loud, though!

The last few chapters of this book really captured me, but I was of more mixed feelings on the rest of it. It took me a couple tries to get through it, and as late as last week, I was ready to abandon it.

Spong is one of those writers who repeats arguments; having read another of his books, much of this one sounded familiar. Some of his arguments also felt simplistic, and I think a more nuanced look at the historical Jesus would stand in tension with his perspective (though this is based on my reading of other authors—this is clearly not an area of my expertise). In other cases, I would have liked to see more sources cited or despite his progressive commitments, a choice of words rubbed me the wrong way.

This is the third time I’ve listened to this series in the past five years, and I wonder if I’m rating it a bit low because of that. At any rate, I couldn’t help myself from trying it again after finishing Cabin Pressure. I might like this show even better—Finnemore has more freedom to show off his gift for words and his intricate plotting and callbacks.

An excellent history. I’ve read enough Mormon history that I don’t know if there was anything new for me in here, but Park does an excellent job of capturing 200 years in a constrained space and in accessible language, too. I highly recommend this to folks who want to learn more about Mormonism.

It’s been about a decade since I was introduced to this show, and I’m very glad to finally have experienced the whole thing. The last season was fun, the finale was a nice wrap-up, and I really do think the whole thing is a masterpiece.

This series feels like Finnemore kicking things up a notch. There are some interesting new character arcs in play, and it’s fun to see Finnemore playing with the fact that one of his actors is now taking on the role of Sherlock Holmes. He’s also clearly having fun subverting some audience expectations with stories and characters.

I hadn’t heard this series before, and it was fun to come back to it! I’m really excited for Series 4 and the finale episodes.

My journey through Cabin Pressure continues! I can’t remember how much of this series I’ve previously listened to—definitely not the Christmas special, but probably the rest of it. At any rate, it continues to have exceptional writing and lovely acting. Radio is underrated, and John Finnemore is perhaps the best example of that.

It’s been ages since I’ve listened to this, though I’ve listened to some of John Finnemore’s other work in the meantime. It’s such an excellent show: brilliantly written, well acted, and a real joy to listen to.

I’m confident I haven’t listened to all four series, though I can’t remember which bits I’ve missed. Looking forward to finding out!

I first picked this up through an Audible deal several years ago, with the idea that it would help with the move from Michigan to Kentucky (I can’t remember if I wasn’t yet anti-Audible or if it was just a good deal that I couldn’t pass up with the whole family living off my grad school fellowship). Anyway, the U-Haul didn’t have an aux jack or Bluetooth, so my brother-in-law and I cranked my phone as loud as it would go and tried to make out the jokes over the highway noise. Wasn’t an ideal listen, and I wasn’t super impressed. Not even sure we finished it.