As promised, I’m reading this in honor of Bill Willingham’s badass public domain antics earlier this week. I think the concept of his series is fun, but I’m not sure if I think it’s as great as its reputation. The idea of fairy tale characters living in the real world is full of potential, but the story seems pretty superficial. Will probably keep reading, though.

It’s weird to rate this so highly given how much anxiety it gives me to read it. Reading it four years ago is what forced me to confront how much baggage I had from my own Mormon missionary experience, but I know the author has her own complicated feelings about the book, and that helps some. At any rate, the book is so well done that I can’t help but rate it highly.

Je dis pas que c’est un chef d’oeuvre, mais ça faisait plusieurs années depuis la dernière fois que j’ai regardé ce film, et on s’est bien amusé, ma fille et moi. Ça donne envie de lire les livres.

I didn’t love this when I first read it after its publication, but it has grown on me since! It’s fanservice, franchise-oriented writing at its best, and even if some of its details strain plausibility (just how old is Smiley?), it’s fun to see behind the scenes of Leamas’s narrative in The Spy Who Came in from the Cold and to weld that narrative to characters we know from the Karla trilogy. Le Carré also doesn’t let up in his questions about means and ends as they relate to espionage.

I really enjoyed the original adaptation of the book (which I’m trying to read now), and the characters and many of the jokes were just as delightful in the second series. As a whole, though, the series felt like it didn’t have much of a plot—or, when it did, that it was moving furniture for a third series.

I just read this earlier this year, but it was too good not to revisit and it’s just as good in epub as it was in audiobook. Love this book.

It’s been less than a month since I read the English translation of this, which I already gave full marks. Yet, the original French version was even better. Delisle captures this city and its conflicts in a comic book better than any news story ever could.

In a way, I’m not in a great position to evaluate this book, because I’ve read shamefully little about indigenous populations in the Americas. That learning experience here, though, was a good one. Treuer doesn’t sugarcoat the past, but he celebrates the indigenous present and is even hopeful about the future. I have a lot more to read and learn, but this was a solid start.

Fascinating subject matter, great acting, beautiful visuals, and lots to keep you thinking after you watch it.

I don’t remember how I discovered this book, but when ordering some books from France early in the pandemic, I couldn’t pass up the chance to read a Lebanese scholar’s treatment of the Three Nephites in the original French. That said, while there were interesting bits in here, I just don’t know that I follow academic French well enough to really get this. I have a PDF of the English translation that may be worth briefly revisiting.

I bought this pamphlet over a decade ago, in the gift shop at the Mémorial de Caen. I’d heard that it had influenced the Occupy protests, and even though I wasn’t sure I liked the Occupy protests (in 2012, I was a right-leaning centrist who would eventually vote Romney), I figured I ought to better understand them. I wasn’t sure I liked this pamphlet either when I first read it, but it’s been a while and my political views have marched leftward, so it was time for a rereading. I still feel resistant to it in ways; it feels naïve and contrarian at points, and I’m not gifted in the art of protest. Yet, if it is overly optimistic in some ways (imho, the Arab Spring did not turn out as well as the pamphlet seems to think it would), the need for protest and indignation has only grown. Those aren’t natural approaches to me, but I appreciate Hessel’s call to action—and his historical memory of the French Resistance, which ought to remind us that there are real dangers in the world worth standing against.

I skipped The Honourable Schoolboy for this Le Carré adventure because I think it’s the weakest of the Karla trilogy, and because the BBC Radio 4 adaptation made me dread what kind of stereotypical Chinese accents an audiobook reader might adopt. I couldn’t possibly skip Smiley’s People, though; I think I might like it even more than Tinker Tailor, though you can’t appreciate this without having read that. It has the best of Le Carré—copious but not irrelevant detail, moral ambiguity without needless grittiness, and a sense of inevitability that still keeps you hooked on the story.

I don’t know (or care) much about D&D worldbuilding, and I’m not going to let Hasbro off the hook for their OGL nonsense, but this was a fun movie, and I’m glad I finally got to watch it.

J’ai déjà lu cet album cette année, mais comme j’étais en mode « Guy Delisle », j’ai décidé de le relire. C’est bien différent que ses albums de l’étranger, mais c’est tout aussi émouvant. J’aime beaucoup.

I don’t even remember when this season ended, but it took a while to convince myself to get through it. The first season of this show was near-perfect, but it’s gotten dumber over time, and this season was particularly disappointing. It felt stuffed with fanservice and worldbuilding I didn’t care about, indecisive and self-contradictory, and like everything proceeded on the logic of plot. Makes me miss Andor.

I’ve read this a number of times already, but after reading Delisle’s “Jerusalem,” I had to revisit it. It’s the wild, literally incredible story of the two months he spent in Pyongang supervising a team of North Korean animators who were doing work for the French animation studio Delisle worked for. The art is excellent, the writing is good, the story is bonkers. One of my favorite comics.

I have been a fan of Delisle’s for quite some time, but I’m still blown away by how good this is. The book isn’t political or polemical, but a slice-of-life comic done by a cartoonist living in East Jerusalem for a year brings walls, checkpoints, rockets, and attacks on Gaza to life in a subtle, compelling way. I used to follow this news a lot more, and Delisle made me feel like there was a lot I missed even then. I’d love to pick up a copy in the original French.

A friend recommended this book to me, and I’m very glad I tried it. It’s a broad consideration of how the Binding of Isaac has been interpreted, imagined, and portrayed over the centuries—combined with the author’s personal struggles with the story. It was difficult sometimes as an audiobook (while I appreciated its breadth, it sometimes felt repetitious), but I got a lot out of it.

I wish I had read this before Gharib’s second comic memoir, because there’s a progression there (in terms of both the quality of art and adding detail to story) that makes it unfair to judge this one after reading it second. I think “It Won’t Always Be Like This” is better, but this comic is so good, too. Great story, distinctive art, great overall product.

I really enjoyed this show! It veers from realism but into the fun thriller, and while its dedication to drama is obvious, it’s not always a bad thing. I enjoy a show that rewards the viewer for knowing the difference between the FSB and the GRU, and I’m really looking forward to the second season.

Everything about this is good: The writing, the art, the mix of the external story and the personal elements that Yang puts in. I wasn’t sure about a basketball comic, but I knew I could trust Yang to pull it off, and I was right.

It took me six months to finally read this book, but it’s exactly what I hoped for, so it was worth the wait. Some of Merton’s essays are more compelling than others, but his fierce condemnation of war and advocacy for peace is moving. I’m sure I’ll be coming back to this.

Lots to love in this movie: The animation is gorgeous, the concept is interesting, the metaphors are well-meaning, and there are plenty of funny bits. There seemed to be too many subplots, though, and when any of them saw a shake-up, it didn’t always feel deserved. It also feels essentialist in the way that D&D does—yes, differences make sense in the fictional world, but since we’re meant to read them onto the real world, it doesn’t always sit right. There are also bits that go unexplained or that don’t hold up to much thinking. I get that it’s a Pixar movie, but they still bugged me when I sat to think about it. I enjoyed it and would watch it again, but it seems like it was an excuse to do some cool animation and that the rest of the movie suffers from it.

I believe this is the third time I’ve read this book, and I’ve also enjoyed its BBC television and radio adaptations a lot. The first time I read it, I didn’t get it, the second time I loved it, and this time I see why it’s such a classic. It was fun to read the original after watching and listening to the adaptations pretty regularly over the past several years. Le Carré does well with detail, and I’d forgotten the subplots and side comments that get left out—but that add so much to the characters, the plot, and the overall feel of the book. That said, there were times when some of those details felt extraneous (i.e., the compressed adaptations don’t suffer for their absence), and fifty years on, Jerry Westerby’s running joke with Smiley about Indigenous Americans is cringeworthy. It’s amazing sometimes how Europeans sometimes feel more racist toward American Indians than we in the U.S. are.

I really want to like this book. I am sympathetic to pirate politics, and I’m impressed with its sudden surge to power in Sweden and elsewhere. I even think many of the ideas in here are compelling and will probably come back to it despite my relatively negative review. The thing, though, is that I struggled through it, so it took me so long to read it that I probably don’t even remember enough to give it a fair review—except that that is itself kind of damning. It feels overly confident in its ideas: I don’t necessarily mind it as a conceptual framework for an organization (hence my willingness to come back to it), but its conclusions feel unmerited and unsupported by anything except some back of the napkin figures and choice anecdotes. Besides, the Pirate Party is doing worse now than it was a decade ago, and that feels damning by association. I don’t think I’m done with the book, but I am disappointed by it.