Okay, once I got over the ways that generative AI have ruined the premise, it’s not a terrible story. It’s not deep or particularly original, but I enjoyed it enough to be more generous this time around.

I read this series ages ago; when I got it through an Image Humble Bundle, I decided it was worth a reread.

The art isn’t bad, and the basic ideas of the series are interesting, but it’s remarkable how much generative AI has kind of ruined what the series could be.

So much of this reads differently now: the premise of people seeking companionship in sycophantic robots, the secondary premise of people being convinced that there’s true intelligence behind the scenes just waiting to be unlocked, the idea of “robots rights” in a society that’s skeptical of artificial intelligence. What would have been pretty standard scifi 4 years ago now hits differently, feeling like an allegory for the most delusional parts of pro-AI advocacy.

This book is great: its emphasis on sight and invisibility, its meta-emphasis on self-evaluation and self-deception, and its leaning into the Book of Mormon’s condemnation of wealth and departure from contemporary Latter-day Saint understandings. So much good stuff in here. The only thing keeping me from giving full marks is that I’ve skimmed it too quickly to critically evaluate (or appreciate) the throughlines of the book.

I struggled my way through this book, but I also liked it? My wanting to quickly fly through this series hampered my ability to sit with it and evaluate its arguments in the way that it deserves, and it feels weird to review the book based on the skim that I ended up settling for. Yet, I also really liked the directions Wrathall explored, and I would be eager to reread what he has to say with more care and attention sometime in the future.

This remains one of the best pieces of short fiction I’ve ever encountered, and I have trouble imagining ever finding anything that replaces it in my mind. It is existentially terrifying and yet beautiful, it’s clever in even the smallest details, and I will never stop thinking about it.

I’ve been meaning to reread this for a while, and I’m glad I finally got to it. It’s fifteen years old now and feels it sometimes (not necessarily in a bad way), but it’s a fun read.

I appreciate Doctorow’s use of MMOs as a metaphor for economics, and even if I’m not economically savvy enough to follow all the details or evaluate their accuracy, it’s a lot of fun to read about “Great Recession, but a heist carried out by unionized workers.”

We bought the English translation of this comic after falling in love with the series in the original French. The goal is to donate this copy to kiddo’s school library, but we couldn’t help but read it as a family first. It’s darling and wonderful, but it loses a bit of the fun in translation.

There’s a lot I like in this book: the call for urgency; its focus on bottom-up movements; echoes of Ellul, Graeber, and other authors I’ve appreciated. It feels like an example of the prophetic voice, and I hope to keep it in mind in the years to come.

I’m not an economist or an environmental expert, so I feel inadequate in my ability to thoroughly review it. I wish it were easier to translate those lofty ideals into daily action, though maybe part of the point is that there are no easy answers to this.

I was more generous to the first series this time around because I was impressed by how tightly it works as a single story, despite being episodic. While there are lots of gems in this series, it doesn’t feel as tightly constructed, and there are also some weird things that don’t really work for me (like a conspiratorial diatribe against the FBI?). I don’t regret rewatching it, but it just isn’t as good as the first series.

This season wasn’t awful so much as “just okay,” but I’ve come to expect more from the show. It took my least favorite book and changed it in weird ways that didn’t feel like they fixed much. A few changes were good, but others felt like they added too much complexity to the plot or that they were trying to lend a gravitas to characters that don’t need it.

I have tried to rewatch this a few times since discovering it in 2023, and I’ve always stalled out by the final episode of Series 1, which is so cruel and cynical that it’s difficult to watch. Yet, it fits nicely with the themes of the show (and especially the first series), so I’m glad I made it through this time. I’m still critical of the misogyny and brownface that led me to dock points from my last review, but seeing how carefully the show sets up that final episode of the series (especially during an era where season arcs weren’t nearly as important as they later became) has won my respect.

I have been meaning to read this book for months and was happy to have an uninterrupted couple of hours on a flight so that I could finally get to it.

It covers familiar ground but without feeling repetitive. I expect to cite it frequently in the future—in fact, I ought to work it into some slides I’m presenting tomorrow!

I wasn’t sure about this book at first, and I’m not totally sure about it at the end, but there was enough in the middle to mostly win me over. Herron continues to be a cruel narrator with one of the major developments of this book, and the other major development really raises questions about where the series will go from here.

This comic is dumb, but mostly the funny kind of dumb, but still not quite enough to get more than a middling review.

Honestly, I was getting bored of this series, but this story got me back on track! It helps that it features a Project 2025/DOGE-type villain, anticipating our current nonsense. The characters are also as (or more) compelling as usual, and things felt less outlandish than in some of the preceding books.

I’ve been waiting for this one for a while, and I got weak and ceded to Hoopla rather than wait for the TPB to arrive at my local library.

I continue to appreciate this series, and Issue 43 (the real horror is what’s going on in the world right now) is really good, a highlight of the whole thing. I have to admit, though, that it didn’t otherwise feel worth the wait. Maybe I got my expectations too high, or maybe there are just diminishing returns. I’m not giving up on the series, but I feel like it’s uneven.

I probably ought to rate this book higher. Even if I’m not terribly interested in psalmic structure and how it applies to the Book of Alma, there are some fascinating readings of familiar characters and stories in this book. In particular, Turley’s reading of Ammonihah and “fire and brimstone” has really impacted me, and I want to spend more time with it.

In fact, that’s ultimately what keeps me from rating the book higher. I’m powering through this series and more often skimming than reading. I don’t regret that if it’s the price I pay for finally making my way through all twelve volumes, but it does mean it’s hard to truly evaluate some of these books.

It’s not great literature, but I don’t remember ever having read it, and it felt like the kind of escapist fun I could use right now. I think the Alphabet Squadron series is a superior successor in terms of having something to say beyond escapism, but Corran Horn is a fun Mary Sue to read about, and I think I’ll keep reading.

It’s not my favorite book in the series, but it isn’t bad. There are some interesting plot developments here, but I also feel like Diana Taverner is stuck with the idiot ball from page one, which isn’t as fun as it could be. Won’t stop me from continuing to read, though.

Oh là là, comme il a beaucoup exigé ce livre ! Ça fait des mois que j’essaie de le lire, et les écrits d’Ellul ont souvent dépassé ma capacité de comprendre le français philosophique.

Je pardonne beaucoup à ce livre pour trois raisons. D’abord, c’est surtout un brouillon, n’ayant jamais été publié, et ce qui était surtout pénible aurait sans doute été corrigé lors d’une vraie édition du livre. Deuxièmement, il y a beaucoup de pépites d’or là-dedans, même s’il faut beaucoup creuser pour les atteindre. Enfin, malgré mes plaintes, j’aime beaucoup la façon dont ce livre joint les deux grands thèmes de l’écriture d’Ellul lors de son vivant.

As a member of Community of Christ, I’m supposed to be a Trinitarian, but if I’ve learned one thing in recent years, it’s that I have very little patience for insistence on Trinitarianism. It doesn’t make much more sense to me now than it did when I was a practicing Latter-day Saint, and if I can recognize value in the theological reflections that emerge from an assumption of Trinitarianism, I am just not sold that it’s the only (or even best) way of understanding God.

Bon, j’avoue que elle devient de mojns en moins intéressant, cette série, mais je peux beaucoup pardonner pour une aventure en Alsace.

I remembered enjoying this volume, and it lived up to my memory! It’s one of the darker entries in the series, but it’s not as absurd or outright bleak as some of the others. A nice balance that was fun to revisit.

Ellul can be hard to review, and especially in this book! The core metaphor here is interesting and useful—I plan to draw from it personally and professionally. It’s also combined, though, with wild assertions, exegesis and theology that don’t land (for me), and moral panic that might be intentional hyperbole or might just be off base.

So, there are some parts of this that are excellent and some parts that don’t really work. That makes it hard to evaluate as a whole!

I will be interested to see what the TV adaptation of this book is, since my least favorite books have sometimes been redeemed by the TV adaptation. For the time being, though, I didn’t love this one. It seems to exaggerate all the things about the books I don’t like, and I found the characters especially unsympathetic.