I love it when different books I’m reading come together in interesting ways. That happened recently while rereading Joseph Spencer’s 1st Nephi: A Brief Theological Introduction and restarting (this, time, in English) Jacques Ellul’s The Humiliation of the Word. In this post, I want to take up a distinction that Spencer makes in his book, suggesting that: Question’s about the Book of Mormon’s truth tend to be of two sorts. First, we want to know whether it all really happened.

More reporting like this. Anti-semitism is a genuine problem, but there is nothing genuine about the Trump administration’s supposed concern about it.

What a joke.

I’ve been waiting for Masnick’s response to this, and it’s good.

What the hell, Musk.

What a mess Musk has made Twitter into.

As I wrote earlier in the week, I gave today’s sermon for the Toronto Congregation’s inclusive online worship service. The service was recorded and can be found at the YouTube link below: I really enjoyed participating with Beyond the Walls. I had some idea of how much work they put into making this look like a professional production, but getting to peek behind the scenes and see how much work they put into juggling different cameras, testing and managing audio, and everything else made me really appreciate what they do all the more.

I worry about how often events in my country seem to echo the Dreyfus Affair of late 19th/early 20th century France. As one author put it, truth and justice were set aside by those who perceived them as threats to their vision of the country.

Content moderation is a good thing, and not all viewpoints deserve a seat at a table.

Over the past several months, I’ve been slowly working my way through Mark Scherer’s three-volume The Journey of a People, the most recent quasi-official history of Community of Christ. The first volume was interesting, since it covered an era of Mormon history that I’m familiar with from a perspective that I’m not familiar with. I found the second volume a bit harder to get through—some individual sections were fascinating, but it seemed to lack an overall throughline or narrative.