Je me sens un peu déchiré là. C’était intéressant de voir la fin d’une certaine partie de la série, mais je suis toujours dérangé par les attitudes y présentes. Les personnages féminins dans l’histoire semblent n’exister que pour coucher avec XIII ou subir des menaces de viol.

Même si tout cela est insupportable, il est intéressant de voir comment Vance et Van Hamme perçoivent les États-Unis. Quand XIII et Jones se vouvoient, je me demande ce que cela signifie, vu qu’on n’a pas les mêmes moyens de se parler en anglais. En plus, le système politique américain présent dans cette série ressemble peu au système réel (sur certains points, au moins).

I’m continuing my journey theough Le Carré, and I thought I’d give his last, posthumous book a listen while waiting for my hold on Tinker, Tailor, Soldier, Spy to cone through. It’s so interesting to compare this last book of his to his earlier works: There are more women (though I still don’t think it passes the Bechdel Test), more cell phones, and more swears than his early stuff, but the sense of inevitable plodding toward a disappointing end (for the protagonists at least) is just as strong as ever. I found that this ending wasn’t quite as strong as the buildup, but it was a fine last novel from an excellent author.

The movie adaptation of this book is what really got me into Le Carré. It’s twisty and cynical and compelling—just a great book. Not perfect, of course: Its age shows uncomfortably in some places, including the way it entirely fails the Bechdel Test. I can’t help but give it a full rating, though.

What a wild listen! I started this right after finishing Doctorow’s Little Brother because it’s recommended in the supplementary materials. It’s a bit odd to read in 2023: The idea of cryptocurrency has been tainted with recent news, it spectacularly fails the Bechdel test, and it seems to me to use more casual racial slurs than the chapters in the Pacific Theater might allow for in the name of realism. Yet, it’s intricately plotted, well written, just absurd enough to make it better, and technical without being overwhelming. I don’t know that I’ll ever read it again, but I think it’s deserving of its reputation.

It seems to me that if you’re going to make the (already weird when you think about it) choice of gendering numbers and letters in a kid’s book, you ought to go ahead and make sure it passes the Bechdel test.