Je me sens un peu déchiré là. C’était intéressant de voir la fin d’une certaine partie de la série, mais je suis toujours dérangé par les attitudes y présentes. Les personnages féminins dans l’histoire semblent n’exister que pour coucher avec XIII ou subir des menaces de viol. Même si tout cela est insupportable, il est intéressant de voir comment Vance et Van Hamme perçoivent les États-Unis. Quand XIII et Jones se vouvoient, je me demande ce que cela signifie, vu qu’on n’a pas les mêmes moyens de se parler en anglais.

Bon, j’ai commencé cette relecture en espérant pouvoir défendre mon amour pour cette série malgré ses problèmes. Il est vrai qu’elle continue à être intéressant, mais le sexisme s’accroît, et ça devient se plus en plus difficile de justifier mon intérêt.

Bon, il y a quand-même des limites à mon amour pour cette série, et je n’ai jamais trop aimé cet album. Même si les éléments des complots se révèlent (et se révèlent assez intéressants), la cruauté de l’asile pénitentiaire où se trouve notre héros pendant l’album me dérange. Même si cette cruauté reflète la réalité de telles institutions, ce qui se déroule dans ces pages est pour amuser, et je ne le trouve pas très amusant.

Dès le deuxième tome, on voit déjà combien cette série va se montrer stupide. On ajoute complot sur complot et identité sur identité. On condamne la guerre au Vietnam mais on fête la violence des militaires. Le lieutenant Jones est un paradoxe en elle même. C’est intéressant d’avoir une femme noire comme personnage important et capable, mais elle reste toujours quelqu’un avec qui XIII peut coucher. Je ne devrais sans doute pas pardonner tout cela à la série, mais j’aime beaucoup l’art, j’aime apprendre le langage de ce genre de BD, et il y a des séries qu’on aime malgré leur stupidité, er pour moi, c’est celle-ci.

Ce n’est pas un chef d’œuvre, et il y a plein d’attitudes des années 80 qui me gênent dans la série, mais j’avoue que j’ai quand-même un grand amour pour ces albums. Ce premier, c’est bien intéressant, même si on a piqué les meilleures idées de « La mémoire dans la peau ». Bref, ça fait un moment que j’ai envie de relire ma petite collection, et c’est donc maintenant que je commence.

I recently started to read select newspaper comics to bring some fun into my morning, but this one is going to haunt me for a while.

I picked this up because it had Zdarsky’s name on it, and Jorge Jiménez’s art looked gorgeous. It was a fun read, but there are all the problems with it that I have with most modern Batman: It’s violent, absurd, and bogged down in continuity. I’m glad I tried it, but I don’t miss Batman all that much.

I’ve listened to Glenn on The Incomparable for years, and a rule I try to follow is to pay for creative works from creators whose content I’ve often consumed for free. This sounded interesting, I do like comics, and so I bought it on a whim. I don’t think buying a print copy was ever in the cards for me, but I wish I’d at least read it on a bigger screen than my phone: It’s beautifully designed, and there are lots of visual goodies in there.

I like this volume better, but it still doesn’t quite land with me. I suspect it’s because I’m so used to metafiction in more recent comics that I don’t appreciate the sources they’re building on! At any rate, I’m glad I read these, but I can’t say that they were life-changing for me.

I feel like I’ve said this about a lot of recent comics, but while I appreciate what this contributed and what it’s trying to do, I just don’t like it all that much. I’m interested in its efforts at social justice moralizing and metafiction, and I understand there will be more of that in the second volume (which I’m looking forward to), but there was too much that felt like lazy comics in here (sexist costumes, silly crossovers and events, two-dimensional characters).

Between a work conversation a few days ago and a podcast I’m listening to this morning, I’ve spent a lot of time this week wishing I were a regular comic book shop customer.

We are big fans of libraries in our family. In fact, live near the border between two counties, and we split our library visits between the Lexington Public Library (where we are residents) and the Jessamine County Public Library (where we are not). Luckily, Kentucky library systems tend to be fairly liberal in handing out library cards, so this isn’t usually a hassle (this was not the case in Central Michigan, but that’s a story for another time).

I appreciate Bible scholar Thomas Römer in an academic sense, but I also sometimes remember that I first discovered him through a French comics podcast where he showed up to say that he thought R. Crumb’s adaptation of Genesis could have been more imaginative, and that’s what really sold me on him.

I am by nature pretty prudish, and even though I’ve been successfully dialing that down recently, I still feel weird about having read this and even weirder about acknowledging that on a public website. That said, I’ve always felt like I should give this a try since it’s well regarded in comics, and after a few failed attempts in earlier, more prudish years, I powered my way through this complete edition over the past few days.

I’ve passed this up a couple of times at the library, but an article at BoingBoing got me to give it a try. It’s a fun, meta take on the comics industry through comics themselves, even if it feels melodramatic at times.

Bors has some great political cartoons in this collection, but I also don’t like political cartoons in large doses, even if that doesn’t necessarily reflect on him!

A few months ago, some colleagues reached out to ask if I would be willing to record a guest lecture for our library science program’s LIS 600: Information in Society. In particular, they were interested in having me record something for a week on the digital divide. I am conversant on that topic, but it’s not an area of specialty for me, so I was unsure about it until I realized that some of the readings for that week touch on topics like platform design that I am really interested in through my work on social media communities.

It’s not the best of Astro City (and it feels awkward when trying to work with race and gender), but it’s not the worst either. I enjoyed reading some stories I hadn’t read before, and some of them were really well done.

This actually has an absurdly long(er) title that I refuse to include in its entirety. I appreciate the effort, but I think it might break something somewhere on my web workflow. It’s interesting to read this volume with knowledge of what’s coming up in the series! I can see plots being set up that I might not notice otherwise. Not all of those plots are my favorite, but I still really like this comic, so I’m looking forward to them anyway.

There’s a certain flavor of bizarre that makes for great fiction, and this comic is that. It’s a story about gender transition and transphobia, a critique of tech bros and libertarian business types, and… a science fiction story featuring a Cthulhuesque cult? There’s a bit more gore than I normally tolerate in comics, and the art style isn’t what I’d identify as my go-to preference, but everything fits together in a surreal but profound way.

Manga is one comics tradition I’ve never really gotten into, but I was impressed by someone else’s description of this series on Micro.blog and decided to give it a try. There are some manga conventions I’m still getting used to, and I don’t know that I fully “get it” yet, but it’s fun! The “cozy apocalypse” vibe it gives off is nice, and I’m looking forward to reading the next volume.

I’m glad that so many French comics are now available in American libraries, and it’s a pleasure to read something that came from the influential Métal Hurlant. This is one of those reads, though, where I understand why the work is important, but it just didn’t land with me.

Teaching password security in class today, so time to talk about Ozymandias’s total lack thereof in Watchmen (and how dumb it is for a computer to say “almost there!” when you enter an incomplete password).

Really want to make a joke involving Holy Saturday and the 1990s comic arc “Reign of the Supermen,” but those ingredients are all I can come up with.

This time, kiddo checked this out on hoopla, and I decided to read it, too. As I’ve said before, gag-a-day comics aren’t really my thing, and as delightful as Nancy is, I still can’t say that it’s my favorite.

My dad has been logging the books he reads since he was a teenager, and I’ve always wanted to try something like that out. I gave it a go in 2022 with a notebook, but I quickly realized I wanted to journal that information, too. Since I journal in Day One, that meant logging reading digitally, so at the end of 2022, I started building some Siri Shortcuts for blogging about books.

I don’t really like gag-a-day strips (or many comic strips at all), but Jaimes’s run on Nancy speaks to me in a way I can’t explain. I checked this out from the library for kiddo but ended up reading it myself.

I had to refresh myself on the last few volumes before tackling this latest one, and there are still lots of details I can’t remember. This series is gory, crude, and profane in ways that ought to turn me away from it, but it’s just so compelling. Great art, powerful characters, and good story. Maybe I should actually subscribe to issues as they come out? I’ve never read comics in a monthly format before, but I don’t know if I want to wait as long as I had to for this next TPB.

I’ve complained a lot about superhero comics nonsense throughout this series, but it’s still depressing to finally show that a 16-year-old wouldn’t survive all of these fights. It’s an interesting wrap up for this character, and I ought to find and read the Miles Morales series, but after 26 TPBs in a couple of months, I think I need a break from Spider-Man. There are other books I ought to read, and on the comics landscape, I hear there’s a new Saga TPB to get caught up on.

I was invited this week to give a sermon in January for an online congregation from Toronto. Last time I preached there, I referenced a story from Astro City and got told in a YouTube comment that mixing comics and the Bible was bad taste. Tempted to double down in January, but that would be petty.

I don’t know how to deal with the renaming and renumbering going on in this series, and trying to read up on it on Wikipedia is just making me more confused. This is very clearly a “reset the status quo” effort, but it’s not entirely bad? Bendis continues to mistreat Mary Jane, and I feel like it’s actually getting worse, so that’s not great. I do like the dynamic of Aunt May taking in more and more superheroes, though, so we’ll see how that turns out.

I really shouldn’t like this volume. I don’t care that much about Venom or Carnage, and I think their Ultimate origin stories are dumb. Gwen Stacy got treated terribly earlier in the series, and this comic book resurrection is as silly as her death was stupid. Yet, I thought the framing story was interesting, Venom is compelling as an eldritch villain, and I… enjoyed myself? Dunno what to make of all that, but four hearts it is.

I feel like this series found its groove again! I miss Bagley’s pencilling, but Immonen makes a fine replacement. A lot of the stuff that bothered me in recent volumes has been redeemed here: Kitty Pryde is interesting instead of just a drama device, Norman Osborn gets some depth, S.H.I.E.L.D. is engaged with as the creepy organization they are, and it turns out that comic book nonsense can actually be fun sometimes.

I’ve complained a lot about comic book nonsense in recent volumes, and there’s plenty of it here, too, but this pulled a lot together in a way that just plain works. Interesting crossover action, classic Spider-Man morality of superheroes, good art, interesting stakes. I guess this is why I keep reading this series.

I almost gave this four hearts because I kind of like how it turned out, and it did touch on some good Spider-Man themes. However, I then remembered all the comic book nonsense that happens here—and the way that so many of these issues demonstrate how terrible it would be to live in the (Ultimate) Marvel universe.

I picked up this comic about a post-pandemic-apocalypse from the library on a whim. I have mixed feelings about this genre—especially since it’s hard to believe that it was begun before COVID-19. The story is somewhat interesting but choppy, and the characters are compelling but flat. The translation is rouuuugh, and I wonder how much better it might be in the original German. What saves this for me, though, is how clearly Swiss it is.