I’ve complained a lot about superhero comics nonsense throughout this series, but it’s still depressing to finally show that a 16-year-old wouldn’t survive all of these fights. It’s an interesting wrap up for this character, and I ought to find and read the Miles Morales series, but after 26 TPBs in a couple of months, I think I need a break from Spider-Man. There are other books I ought to read, and on the comics landscape, I hear there’s a new Saga TPB to get caught up on.

I miss the earlier art, and there’s still plenty of comic book nonsense, but this series has found a good groove. I don’t know a whole ton about main Marvel continuity, but I do feel like Bendis has the freedom to do his own thing here, and I gather that was the point of the Ultimate universe. Kind of wild to have the next volume’s big event spoiled in this volume’s title, but I guess it’s been long enough for it not to matter.

Fun arc! I like the whole range of characters at Bendis’s disposal, and even though it strains credulity sometimes, it is fun to have Peter and friends as teenagers. Lafuente’s art isn’t bad, but I’m not used to it, so I have trouble recognizing Peter as Peter sometimes (especially in this arc!). Nearing the end of this journey, though I ought to read the Miles Morales volumes after that.

I don’t know how to deal with the renaming and renumbering going on in this series, and trying to read up on it on Wikipedia is just making me more confused. This is very clearly a “reset the status quo” effort, but it’s not entirely bad? Bendis continues to mistreat Mary Jane, and I feel like it’s actually getting worse, so that’s not great. I do like the dynamic of Aunt May taking in more and more superheroes, though, so we’ll see how that turns out.

I’d heard a lot about Ultimatum before, but this was my first time actually reading the arc. There are things I don’t like in these issues—including some of the low-level misogyny I pointed out in previous volumes—but for a major crossover event filled with comic book nonsense, it was actually pretty good.

I really shouldn’t like this volume. I don’t care that much about Venom or Carnage, and I think their Ultimate origin stories are dumb. Gwen Stacy got treated terribly earlier in the series, and this comic book resurrection is as silly as her death was stupid. Yet, I thought the framing story was interesting, Venom is compelling as an eldritch villain, and I… enjoyed myself? Dunno what to make of all that, but four hearts it is.

This volume also feels like a step in the right direction! It seems like Bendis is willing to stretch with and fill out the universe some: What he did with Liz Allan and recurring villain/joke The Shocker are especially interesting. I’m having fun with this series again!

I feel like this series found its groove again! I miss Bagley’s pencilling, but Immonen makes a fine replacement. A lot of the stuff that bothered me in recent volumes has been redeemed here: Kitty Pryde is interesting instead of just a drama device, Norman Osborn gets some depth, S.H.I.E.L.D. is engaged with as the creepy organization they are, and it turns out that comic book nonsense can actually be fun sometimes.

I’ve complained a lot about comic book nonsense in recent volumes, and there’s plenty of it here, too, but this pulled a lot together in a way that just plain works. Interesting crossover action, classic Spider-Man morality of superheroes, good art, interesting stakes. I guess this is why I keep reading this series.

I almost gave this four hearts because I kind of like how it turned out, and it did touch on some good Spider-Man themes. However, I then remembered all the comic book nonsense that happens here—and the way that so many of these issues demonstrate how terrible it would be to live in the (Ultimate) Marvel universe.