We took a family trip to Mammoth Cave this weekend, and I decided to read the fourth entry in this series over the course of the trip. I quite liked it and it was fun to read it so quickly. Despite being a bit more fantastical and less down to earth than some of the other entries, I thought the story was innovative and made good use of some of the recurring characters of the series so far.

Even though I ought to be finishing up some other books, I’ve enjoyed this series enough to check out the third book and read it over the last few days. Herron does a good job of making none of his characters likable but some of sympathetic and I enjoyed this book more than the last. Herron does his best, I think, when his nominal heroes and their bosses are the real villains of the piece.

My spouse and I recently started watching the Apple TV+ series based on this book and its sequels. I’ve loved the show, so when she and kiddo were at a local library on Thursday, they grabbed the book for me. I’m a big fan of John Le Carré, and this feels like a worthy modern successor. It’s crafty and smart, but even more than Le Carré, Herron leans into the ugly parts of the profession and the people who embrace those parts rather than try to maintain honor and dignity.

I’ve wanted to read this book before—I believe I read the whole thing once in high school, and we read a portion of it in a French Civ class before discussing the Bayeux Tapestry. I recently saw it at the library and decided to give it another go. Because I took a while to get started, the due date snuck up on me, and I had to rush through most of it rather than give it the critical read it deserves.

I jumped right into this sequel for Slow Horses right after finishing the first volume. The core of what attracted me to the first book was largely present, hence my giving it the same rating. However, at the end of the day, I didn’t like it quite as much. I couldn’t say exactly why that is—the characters I enjoyed were just as enjoyable, the story was interesting, and there were great shout-outs to Le Carré and funny recurring jokes in the story.

I have been meaning to read this for quite some time, as it is the first volume in the most recent official history of Community of Christ. I’m also looking forward to the next two volumes, since they cover history that I am not familiar with, but it was especially interesting to read a Community of Christ perspective on the 1830-1844 era. I appreciated the frankness and openness of the volume—it’s impossible to imagine an LDS version of this book taking the same approach.

I found this translation of Delisle’s latest graphic novel at the Jessamine County Public Library and decided to give it a try. I don’t remember how I discovered Delisle, but I love his book Pyongyang, I’ve read a couple of his other books, and I loved this one. Delisle’s art is great—his style is consistent, simple, and appealing. I like the way that he did color in this book, which is mostly monochrome but with bursts of yellow here and there.

This was a bit of a slog sometimes—one of the reasons why it took me so long to read and why it didn’t get a full five hearts—but it’s one of the most interesting things I’ve read recently. This is supposedly one of the great classics of Mormon fiction, though I hadn’t heard of it before BCC Press released a free ebook of it a few weeks ago. It is a frank but respectful tale of Mormon pioneers “settling” St.

Having survived one Backderf book and knowing that this is his more famous work (it won an award at Angoulême in 2014), I decided to give it a try. The story is of Backderf’s childhood association with Jeffrey Dahmer, who grew up to be a serial killer. Dahmer’s crimes are horrifying—I had to put the book out of my mind before going to sleep—but he was caught when I was 3, so I wasn’t really aware of the story.

I picked this graphic novel from JCPL just over a week ago. I think that Backderf’s art is weird, and I have mixed experiences with non-fiction comics, but I don’t know much about the 1970 killing of four students at Kent State by the Ohio National Guard, and I decided it was worth knowing more about. The story was compelling, and Backderf’s art didn’t bother me as much as I worried it would, so I’m glad I tried it.