I honestly didn’t know what I would think of this book. I’d heard some complaints and caveats about it, but some folks also highly recommended it, including one of the people who made a caveat (and who is outspoken on problematic social attitudes), so I thought it was worth a try.

My verdict is that this feels like fanfiction, which isn’t supposed to be an insult but also captures some of my own caveats. Why compare it with fanfiction? Some parts feel unwieldy and overly explanatory of the worldbuilding. It does take a certain pleasure in being transgressive, and sometimes that does cross a line. Yet, I meant what I said about comparng to fiction not being an insult, because it is creative and interesting in the way that sometimes only self-published stuff can be.

I get why this film is beloved! It also did not crack me up the way I was hoping.

This storyline is a bit tough for me, but reading it in a collection reminds me of how much better Dumbing of Age is when you can read a storyline all at once. Really enjoyed the read even if it’s not my favorite arc.

I don’t regret reading this book, but it’s not as good as Hodgman’s other memoir. I don’t feel like it holds together as well, it feels anchored in 2019 in a way that doesn’t work for me, and I always get bugged when someone picks on “reckless cyclists” when so much of our world and infrastructure are stacked against cycling (though I’m confident that some cyclists are the entitled white dudes that Hodgman is taking aim at in that particular story—I just think there are better ways to skewer white dudes than targeting those who travel by bike).

Gotta say that I don’t like the fantasy elements of this story as much at the digs at totalitarian policing of gender and sexuality, but this second volume is still a good read.

This comic is very weird, but the art is good, the translation is excellent (or at least I don’t think of it being translated), and the social commentary is very well done.

Comme il m’arrive de lire un peu sur l’anarchisme, comme les écrits anarchistes parlent souvent de la Commune de Paris, comme je ne savais pas beaucoup sur cet évènement, et comme j’avais besoin de quoi écouter ce matin, j’ai choisi cette série pour approfondir un peu mes connaissances. J’ai toujours l’impression de ne pas savoir grand-chose (et de ne pas connaître la réponse à la question posée par cette petite série), mais elle a été bien faite.

I enjoyed this volume more, likely because I read it in a shorter timespan. I still feel hesitant about the series, perhaps because I have read so dang much superhero fiction that it’s hard to feel like there’s anything new here. I still have a bunch of volumes checked out, though, and I do want to keep going.

I can’t remember how long it’s been since I listened to this the first time. It is artfully done, and the Jonathan Coulton addition is tremendous. Some jokes feel like they haven’t aged well (either because they’re simply not timeless or because I don’t think Hodgman would make the same joke today), but the low-key absurdity of the project really appeals to me.

It didn’t change my life, but this mix of genie magic, techbro survival bunker, and passion for the theater was a fun combination.

This book was exploding with creativity: I loved the idea of a two-second time machine as something that just kind of exists but hasn’t caught the public eye, to the extent that it’s forgotten about quickly in the narrative. I also appreciate any story that takes shots at tech bros, and the magic in the book was really interesting.

That said, there were seams in the book that stopped me from giving it full marks. I didn’t follow all of the plot developments (especially the end), it sometimes felt like it was trying to be too cute, and I didn’t always get what Anders was going for with the overarching themes. Still really good, though!

I picked this up on a whim while visiting a Japanese bookstore with family. I’ve long felt that of the great comics traditions, manga is one I know less well than I should. I’d heard this name enough to trust buying it without knowing much about it, and I enjoyed reading it on the plane back from Los Angeles. I’ve checked out several of the subsequent volumes from local libraries, and we’ll see how this goes!

After watching several seasons of Un village français, it was inevitable that I would want to learn more about De Gaulle, someone I certainly already knew about, if not at the level I would have liked. At some point, I remembered that I had bought this biography about 15 years ago but never read it, so I pulled the forgotten ebook up on my phone and made my way through.

The first several volumes in this series came in an Image Humble Bundle I’m trying to complete so that I justify the money I spent on it, so I guess it’s time for a reread!

While I still semi-regret starting the series on hoopla last time, I’m glad I read the first few volumes together that time, because these first few issues are not my thing. I don’t mind the bleakness of Ice Cream Man (well, most of the time), but gore and ick are NOT my thing, and they are present here. My favorite parts are yet to come, but what I like in this series (almost despite myself) is definitely here already.

I wish I had read this finale more slowly. I like it, but I’m not sure I follow exactly what Remender is going for at each step. This series is worth rereading in the future.

Same as the last volume, there are bits of this that I like (including the framing device), but the ramping up of stakes and driving forward of plot are more “meh.”

As promised, I’m starting to blur the lines between volumes—I think some of the things I’m penalizing this review for were actually in the last volume. Oops.

Anyway, I love the art and the premise of this series too much to ever rate it below a four out of five, and there are bits of this volume that I really enjoy, but I like the premise and exploration of this series more than I like its main plot arc, and its efforts to move that plot forward in this story (especially by ramping up the stakes) aren’t super interesting to me.

Reviewing reference works that I largely skimmed always feels silly, but it’s my website, and no one can stop me.

I’m not a historian, but this historical context was really useful for me for a paper I’m writing on Ellulian perspectives on “media events” in early Mormon history. I appreciated having easy access to documents related to events I was writing about, and as I eventually expand the paper, I expect that I will come back to this volume.

J’ai fait une grosse pause au milieu de cette saison, car comme j’ai déjà dit, je m’intéresse plus aux détails historiques, et les intrigues dramatiques de la série peuvent m’ennuyer au bout de plusieures épisodes. Pourtant, j’aime bien regarder, et j’en apprends beaucoup—il m’arrive même de m’investir dans le drame.

J’ai enfin repris « Un village français », mais la deuxième épisode que j’ai regardée m’a fait me poser plein de questions sur Radio Londres. Tout ce qui est radio m’intéresse, et je trouve l’idée de Radio Londres particulièrement intéressante. J’ai donc recherché quelque chose qui pourrait m’en apprendre plus, et j’ai découvert ce documentaire, qui m’ai bien plu.

The Incomparable has once again clued me in to a fun series, and I was delighted to listen to this over a couple of days. It’s a fun premise, and if the podcast I listened to was any indication, it will only get more fun with time.

Watched this with spouse over two nights. It wasn’t the movie that we expected (I’m not familiar with the source material, and the trailer feels selectively edited in hindsight), but I have some (perhaps begrudging) respect for it?

I don’t like the characters, I don’t love the plot, and I’m not sure I enjoyed the movie, but it feels like it really knew the vibes it was going for, and I feel like it succeeded there. I like a movie that knows what it wants to be and doesn’t mind being weird along the way, and this fit that bill.

Still good! Interesting themes, great art, fascinating take on a familiar premise, and compelling characters. You can see more of the seams on this volume, but I plan to keep reading, reading, reading.

I backed this book on Kickstarter, intrigued by the idea of a graphic novel that documents and collects difficult experiences on Mormon missions.

When it arrived, I knew that actually reading it would be either healing or triggering for me, and I was happy to find that it was the former. There are a few improvements that could be made, but it met my hopes of being something that captured the Mormon mission experience as I know it (though there were a lot of COVID-19 stories, and how are these RMs so young!) but also spoke to the complex feelings that I and so many others have about those experiences.

The story itself didn’t captivate me much. I felt like there were sudden developments for the sake of the plot moving forward, and even an twist that comes partway through the book felt like [insert sudden development here] rather than the surprise it was supposed to be. I also didn’t catch some of the character connections and payoffs at first, though I suspect that’s due in part to my own inattention.