I don’t agree with everything in the book, but it’s full of great observations that I would gladly tweak to draw slightly different, really powerful conclusions. The author’s “reader-centered theology of scripture” is great, and its meditations on the weakness of God also really spoke to me. This made Ether more interesting than I remembered it being, and I’m grateful for that.

Today, I attended my first kids’ soccer game since rereading James Carse’s “Finite and Infinite Games” and since reading about Jacques Ellul’s ethic of non-power, and it turns out that makes a difference?

Yesterday, I blogged (en français) on Jacques Ellul’s emphasis on the need for a technology-responsive ethic that emphasizes (among other values) tension and conflict. Ellul explores this ethic—one of non-power—in a few different writings that feel like different drafts of the same thing, and so I’ve seen that emphasis come up a few times as I’ve tried reading his work. Every time, it surprises me a little bit. Why, in articulating an ethical framework, would you emphasize tension and conflict?

Yesterday afternoon, I was explaining (poorly) to some friends that I had been thinking about what the story of the Liahona in the Book of Mormon has to teach readers of that volume of scripture about (generative) AI. So, that connection was naturally on my mind when I was reading more of Jacques Ellul’s Presence in the Modern World over breakfast.

I continue to be pleasantly surprised by how relevant Ellul’s writing feels for today. Presence in the Modern World was first written in 1948, and even if you consider that the translation I’m reading is based on a 1988 second edition, that’s still enough time to earn the description “prescient.” (I’ve been reading Ellul in a mix of translated English and original French, depending on what’s more practical for the book in question.) Here’s a passage that particularly stood out to me this morning:

I recently finished an audiobook of Jacques Ellul’s The Technological Society and have been finding other things to listen to now that I don’t have mid-twentieth century French philosophical reflections on technique to think through anymore. Last night, I began (re)listening to the National Public Radio Star Wars radio drama—adapted by Brian Daley—while cleaning up the kitchen, and I continued listening on the way in to work today. The radio drama is interesting in so many ways! For one, it expands a two hour movie into a nearly six-hour radio serial, and so it crams in a lot of material that isn’t present in the movie (or even—as far as I can tell—the original script).