This book has been as enjoyable as all of the previous ones in the series. It took me longer to get into—probably because I’ve read so many of them lately—but once I got started, it moved along nicely. The past few entries in the series have seemed more intentional than others in setting up clues for the future rather than being self-contained stories. This book was also shorter and ended on a dramatic cliffhanger, giving the impression that Herron is wrapping up the series in the next book and might even have split this final story into two.

I flew through this book and quite enjoyed it. As Herron gets further along in the series, the continued plots strain suspension strain suspension of disbelief more and more, just like Smiley’s repeated resignations and returns make some of Le Carré’s books a bit creaky. Like Le Carré, though, there’s enough that’s good about the series that you can overlook these gaps. Herron feels no need to spare his characters, and he uses that expertly in this book.

This continues to be a fascinating series. While there are real threats and real bad guys in each story, so much of the story is on internal squabbling, and none of the characters can be said to be a “good guy.” In some ways the immediate plot of the book seems to be an excuse for letting the terrible characters bump against each other and make a mess of things. This book in particular really strained my affection for the characters, but I was still hooked by Herron’s writing.

We took a family trip to Mammoth Cave this weekend, and I decided to read the fourth entry in this series over the course of the trip. I quite liked it and it was fun to read it so quickly. Despite being a bit more fantastical and less down to earth than some of the other entries, I thought the story was innovative and made good use of some of the recurring characters of the series so far.

Even though I ought to be finishing up some other books, I’ve enjoyed this series enough to check out the third book and read it over the last few days. Herron does a good job of making none of his characters likable but some of sympathetic and I enjoyed this book more than the last. Herron does his best, I think, when his nominal heroes and their bosses are the real villains of the piece.

My spouse and I recently started watching the Apple TV+ series based on this book and its sequels. I’ve loved the show, so when she and kiddo were at a local library on Thursday, they grabbed the book for me. I’m a big fan of John Le Carré, and this feels like a worthy modern successor. It’s crafty and smart, but even more than Le Carré, Herron leans into the ugly parts of the profession and the people who embrace those parts rather than try to maintain honor and dignity.

I jumped right into this sequel for Slow Horses right after finishing the first volume. The core of what attracted me to the first book was largely present, hence my giving it the same rating. However, at the end of the day, I didn’t like it quite as much. I couldn’t say exactly why that is—the characters I enjoyed were just as enjoyable, the story was interesting, and there were great shout-outs to Le Carré and funny recurring jokes in the story.