I have some mixed feelings about Invincible, though they obviously are positive enough for me to start a full series reread. In college, I used to own a hardcover collection regrouping the first several TPBs, but I gave it away when moving to grad school. I was bothered by the violence and gore then, and now I can add to that the casual homophobia and ableism of the early 2000s and the low-level objectification and misogyny that are in most superhero comics.

Rereading this after watching the show is really interesting. In some ways, it raises my opinion of the show, after seeing specific lines and scenes that they clearly drew from. However, as I wrote last night, I also just like the book so much more, and I’m not sure that the things I miss could have been adapted at all.

From its earliest paragraphs, All Systems Red is helping clarify my feelings about the Murderbot TV show. I don’t know that it’s a bad adaptation so much as I think that some of my favorite parts of the book just can’t be adapted to screen.

I love this story, and the radio production is excellent. I like the supporting cast of oddball characters (especially Connie and Toby), and the idea of George’s struggle with his age and his morals is compelling. Maybe it’s still being torn about Honourable Schoolboy, but it just didn’t land as well this time as it has in the past.

There’s an interesting story in here, and I’m usually a fan of Le Carré’s “naïve characters make bad decisions and things go poorly” plots. I just cannot get over what feels like exaggerated East Asian accents in the performance, though. What could be a really interesting exploration of colonization, American intervention, etc. feels more like orientalism, especially when I’m not sure all the actors doing the accents are of East Asian heritage themselves.

Look, I know I haven’t read enough of the Murderbot source material to get snippy about unfaithfulness of adaptations. What’s more, this is a pretty good show! Great design, great casting, and lots of fun. I just didn’t like it as much as I remember liking the novella. I got annoyed by what felt like unnecessary expansions, and there are parts of the worldbuilding that just can’t be captured on TV.

Quand mon navigateur web se trompe mais ça me gêne pas trop.

Vive la Suisse et sa résistance envers Amazon.

I tend to overthink media, and one thing I’ve been overthinking recently is whether books and radio are more ethical media than television and film, because I understand the former (perhaps naïvely) as involving less waste of resources for the sake of entertainment. I bring this up not because I’m convinced by the argument (which I haven’t really thought through) but because the second season of Andor had me back on the side of television, because how else could you tell such a great story as that?

I hear people are angry about Superman being an immigrant, so I think it’s time to read “Superman Smashes the Klan” again (and maybe even listen to the 1940s radio serial it’s based on).

This took a while to get through for a book I enjoyed so much. It has Andor-level grittiness and complex characters and narratives that make it better than a lot of Star Wars stuff. The audiobook’s use of Star Wars music and sound effects is also a big plus. I’ve already checked out the final book in the trilogy so that it’s not another two years before I wrap it up!

J’ai été content aujourd’hui de comprendre le mot « rougeole » à la RTS. Puis, je me suis demandé où j’aurai eu besoin d’apprendre ce mot dans le passé. Comme elle fait sa réapparation aux États-Unis maintenant, peut-être que j’en aurai besoin en fin de compte.

Entre les vélos, les transports publics, et les trains, il me semble qu’il ne serait pas trop difficile de vivre en Suisse sans voiture, et je trouve cela très attirant.

Vive les vélos cargo !

Dumb but fun is how I would describe this. It’s got good art and an interesting premise, but the longer it went on, the more tired I got of twists and the harder time I had following the story. It wasn’t bad—but nothing special either.

This one almost won me over. It has good art, and the kind of worldbuilding that goes with an interesting idea rather than explain things. It had a bit more violence than I like and some objectifying art that wasn’t really necessary, but what really lost me was an unnecessary fridging late in the second arc. It could have been something interesting—and frankly still was—but that scene cancelled out a lot of that potential.

I didn’t want to like this. The IDW comics bundle I’ve been working through has been kind of a mixed bag, and this was weird from the get-go. A fast-food employee robs an entire strip mall, which gets him entangled in an effort to summon the devil on earth. It doesn’t sound like my thing at all. It’s so unashamed of its weirdness, though, that it comes all the way around to amazing.

I feel kind of weird rating this above any of the Earthdivers volumes, but hey. The art feels a bit off sometimes, and there were some bits that I didn’t quite follow. The character designs and worldbuilding were great—weird sometimes but stronger for it. The plot was interesting, with some good twists that kept me hooked.

En fait, j’ai lu Stay, la traduction anglaise que j’ai trouvée à la bibliothèque chez moi. Je n’aime pas lire les BD en traduction—traduire « kebab » comme « gyro », ça se comprend, mais c’est quand-même insupportable—mais je ne voulais pas rater la possibilité de lire une vraie BD non plus, L’art est magnifique, et si l’histoire est un peu bizarre, elle est touchante aussi. C’est impressionnant combien cette équipe a pu raconter une histoire tellement émouvante avec si peu de paroles.

This is a very Ryan Northy comic, and I mean that as a compliment. It’s a great adaptation of the Lower Decks vibe (and Fenoglio’s art is a fantastic recreation), but it also has a lot of North’s signature moves. I love his physical comic adaptation of webcomics’ alt text jokes, his voice in those jokes, and his fun with science and public domain characters. I don’t know how much more there is in this series, but I’ll be keeping an eye out for additional volumes.

Je suis content de découvrir combien il est facile de changer mon site Hugo en version multilangue, mais il y aura des conséquences pour le POSSE si je ne suis pas attentif…

Had to watch this after finishing Andor, and I spent the first half of it being disappointed??? I thought I remembered this being one of my favorite Star Wars movies, but after the depth and maturity of its tv prequel, it feels kind of superficial. The last few sequences won me back, though. Andor is the superior story, but this is a fine action movie and a marvelous piece of fanservice.

This was Star Wars at its best, and there is (unfortunately) no better time than now for it to come out. I’ve wrestled a lot recently with the tension between my love for Star Wars and my aspiration toward non-violence. I don’t know that I agree with this series’s implicit argument that sometimes ugly things are necessary to make a better world, but I appreciate that it deals with that ugliness rather than just letting Luke blow up the Death Star without counting how many people that act of self-defense killed.

One of my favorite ways of stretching my Hugo and Siri Shortcuts skills is thinking about features I could build into my website based off of what other services already offer. Thinking about building a game session logging system this summer…

This webcomic is just so good! I really enjoy reading it in collection format, even if it hasn’t been all that long since I read it strip-by-strip. This holds true even if this collection doesn’t have my favorite storylines in it. Looking forward to next year’s collection!

I picked this up (along with Arca, some titles I’ll be reading and reviewing in the future, and a few that I’m going to skip because they are Not My Thing) in a Humble Bundle for recent IDW titles. I’ve read Wilson’s run on Ms. Marvel (or at least most of it), but I’ve bounced off some of her other stuff, so I wasn’t sure what I’d think of this.

I forgot for a while there that I was waiting for this to come out on hoopla! I finally remembered yesterday, looked it up, and checked it out. I think I’ll appreciate this volume more when I can binge read it alongside some of the others. I forgot some of the context for the major plot developments, which got in the way some. It continues to be a weird-but-amazing series, though, and I can’t believe how easily it hooks me, despite forgetting the context and despite the levels of blood and violence being higher than I usually tolerate.

I don’t remember exactly when I signed up for the beta of Flipboard’s Surf “social web browser”—probably shortly after blogging about it here—but my invite came in, and I finally installed the beta yesterday to give it a look. This isn’t a proper review so much as a few off-the-cuff thoughts based on a few minutes of fiddling around but those thoughts are mixed. When I first linkblogged about Surf, I said that I wanted to see more apps like this, and trying out the app only reinforces that impression.

Trader Joe’s chai mints are everything I was hoping they’d be.

There’s only one, and they get the whole floor.

Un ami norvégien qui a passé son enfance dans le Vaud m’a dit cette semaine qu’il détectait de l’influence suisse dans mon français, et j’en ai été très fier !

Beautiful read.

Abstraction—and especially the abstraction of humans and their lives—has been on my mind a lot lately. It comes up in David Graeber’s Debt: The First 5,000 Years (though I need to read the print version so that I can take better notes—I have fond memories of the audiobook but can’t recall the exact details of his argument). It also comes up a lot in Jacques Ellul’s writing, which I’ve been consuming a lot of lately.

In many ways, this is a great book! It’s well written (and well read), and it made me care about baseball in ways I usually don’t. It’s also an interesting story—a great example of the power of statistics and data science to do cool things. That last part, though, is why I read it. I expected to be critical of the book’s take, and I wasn’t wrong. It cheerleads attitudes about (data) science that I’m skeptical of, like its supposed superiority in terms of objectivity and rationality.

Il n’y a pas d’anxiété sans été.

This is more the kind of thing I’d expect from OOTS “purchase only” content. The additional stories were fun, the author commentary was interesting, and there’s at least one panel I might be able to work into a conference presentation, so that’s nice.