Very interesting! I know some critics will describe this as a morally panicked response, but I disagree. I think it’s smart to ask how AI will affect human creators and for companies/communities like Paizo to take principled stances. link to ‘Paizo bans AI-generated content to support ‘human professionals’ - The Verge’

This is my third time reading this book—I couldn’t resist coming back to it for the “epistolary novel” square of my library’s “Books and Bites Bingo” challenge this year. The print book is amazing, the audiobook manages to adapt a book that shouldn’t be adaptable, and I enjoyed this read as much as the last two. The language and worldbuilding are subtle but effective, it’s morally complex without trying too hard to be, and the characters are a good mix between believable and, well, archetypal characters in a YA novel.

I picked this up after hearing about it in the show notes of an EFF podcast the author appeared on. This is not the book that I expected to read, I’m not sure I entirely got it, and it even feels a bit like a shaggy dog story at the end. I still enjoyed it, though, in a way I can’t quite put my finger on. It’s neat to read fiction from deliberately African perspectives, the shaggy dog-ness is probably the point, and the characters are compelling.

Happy to hear podcasts aren’t working out for Spotify, because I was always upset about Spotify trying to wall off this garden. link to ‘Sometimes Open Systems Beat Those Who Try To Lock Them Up: Spotify’s Podcast Colonization Flops | Techdirt’

What a wild listen! I started this right after finishing Doctorow’s Little Brother because it’s recommended in the supplementary materials. It’s a bit odd to read in 2023: The idea of cryptocurrency has been tainted with recent news, it spectacularly fails the Bechdel test, and it seems to me to use more casual racial slurs than the chapters in the Pacific Theater might allow for in the name of realism. Yet, it’s intricately plotted, well written, just absurd enough to make it better, and technical without being overwhelming.

I love the premise and the characters of this show, but it felt like it was running out of steam by the third series (though I’ll admit I don’t know how much the mysterious disappearance of its creator had to do with this—I’d like to read the book on the subject). Burnside got less and less likeable as the show went on (though this might be the point!), and I got tired of how many plots boiled down to “Burnside doesn’t care and goes rogue.

J’ai déjà lu la traduction anglaise de cet album magnifique—Delisle est assez connu aux États-Unis pour paraître (en traduction) dans les bibliothèques près de chez moi. Pourtant, il y a toujours quelque chose de decevant quand je sais que j’aurais lu le lire en français. Quand une ami a visité Bruxelles récemment, je lui ai donc demandé de m’acheter l’album en français. Ayant passé quelques étés dans des usines, l’expérience de Delisle m’a beaucoup marqué.

Il y a un terrain de golf non loin de chez moi qui s’appellle Connemara. Je suis incapable de le voir sans penser à Michel Sardou.

I read this when Wil first published it, but I thought of it again today with even more gratitude—for both Wil and Senator Fetterman. I’ve been wondering recently whether I should refrain from making particular commitments or pursuits because of my own struggles with mental health, and knowing that there’s someone with depression serving in the U.S. Senate is giving me hope. link to ‘with love and respect to Senator John Fetterman and his family – WIL WHEATON dot NET’

Scrabble’s fundamental flaw is that it tries to make language more discrete and managed than it ever has been or ever will be.

I loved the first Black Panther and am kind of bummed to be disappointed by the sequel. Obviously, Chadwick Boseman’s tragic passing made this movie an uphill battle to begin with, and its wrestling with that loss within the movie is one of its strongest parts. There are also other individual parts of the movie that are really interesting on their own: international intrigue with strong Françafrique overtones! Riri Williams! turning a goofy 1940s comic book character concept into something compelling and decolonial!

There’s a lot to love about Top 10, which is why I read it for what is at least the third time (likely more). The story is well-crafted, the concept is interesting, it riffs on superhero tropes while breathing new life into them, and the art is full of so many easter eggs for the savvy reader (my favorite is probably the Astérix and Obélix cameo, but there are lots of other great ones).

I’m not sure I enjoyed the second series as much as the first, but over time, it grew on me. The finale nicely tied things together and helped me see how Burnside’s hubris was a running theme of the series (rather than a character derailment). Interested to see what happens in the final series!

Venmo’s insistence that transactions be accompanied by notes makes me wonder what they’re doing with that data. For several months now, I’ve insisted on replacing any helpful indication with random characters.

Now seems like a particular good time to bring up my perennial pet peeve that people treat the terms “UFOs” and “aliens” as synonyms when the whole point of the former is to reserve judgment about the latter.

Still a fun series, and I’m glad it’s short enough that I could go ahead and finish it out. It continued to get more interesting as it went along, but it also didn’t give any of its twists and turns enough time to feel deserved.

I liked Volune Two more than Volume One: The story breaks free of simple troping and the characters become a bit more interesting. That said, none of this is enough in my mind to really set the series apart. I wonder if this would be better as a long-ish YA novel than as an ongoing comics series.

The premise is fun, and I liked (most of) the art, but I felt like the story moved too fast to move beyond recycled tropes—or let the characters be more than flattish archetypes. It probably won’t stop me from reading the next volume, but I think it’s aimed at a younger audience than me.

I’d seen some of the headlines Masnick is critiquing here, but I hadn’t read the articles. I appreciate this critique and overview. link to ‘Lazy Reporters Claiming Fediverse Is ‘Slumping,’ Despite Massive Increase In Usage | Techdirt’

I haven’t read this in over a decade, so I recently decided to listen to an audiobook version and see how I liked it this time through. The overall story is excellent! I found particularly compelling the question of scientific (and technological) responsibility, and the creature’s railing against his creator at Chamonix in the middle of the book struck me as almost Job-like. I wasn’t expecting the Chamonix scene to resonate with me as much as the tech allegory, but it will also stay with me, I think.

There’s a great John Finnemore sketch that involves a ridiculous number of nested stories, and I’m thinking of it as I approach the end of Frankenstein (a novel in the form of letters sent by a man recounting conversations with Frankenstein, who quotes other letters, etc.).

I’m sure this is overthinking things, but I have a LOT of linguistic questions about Frankenstein.

Swisstory wasn’t awful, but it’s pretty clear it’s written for kids: Lots of playing up the bloody and gross, and not as detailed as I would have liked. I own a French-language accessible history of Switzerland with illustrations by the late Swiss cartoonist Mix & Remix, and I wish I’d reread that instead.

I only learned about The Sandbaggers last weekend, on an episode of The Incomparable, but I watched the entire first series this week—and loved it. It isn’t perfect: There’s too much 1970s casual misogyny for it to be self-critical in the same way that a modern show set in the 70s would be, and the brown face in one episode is also embarassing. Not setting those aside, I was still impressed with the way the show combined the bumbling hypocrisy of Yes, Minister; the self-serving internal politics of Slow Horses; and the cynical despair of Le Carré into a single, compelling show.

The last time I read Frankenstein, I got a kick out of noticing all the Swiss connections. This time, I’m amusing myself by thinking of the title character as a hubristic tech bro.

Fascinating read. I can’t believe it’s been 20 years… I remember learning the news at a Boy Scout activity. link to ‘The audacious rescue plan that might have saved space shuttle Columbia | Ars Technica’

Petite preuve que la technologie n’existe pas hors culture : Quand un site web américain n’acceptera pas un numéro de téléphone comme « valide » si les chiffres sont séparés par des points, comme j’ai pris l’habitude de faire. Faut des tirets, comme un vrai Étatsunisien.

First Gloomhaven session of 2023 yesterday. Tough scenario, and we might have lost either way, but my Leeroy Jenkinsing with a squishy Spellweaver certainly didn’t help.

Il faut une version de la chanson « Sacré Charlemagne » qui se plaint des responsabilités de la vie adulte.

This is dumb and gross, and another reason I’ll never use Spotify. link to ‘People Can’t Stop ‘Spotify Snooping’ on Friends, Exes and Crushes - WSJ’

Ce matin, j’ai préparé du muësli fait-maison au lieu de faire des corrections, et je n’ai aucun sentiment de culpabilité.

Franchement, c’est parfait. link to ‘Les Jones releases “Burger,” an homage to /mocking of America | Boing Boing’

Une vraie amie, c’est celle qui visite Bruxelles en vacances, trouve par hasard une librairie avec plein de BD et t’envoie un message pour te demander quel album tu veux qu’elle apporte aux États-Unis pour toi.

Reading an actual Apple terms of service document can only be so interesting, but at least creating a graphic novel version helps. The sheer audacity of the project is most of why I liked this comic, but it’s also quite fun to see Sikoryak’s homages to different comics, always with a Jobsian twist. It’s weird, and I don’t see myself rereading it, but I think it’s great.

Just checked the Wayback Machine to see if my old, long-deleted LiveJournal ever got archived. It wasn’t, but I’m honestly not sure whether that’s a disappointment or a relief.

Look, I’m not a cinema connoisseur, and I’m sure this doesn’t hold up in ways that I don’t know. Conversely, I appreciate Weird Al, but I’m not the kind of megafan that would pick up on every joke. All I know is that this movie is delightful for the way it just leans into the absurdity and doesn’t apologize for it. I loved it, and even the dumbest parts made it better.