J’ai enfin repris « Un village français », mais la deuxième épisode que j’ai regardée m’a fait me poser plein de questions sur Radio Londres. Tout ce qui est radio m’intéresse, et je trouve l’idée de Radio Londres particulièrement intéressante. J’ai donc recherché quelque chose qui pourrait m’en apprendre plus, et j’ai découvert ce documentaire, qui m’ai bien plu.

The Incomparable has once again clued me in to a fun series, and I was delighted to listen to this over a couple of days. It’s a fun premise, and if the podcast I listened to was any indication, it will only get more fun with time.

Watched this with spouse over two nights. It wasn’t the movie that we expected (I’m not familiar with the source material, and the trailer feels selectively edited in hindsight), but I have some (perhaps begrudging) respect for it?

I don’t like the characters, I don’t love the plot, and I’m not sure I enjoyed the movie, but it feels like it really knew the vibes it was going for, and I feel like it succeeded there. I like a movie that knows what it wants to be and doesn’t mind being weird along the way, and this fit that bill.

Still good! Interesting themes, great art, fascinating take on a familiar premise, and compelling characters. You can see more of the seams on this volume, but I plan to keep reading, reading, reading.

I backed this book on Kickstarter, intrigued by the idea of a graphic novel that documents and collects difficult experiences on Mormon missions.

When it arrived, I knew that actually reading it would be either healing or triggering for me, and I was happy to find that it was the former. There are a few improvements that could be made, but it met my hopes of being something that captured the Mormon mission experience as I know it (though there were a lot of COVID-19 stories, and how are these RMs so young!) but also spoke to the complex feelings that I and so many others have about those experiences.

The story itself didn’t captivate me much. I felt like there were sudden developments for the sake of the plot moving forward, and even an twist that comes partway through the book felt like [insert sudden development here] rather than the surprise it was supposed to be. I also didn’t catch some of the character connections and payoffs at first, though I suspect that’s due in part to my own inattention.

Finally getting back to the Newitz and Anders Humble Bundle collection I recently came into! This was a fun, cozy, quick read, and its throwaway reference to a David Graeber book and last-minute praise of platform independence to avoid Apple-style skimming off the top made me smile.

I remembered liking this more than I actually did! It was a fun watch, especially as something to put on in the background while doing something else, so I can’t say for sure why it didn’t land as well as I feel like it has in the past.

I’m rating this a bit higher than I expected. Like the last radio play I reviewed, I just don’t know if the Third Doctor is my thing, but with some hindsight, there were some fun bits of this that will stick with me.

I’m still struggling a bit more with these story arcs than I did with earlier ones, but I can’t put my finger on why, and I don’t think it’s because they’re any less good.

It is also very interesting to be reading these books at a time where I’m digitizing journals from my college years, worrying a lot about grades and relationships.

Still good, but I’m still ready to wrap up this reread and turn my attention to some other things.

This review is slightly more negative, and I don’t know if that’s because I’m ready to move on to something else to read, because I don’t like all of the subplots in this part of the story, or something else. It’s still good, though!

This last story in the series wasn’t quite as good as the others, but I’m just happy that they made interesting use of the Silents.

Took me a while to watch this. It’s not bad, and I liked it more than my spouse did, but I really want to read the source material now to see how it holds up.

Ce n’est pas souvent qu’on tombe sur un livre en français en visitant la bibliothèque ici au Kentucky, et j’ai donc du emprunter celui-ci. On l’a lu ensemble en famille. C’est une jolie idée avec du joli art.

Cette série continue à m’engager—et à me faire réfléchir. Il faut quand-même que je me rappelle que c’est un drame et non un documentaire, car j’ai tendance à trouver les détails historiques plus intéressants que les conflits interpersonnels.

I wasn’t sure how I’d feel about this series, but I like it so far! Interesting playing with hubris, imaginative story and art, and compelling characters (even if I have trouble remembering who’s who, but that’s my fault).

My one annoyance is that there are a lot of two-page splashes that do not work well for reading PDFs on my phone. I get that that’s on me, but it’s still a pain.

Cory Doctorow’s end of year recap of books he reviewed always puts a few titles on my list, and this was one of them. The history of energy is not inherently the most interesting topic ever, but once I got past the fact that I was reading in translation (which only bugs me with French, since I can read that pretty well) and trying to figure out how the translation was done (worried about AI, to be honest), I really enjoyed this book.

I didn’t grow up watching The Muppet Show, so I can’t say how it compares to the original, but it was a fun way to spend a “freak ice storm, school is cancelled” afternoon with kiddo. In fact, kiddo wants to start watching the original stuff, so maybe we’ll be comparing with the original after all!

This story was more interesting, with some additional voice acting to make it feel more like a play than an audiobook. It was also bonkers science fiction in a very Doctor Who way that worked for me.

For about the first half of this book, I was convinced that it was better than the movie and that I had gravely sinned by not rereading it in the past decade.

I am glad that I reread it, but after finishing it, I’m a bit more reserved in my judgment. I can see the seams in the book, there are some comments that feel stuck in the early 2010s, and the scenes that the movie skipped aren’t as interesting as the beginning and end of the book.

I shouldn’t like this! It took a trip to YouTube to remember who the Carrionites even were, and there are so many Doctor-Who-dumb, audio-play-dumb, and just generally dumb elements to this play. Yet, it somehow came together into something that I enjoyed listening to during a stressful week.

The Racnoss struck me as dumb in their first appearance, and this play hasn’t done much to disabuse me of that impression. That said, this played enough with interesting Doctor Who themes of peace and conflict that it won me over anyway.

Interesting art, and some interesting ideas (like a foulmouthed human being transported to a land of animal wizards). I think there’s something here, even if I’m not totally hooked.

Ce tome n’est pas moins mignon que les précédents, et il y a des cases qui nous ont bien fait rire ! Pourtant, alors que les trois premiers tomes ont été une seule trilogie bien conçue, ce tome ressemble plutôt aux suites qui arrivent après un succès médiatique, qui sont peut-être bons mais qui n’ont pas forcément la même qualité ou plan organisateur.