Finishing this up tonight, I appreciated reading through the sample script and other supplementary materials included at the end of the book. I have the horrible habit of consuming media without any technical appreciation for how it is made. I write for a living, so I have some appreciation for what writing fiction must be like, but I have zero understanding of film (or at least very little), and it occurred to me while reading this script that I read a lot of comics without really understanding the creative process there.

As I wrote in my last review of this volume, this really steps things up. It better captures the ugliness and senseless brutality that The Sandbaggers also did—it also liberally cribs from Sandbaggers plot points, but I see it more as loving homage than plagiarism. I still don’t think it’s as good as The Sandbaggers, and the changing art style sometimes bugs me, but I think this might be the peak of the series.

I recently came into some Amazon gift cards, so I bought this volume to complete my collection of Queen & Country. I think this is the first time I’ve owned an entire comics series? At least, one of this length. I’m glad I own the whole series, but like the show its based on, I feel like it gets less interesting the longer it goes on. It’s fun to get some peeks into the backstories of the characters who come up in the first two volumes, but it’s just not as interesting as the early stories.

I’ve been hungering to read this book for months! I watched all three series of The Sandbaggers early in 2023 and have been trying to read and watch everything I can on the series. This includes a couple of YouTube video essays, most of Greg Rucka’s Queen & Country, and whatever else I could find. A relative gifted me this book for Christmas, and I was very excited! I’d known about it for a while but couldn’t find it through public or academic libraries.

I think this might be my least favorite of the three volumes I now own (need to track down the fourth to complete the collection). The first arc was good enough (and felt straight out of The Sandbaggers—Rucka borrows HEAVILY from a couple of episodes), but the second seemed like supplementary material to Rucka’s novels. I like this series when it’s riffing off of The Sandbaggers, but when it feels like its own thing with lots of continuity, it’s harder to enjoy.

I knew Kissinger’s name, but I was embarrassingly unfamiliar with his record (especially given the many international relations and poli sci classes I took in college). This was a helpful—and difficult—read. It’s especially jarring to read this while reading up on non-violence and consuming fiction on the brutal cynicism of the cold war. There was a time in my life where I would have acknowledged the complexity behind these decisions, but I can’t see how anyone could accept that complexity as somehow justifying the loss of life and other tragedies.

This volume was excellent. Much more of the Sandbaggers vibes and less saving the world spy fiction. I ordered the third volume today!

I’ve been wanting to read this since binging all three series of The Sandbaggers, since I’ve seen it repeatedly referred to as a spiritual sequel. They weren’t kidding—the first story arc feels like a remix of the show! The third story arc was the least interesting to me (and probably the reason this didn’t get full marks). The first two deal with the cynicism of espionage and the brokenness of spies in the way I expected the series would, whereas the third arc felt more like a traditional spy story with maybe some furniture moving for future arcs.

Used bookstores for the win! Found the first two volumes of an out-of-print comics series I’ve been wanting to try for months because it’s inspired by a TV series I really liked. Went ahead and bought both because I doubt I’ll ever have luck this good again.

I love the premise and the characters of this show, but it felt like it was running out of steam by the third series (though I’ll admit I don’t know how much the mysterious disappearance of its creator had to do with this—I’d like to read the book on the subject). Burnside got less and less likeable as the show went on (though this might be the point!), and I got tired of how many plots boiled down to “Burnside doesn’t care and goes rogue.

I’m not sure I enjoyed the second series as much as the first, but over time, it grew on me. The finale nicely tied things together and helped me see how Burnside’s hubris was a running theme of the series (rather than a character derailment). Interested to see what happens in the final series!

I only learned about The Sandbaggers last weekend, on an episode of The Incomparable, but I watched the entire first series this week—and loved it. It isn’t perfect: There’s too much 1970s casual misogyny for it to be self-critical in the same way that a modern show set in the 70s would be, and the brown face in one episode is also embarassing. Not setting those aside, I was still impressed with the way the show combined the bumbling hypocrisy of Yes, Minister; the self-serving internal politics of Slow Horses; and the cynical despair of Le Carré into a single, compelling show.