My spouse has been trying to get me to read the book for years, so we had to watch the show! It’s an interesting premise with compelling characters (who are well cast and well acted), and I enjoyed the whole thing. My biggest irritation with it is how the main character’s nobility is seemingly celebrated. I’m no Soviet apologist—it was a repressive country that committed unjustifiable wrongs—but I would have preferred to see the Count reflect on the unmerited wealth and power he held as a member of the Russian nobility rather than be a simple victim of Marxist zeal.

I have really mixed feelings about this book! I’ve read it at least twice before, and after looking at the series on TVTropes, I decided to give it another go. I understand that the series is done now, so I thought I might try reading the whole thing. It’s an interesting premise, with detailed worldbuilding, a compelling narrative, and characters that are fun to follow. I enjoyed reading the book, and I can see myself enjoying the rest of the series, too.

Neff is one of the most influential figures in the recent history of Community of Christ. On my second read of this biography, I’m less comfortable with some of the imperial and colonial aspects of RLDS expansion in the late 1960s, but for all Neff’s complicity in those attitudes, he also worked hard to shed his own (and his church’s) ethnocentrism and exclusivity, and I appreciate that. I’ve joked about this before, but it’s wild that he was a contemporary of Ezra Taft Benson.

There’s an interesting premise behind this spy thriller adaptation, and some of the radio work is pretty good, but I felt like there wasn’t enough connective tissue to keep it together. I don’t know how much of the weakness was in the original novel versus introduced in the adaptation—the rushed pacing makes me suspect the latter—but while I don’t regret finishing it, I can’t say I was impressed.

This show is the very definition of weird-but-delightful. I watched (some of) it with my now-spouse right around when we first started dating, and it’s fun to revisit. The aesthetic is very specific, the vibe is dark-but-cute, and the dialogue is snappy if strange. Looking forward to Season 2!

This series wasn’t bad—it’s just that maybe I shouldn’t be binging them series after series, because despite some clever moments, I just felt like there wasn’t much new about this material.

This rating isn’t fair! I’ve praised this book in the past, and it really is an excellent introduction to modern Community of Christ theology. I just happened to reread it at a time where I’m hungering for something different in terms of theological writing, so this rating reflects what I got out of the book in this moment, not all that the book actually has to offer.

I didn’t listen to the finale all in one chunk, so I didn’t appreciate it as much as I could have, but the excellent use of callbacks and flashbacks in that episode was enough to bump up my rating. I think this is also the first series I hadn’t heard before, so it was nice to hear some new content.

Still fun! Just didn’t stand out as much as some of the other series.

I really enjoy metahumor, and Finnemore’s talent for it is on full display in this series—even to the extent of calling himself out on overreliance on it. Doesn’t bother me, though!

I have a bunch of small complaints about this movie, but I came away from it generally feeling like it was well done, so I’m erring on the side of a more positive rating. I don’t know if that makes me an uncritical movie watcher, but whatever. For the most part, I liked the aesthetic choices! It bugged me that the spaceship was modeled after a space shuttle, because that doesn’t make a ton of sense, but I did appreciate that the film went with shorthand in terms of set design instead of trying to make it realistic or whatever.

I’ve been tempering my praise of this series through this relisten, but the time travel sketch in the finale is excellent, and there are other top notch examples of Finnemore’s humor scattered throughout. What’s more, the recordings of this series on the Internet Archive are actual recordings and have bits of continuity announcer on either end of the episodes. I just love that, for reasons I can’t fully articulate, and I wish all the series were like that.

I miss the traditional “storyteller” sketches at the end of every episode, but I know they’ll be back in future series, and there were plenty of laugh out loud moments in this one.

This show continues to be fun, even if it wears off its genius on the third run. Some parts still make me laugh out loud, though!

The last few chapters of this book really captured me, but I was of more mixed feelings on the rest of it. It took me a couple tries to get through it, and as late as last week, I was ready to abandon it. Spong is one of those writers who repeats arguments; having read another of his books, much of this one sounded familiar. Some of his arguments also felt simplistic, and I think a more nuanced look at the historical Jesus would stand in tension with his perspective (though this is based on my reading of other authors—this is clearly not an area of my expertise).

This is the third time I’ve listened to this series in the past five years, and I wonder if I’m rating it a bit low because of that. At any rate, I couldn’t help myself from trying it again after finishing Cabin Pressure. I might like this show even better—Finnemore has more freedom to show off his gift for words and his intricate plotting and callbacks.

An excellent history. I’ve read enough Mormon history that I don’t know if there was anything new for me in here, but Park does an excellent job of capturing 200 years in a constrained space and in accessible language, too. I highly recommend this to folks who want to learn more about Mormonism.

It’s been about a decade since I was introduced to this show, and I’m very glad to finally have experienced the whole thing. The last season was fun, the finale was a nice wrap-up, and I really do think the whole thing is a masterpiece.

This series feels like Finnemore kicking things up a notch. There are some interesting new character arcs in play, and it’s fun to see Finnemore playing with the fact that one of his actors is now taking on the role of Sherlock Holmes. He’s also clearly having fun subverting some audience expectations with stories and characters. I hadn’t heard this series before, and it was fun to come back to it!

My journey through Cabin Pressure continues! I can’t remember how much of this series I’ve previously listened to—definitely not the Christmas special, but probably the rest of it. At any rate, it continues to have exceptional writing and lovely acting. Radio is underrated, and John Finnemore is perhaps the best example of that.

It’s been ages since I’ve listened to this, though I’ve listened to some of John Finnemore’s other work in the meantime. It’s such an excellent show: brilliantly written, well acted, and a real joy to listen to. I’m confident I haven’t listened to all four series, though I can’t remember which bits I’ve missed. Looking forward to finding out!

I first picked this up through an Audible deal several years ago, with the idea that it would help with the move from Michigan to Kentucky (I can’t remember if I wasn’t yet anti-Audible or if it was just a good deal that I couldn’t pass up with the whole family living off my grad school fellowship). Anyway, the U-Haul didn’t have an aux jack or Bluetooth, so my brother-in-law and I cranked my phone as loud as it would go and tried to make out the jokes over the highway noise.

I’ve read this a couple of times in the past, but I wanted to give it another read specifically as anarchist fiction. I’ve enjoyed other books with anarchist themes, so I wondered how this would read through that lens. I can see why this book is considered a classic, but it just doesn’t really resonate with me. The art isn’t my favorite, and while some of the ideas are interesting, the execution sometimes feels clunky.

I struggled with what to rate this series. It’s great in a lot of ways, and it’s fun to watch a political show that is based in a country I don’t know very well (plus, explaining parliamentary coalitions and other election systems to my spouse made me feel smart). That said, it’s also not as tight and polished as something like The West Wing, and while it might not be fair to compare the two, it’s inevitable.

This time, kiddo checked this out on hoopla, and I decided to read it, too. As I’ve said before, gag-a-day comics aren’t really my thing, and as delightful as Nancy is, I still can’t say that it’s my favorite.

This probably deserves a higher score: I don’t know that the New Testament is best read “cover to cover” (it’s not that kind of book), and I was listening to it via audiobook, which is even less ideal. I really appreciate what Hart is up to, but I don’t feel like I got it reading it in this way. I’m sure I’ll come back to this translation when considering specific passages, though!

I was living outside the country and in my own little religious world when the 2008 financial crisis hit, and so my understanding of that moment in history has always been kind of flimsy. Despite being a weird near-future MMO-centric book, I kind of feel like reading this helped? I read on Wikipedia that some critics weren’t a fan of the economics tangents, but I like Doctorow when he’s didactic, so even though I didn’t follow all the details, I enjoyed what he was going for (I just don’t have a head for economics or finance).

The Dune universe is super weird, and I don’t know that it’s my favorite, but this is a really well done movie.

This movie looks great and was a lot of fun to watch. I have very vague movies of the book but liked this a lot better.

This is a fun book in many ways—Doctorow is great at super weird science fiction. However, there’s just not enough in there of what else makes Doctorow good. I’m glad I reread this, but it’s probably my least favorite of all the Doctorow novels I’ve tackled.

I came for the Ms. Marvel, and this delivered! She’s a great character, and it was fun to see her in this movie. There were also lots of weird-but-fun bits that I enjoyed. There are plenty of things about the movie that didn’t work for me, but it’s no less dumb than most Marvel movies, and I have no interest in feeding what I understand is a bunch of hating on the movie.

Romance is not my usual genre, but this came recommended by my spouse, who rightly guessed I would enjoy just how bonkers weird this story gets. It was a fun read!

I recently came into some Amazon gift cards, so I bought this volume to complete my collection of Queen & Country. I think this is the first time I’ve owned an entire comics series? At least, one of this length. I’m glad I own the whole series, but like the show its based on, I feel like it gets less interesting the longer it goes on. It’s fun to get some peeks into the backstories of the characters who come up in the first two volumes, but it’s just not as interesting as the early stories.

I got really into Doctor Who for the better part of a decade, I have really fond memories of the many seasons I watched, and there are episodes I would gladly return to. I petered out after Jodie Whitaker’s first season, though, and watching these specials showed me I’m still not ready to come back. I don’t know what has changed, but I feel less patient with the show’s goofiness. If it’s going to keep coming to Disney+, I’ll try to keep an eye on it, but hard to say if I’ll ever really reinvest.

I feel like I say this whenever I talk about Doctorow, but I love that his fiction reads like an op-ed. While waiting for this book to come out, I’ve been slowly reading his co-authored book Chokepoint Capitalism, and I feel like The Bezzle is all his (and Rebecca’s) critiques about large and greedy companies wrapped up in a fun, action-driven narrative. Here’s the thing about me: I’m an academic, and I respect facts, reason, and citations.

I enjoyed Nolan’s movie so much that I thought I ought to eventually read the book—yet, I couldn’t imagine that it could live up to the film adaptation (especially after hearing the audiobook narrator’s awful attempts at any language other than English). Yet, this ended up being amazing—perhaps better than the movie. Funnily enough, I felt that the best parts weren’t about the man himself. Rather, his life provides fascinating insight into the existential horrors of nuclear weapons, the authoritarian impulses of McCarthy-era conservatism, and lots more besides.