Il faut peut-être que j’arrête d’essayer de lire des œuvres philosophiqies ou théologiques en français (même si je n’ai payé que 10€ chez Cultura), car j’avoue avoir du mal à tout comprendre dans de tels livres. Pourtant, ce que j’ai compris dans ce livre j’ai beaucoup aimé. Lagandré distingue entre le théisme et la religion d’une manière fort intéressant, et il arrive à exprimer plusieurs pensées qui m’arrivent d’une manière bien moins mûre depuis des années.

Tinker Tailor is a comfort listen for me at this point. This weekend, I also watched the two first episodes of the Alec Guinness miniseries, and I might like the radio adaptation more? It’s really good.

Okay, yes, I just listened to this a couple of months ago, but I was doing a relisten of the BBC Radio 4 Smiley adaptations, and I wanted to see how this held up reading it where it fits chronologically. It holds up well! I like this novel a lot. It’s fun to see Smiley being competent in the field, and I appreciate how it complicates Ann without making Smiley the bad guy in the relationship.

This was fine. I’m glad I read it, so I can continue my Doctorow completionism, but I’m not sure I would have missed much if I didn’t. You can see the beginnings of Walkaway in here, but it just makes me want to reread that yet again.

Ça faisait plusieurs mois que je voulais lire ce livre, et j’ai été content de pouvoir en commander un exemplaire—surtout avant la folie actuelles des taxes douanières. Je dirais pas que le livre m’a deçu, car il y a plusieurs passages qui m’ont impressionné. Pourtant, il me semblait peu organisé et trop concentré sur des « preuves » que la Bible est un livre anarchiste. J’aime assez bien les inteprétations qu’Ellul a proposées, mais toute insistence que la Bible doit forcément dire telle ou telle chose m’agace.

I made a mistake with this reread—not in the reread itself but in starting it this early. I forgot how much these collections suck me in—and, therefore, how quickly I go through them—so now I’m done and there are still several weeks to go before the next PDF gets delivered to me and I still have to disentangle my brain between what I’m reading daily and the specific context of the new collection.

I enjoyed this collection, too, even if Billie and Ruth’s relationship always makes me slightly uncomfortable for how broken it is. Willis is good at this, and I enjoy reading these in collections even better than one strip at a time every morning.

I’m rating this higher than on my last readthrough. I couldn’t tell you why I held back last time, but this time, I was reminded of some excellent strips that have really made an impression on me, so full marks. Why am I rereading in the first place? I did two full(ish) archive binges of DoA in 2024, so I don’t strictly need to reread this. I did back the Book 14 Kickstarter, though, and I wanted to have some context for when that PDF arrives.

I may no longer be a practicing Latter-day Saint, but this is the kind of cultural artifact that keeps me thinking of myself as Mormon. Peck’s writing—see also Heike’s Void, which I’d love to reread—depicts a beautiful Mormonism that I still feel connected to and that represents what the religion can be at its best. That doesn’t mean I don’t have complaints about these stories. They’re very male-centered (I’m not sure any of them pass the Bechdel Test), and even though it’s one of my favorites in some ways, the story of the crafting of the Liahona bugs me for the way that it imposes Mormon theology on first temple Israelite religion, as Mormons tend to do.

“Came In From the Cold” may be Le Carré’s best, but I think “Looking Glass” is my favorite. That’s true of the book, but Ian McDiarmid as an incompetent agency director is also a lot of fun. Le Carré has a particular kind of plot that boils down to “stupid people making stupid decisions,” and I think this is the best of them. It’s a damning story of toxic World War II nostalgia, desperation to be doing something meaningful with one’s life, and manipulation by more competent cynics.

I know that “Tinker, Tailor” is good, and I’m looking forward to revisiting it for the nth time, but I really think this is the best of the Smileyverse. The most twisty, the most cynical, the most appalled at its own cynicism. It’s no surprise that the most recent additions to the Smileyverse have revisited this story—it’s the best.

I didn’t like this at all. The art is weird, and I didn’t like the story. It very nearly got more interesting in the final part, when it started pulling together the previous, seemingly standalone stories, but I still feel like it didn’t stick the landing.

I won’t pretend to be able to distinguish the very fine line that separates boring comic nonsense from amazing comic nonsense, but this is on the right side of things. Gary Mitchell elevates Kelvinverse Kirk to godhood so that they can play a game of multiversal chess using as pieces infinite Kirks in infinite combinations. The gender-flipped Enterprise comes back! There’s a Kirk raised by Klingons and a Spock (“Simon Grayson”) who’s rejected his Vulcan side!

I dunno, I guess there’s some good stuff in here, and maybe I’d be more patient with it if I weren’t reading a lot of Star Trek comics in a very short period of time. It just feels like I’m reading it to complete my binge, though, and I can’t say this volume impressed me much.

In some ways this is the least interesting of the Smiley stories. There’s something fun about a retired Smiley doing detective work, and it’s fascinating to get glimpses at the British class system, but it’s not Smiley in his element (as it will later become), and it feels like a distraction in that sense. Yet, the radio adaptation is so, so nicely done that I can’t help but give it full marks.

I love these radio dramas so much. I honestly can’t remember if (an imagined) Ann serves as a narrator in the original book, but she does in the dramas to great effect. I can’t listen to Call for the Dead without thinking about the ambiguous continuity of the Smileyverse. On one hand, Smiley feels like a one-off character here, and it’s weird to start him off as resigning from the Circus when Le Carré will want to use that to greater effect later on.

I’ve had this on my radar since listening to the audiobook and thought I’d give it a try. It is terminally 80s in some ways (I liked the music anyway, but the sound effects felt like bad Doctor Who), but there were some excellent choices for adapting it to radio. It kept what I found interesting about the book: depicting the possibility of another way of living but without settling for naïve utopia.

This book reminds me of Hervé Le Tellier’s L’Anomalie, which feels insulting and maybe even heretical. L’Anomalie is a Prix Goncourt-winning, highbrow, Oulipo novel; this is by a guy who writes Star Trek parodies and kaiju books. L’Anomalie is relatively restrained in its conceit, with an impossible “duplicate” plane landing three months after the original one; this has the moon turn into cheese for a lunar cycle. Yet, both books are powerful in their exploration of how the world responds when something ridiculous and clearly impossible happens.

I think I got this in an NPR Humble Bundle, and I’ve been meaning to relisten to it for a while. It’s a real mix of good and bad: Thanks to John Williams and Ben Burtt, it’s got some great audio to work with; however, it does a lot of awkward “tell since we can’t show.” It sometimes feels like it’s reaching to fill in an extra four hours, but also it maybe demonstrates that Star Wars could maybe be a miniseries with some better writing?

I’m in a grumpy mood this morning, so I might be a little harsh here, but nothing’s really standing out. There are some interesting things here (Spock resisting the Borg! Minor Wrath of Khan cameo!), but I think there are continuity errors, and even if there aren’t, it’s just not super interesting.

I kind of thought this was dumb. There’s an interesting idea in there, and maybe I would have liked it as something shorter in an anthology, but I didn’t enjoy it in the form it took.

Once again, anthologies are fun. I almost didn’t read this, because it felt weird to read and review a single issue of a comic, but I’m glad I did! Q meets Decker who’s wrestling with what it means (along with Ilia and V’Ger) to be an all-powerful being! There’s a funny and great story about Data’s cat! Ezri Dax consults with past symbiont hosts in a way that makes it seem more interesting than DS9 ever did!

Anthology collections are fun, and this is no exception! Some stories are better than others, but short stories spanning Trek time and characters make for a good read.

This was a very interesting subversion of stories like The Last Starfighter, where a young “chosen one” is called to save not their own people but another, not through violence but through peace. It wasn’t perfectly done, but it was a compelling story and invoked the then-contemporary Gulf War in all the right ways.

I had an awful experience with the last Sam Vimes adaptation, so I wasn’t sure about this—especially since it is one of the longer adaptations in the collection I have. I think the key is the adapter, though, because Robin Brooks’s shows have been my favorites, and this one was quite good. I really got why people like Sam Vimes stories, I appreciated nods to Discworld continuity even if I didn’t understand them, and I am a real sucker for “time travelling into your own past” stories.

And thus ends my Queen & Country reread! I remember being disappointed by the final volume when I first read it, and I’m glad that it held up better this time around. I also appreciated some of the technical details that came up in the supplemental materials. There is so much that goes into comics that I just don’t notice!

This is an ambitious book—probably overambitious, and I don’t agree with all of the claims, especially with 60-70 years for Ellul’s ideas to marinate in continued technological development. Yet, his ideas are valuable and prescient—I don’t buy his claims as an ontological argument, but I think they make for a compelling theoretical framework for making sense of lots of what’s happening today.

This ended in a confusing rush that spoiled all the fun that I was having, but up until that point it was great. Not high art by many means, but exactly the sort of thing two comics companies should do as a crossover so long as they had the licenses to make it happen.

I have more Star Trek IDW comics to read, but I’ve completed this whole series! It ended on a good note, with a tribute to Leonard Nimoy and then some semi-fourth-wall breaking explorations of what it means for there to be two timelines in “main” Star Trek canon.

I have a lot of complaints about this volume, not least making Khan look like Benedict Cumberbatch. It also has some of the stronger stories of this series, so I’m trying to give it some benefit of the doubt.

Another day, another TPB’s worth of Star Trek comics. Not terrible, but not keeping my attention either.

Finishing this up tonight, I appreciated reading through the sample script and other supplementary materials included at the end of the book. I have the horrible habit of consuming media without any technical appreciation for how it is made. I write for a living, so I have some appreciation for what writing fiction must be like, but I have zero understanding of film (or at least very little), and it occurred to me while reading this script that I read a lot of comics without really understanding the creative process there.

It’s probably unfair to get pickier about these comics over time, because this is the kind of story I would have liked to see when I first began reading through, but now it’s boring compared to some of the more interesting arcs. Alas.

This picks up near the end with some interesting ethical dilemmas (though it’s not clear how much of a dilemma they actually are), but it feels like the interesting premise of the first volume has kind of run out of steam. I’m still considering picking up the third volume (and I wonder if I’ve been too harsh on this one), but I can’t say it’s kept my attention as much as I’d hoped.

Now this is how a comic book company uses a Star Trek license: Using a universe-hopping Q to take the Kelvinverse Enterprise to a bad future Deep Space Nine setting for plenty of extradimensional being nonsense and fanservice. Keiko O’Brien is a starship captain! Q merges with one of the Prophets! It’s not high art, but it’s exactly what I want from the medium.

There is one really good story in here and one okay one, but I finally found the limits of my impatient with Star Trek and/or comics nonsense, and it was a Star Wars-like “let’s take a character who barely appears on screen and explain why they are the most important person in the world” story smack in the middle of the volume. Not going to stop reading the series, but it’s definitely slowing me down.