This has everything that annoyed me about the rest of the series but also some weird pro-monarchist vibes to it? Glad to be done with this series, and I hope the next one is better.

This volume seemed to depart so drastically from the first that I had to make sure I hasn’t skipped something by accident. The stories are mostly recognizable as part of a shared universe, but the worldbuilding feels overly ambitious and underserved by the actual plot. The topless Galatea robots are unnecessary, and the lampshading of their luridness by attributing it to an in-universe pervert doesn’t help. I was willing to give the first volume in this series the benefit of the doubt, but I’m glad I don’t have any more of this to read.

See, this one I should have loved: I really want to like Paul McGann’s Doctor, and I do like the Vashta Nerada. This felt like excessive EU riffing, though, and I just couldn’t get excited about it.

It’s real neat that the Eighth Doctor has had such a presence in Big Finish and other ancillary media, but this is another story that entirely dissuades me from trying to get into any of that, because I cannot follow what’s going on. Hard to say whether it’s continuity lockout, poor writing, or both.

This story is the hardest to follow radio drama I’ve ever experienced. It did turn out that I’d accidentally skipped over the first few tracks, but even going back to listen to them didn’t help much. I couldn’t tell characters apart, I wasn’t sure what was a flashback and what was the main story, there was some serious continuity lockout, and I found the whole thing confusing. There were some fun ideas in there, but they were buried under a persistent feeling of being lost.

This particular story is just so very British that it didn’t really connect with me. I normally appreciate Doctor Who’s very Britishness, but this one just didn’t work for this American.

There have been a couple of these audio stories that felt like someone read a Wikipedia article about something they found interesting and decided to build a Doctor Who story around it. I… have not really enjoyed them.

It took me three times to start and follow through on this one. The science was too wibbly wobbly, and I’m not invested enough in the First Doctor to care about it on those terms.

TARDIS dematerializing is responsible for famous elephant death (which I didn’t know about before listening) is not the fun Doctor Who story the author thinks it is. This felt like it was an extended excuse to riff on a historical anecdote, and it didn’t land at all for me.

I’ve now read all the TPBs for this series that came in the Image Humble Bundle, and I can’t say I’m in any rush to learn what happens next. For such a wild start to a series, this got dull fast.

This series works best when it explores its basic premise, and for that premise to work, the characters have to kind of remain pastiches of better known Batman ones (though, to the author’s credit, they are much more interesting than superficial parodies). Yet, as the series goes on, Casey seems to want to explore worldbuilding rather than riff on the original premise of the book, and I just don’t find that interesting. Also don’t love AT ALL that he is riffing off of an anti-Semitic conspiracy theory for the name of his actual world-controlling conspiracy. Feels like a major faux pas.

This was dumb. It’s the kind of comic that’s intentionally offensive, but that doesn’t stop it from being dumb and offensive.

The only thing keeping me from rating it lower is that there’s the spark of something interesting in there. Compelling art! Is Jay Leno POTUS, with Dick Cheney as his VP?! It’s Alan Moore’s Comedian turned up to 12! None of that is enough to make it good, but it’s worth some recognition, I guess.

If I didn’t like the first book in this series as much as I remembered but was generous in my rating because I appreciate what it’s doing, I liked this second book more than I remembered but am harsh in my rating because I don’t appreciate what it’s doing. This book reads less as an extended conversation with 2 Nephi than as a wide-ranging, largely apologetic treatment of Latter-day Saint theology that happens to frequently reference 2 Nephi.

There’s an interesting story in here, and I’m usually a fan of Le Carré’s “naïve characters make bad decisions and things go poorly” plots. I just cannot get over what feels like exaggerated East Asian accents in the performance, though. What could be a really interesting exploration of colonization, American intervention, etc. feels more like orientalism, especially when I’m not sure all the actors doing the accents are of East Asian heritage themselves.

Man, I really wanted to like this movie. I’m glad kiddo enjoyed it, I did appreciate some of the Jared Hess vibes, and some of the visual design was pretty good, but this was just an excuse to make a bunch of Minecraft references in a movie, and I have never been more aware of green screens in my life.

I kind of thought this was dumb. There’s an interesting idea in there, and maybe I would have liked it as something shorter in an anthology, but I didn’t enjoy it in the form it took.

I don’t know if I didn’t like the adaptation or if I wouldn’t have liked the source material, but this just felt like a slog to get through, and I didn’t really enjoy it.

Avec l’album précédent, j’avais retrouvé pas mal de mon amour pour cette série, malgré tous ses problèmes. Pourtant, celui-ci (qui sert comme suite directe) m’a encore embêté.

Le pire scène de toute l’histoire, c’est ici, quand on montre une tentative de lynchage pour Jones, une personnage qui est toujours capable sauf quand on veut qu’elle soit sauvé par XIII. Répéter des insultes racistes ne me plaît pas beaucoup comme divertissement (même si on veut condamner les racistes), et d’une perspective féministe, le fait qu’elle est en sous-vêtements pendant la tentative est insupportable.

I had some driving to do this weekend, so I tore through the audiobook of this at 2x speed. I may be a but harsh on it with my rating, but I just didn’t really love it? It’s well written and interesting but didn’t cohere enough for me.

I wonder if reading it 20 years ago when it first came out might have changed my views. Some of it might have seemed more prescient, and some of its attitudes less problematic.

This story has an interesting premise—a Nazi officer is plucked from a falling Berlin into a fantasy world where he learns a lesson about all peoples being people—but both fails to deliver and muddles its efforts.

I like didactic fiction fine (it’s the reason I love Cory Doctorow so much), but the intended lesson of this story is clear from the beginning, and it’s never really obvious whether or why the main character undergoes any personal development. What passes for development is largely motivated by his wanting to get in a particular woman’s pants, and the story wants to justify his use of other women as sexual substitutes until the object of his lust finally reciprocates… and treat him as (relatively) feminist for not forcing himself on her to begin with.

I’ve been hungering to read this book for months! I watched all three series of The Sandbaggers early in 2023 and have been trying to read and watch everything I can on the series. This includes a couple of YouTube video essays, most of Greg Rucka’s Queen & Country, and whatever else I could find.

A relative gifted me this book for Christmas, and I was very excited! I’d known about it for a while but couldn’t find it through public or academic libraries. It looked like it was from a university press, it touched on the show and its creator, and I thought I’d be in for a treat.

I don’t know what this book is supposed to be. It feels like too much worldbuilding and too little plot; I would like to see more of the Kentucky I know, but it also feels vaguely exploitative of Eastern Kentucky; it feels like an excuse for violent storytelling and wants to be something deeper without quite getting there. I wasn’t a fan.

I don’t even remember when this season ended, but it took a while to convince myself to get through it. The first season of this show was near-perfect, but it’s gotten dumber over time, and this season was particularly disappointing. It felt stuffed with fanservice and worldbuilding I didn’t care about, indecisive and self-contradictory, and like everything proceeded on the logic of plot. Makes me miss Andor.

I really want to like this book. I am sympathetic to pirate politics, and I’m impressed with its sudden surge to power in Sweden and elsewhere. I even think many of the ideas in here are compelling and will probably come back to it despite my relatively negative review. The thing, though, is that I struggled through it, so it took me so long to read it that I probably don’t even remember enough to give it a fair review—except that that is itself kind of damning. It feels overly confident in its ideas: I don’t necessarily mind it as a conceptual framework for an organization (hence my willingness to come back to it), but its conclusions feel unmerited and unsupported by anything except some back of the napkin figures and choice anecdotes. Besides, the Pirate Party is doing worse now than it was a decade ago, and that feels damning by association. I don’t think I’m done with the book, but I am disappointed by it.

This volume went back to blah. On one hand, it’s interesting for the way it gives a backstory to a relatively minor character. On the other, it falls into the same trap of wanting to give series villains gruesome backstories as some sort of Freudian excuse.

Truth be told, I preferred the minor character as just that. I don’t know that this backstory was consistent with his original portrayal, and it didn’t help me appreciate him any more.