In a Zoom meeting with the dean, with my X-Wing and Enterprise-D posters clearly visible in the background. Living my most professional life.

This is such a perfectly dumb oversight.

Heck yes, new nerdy magnets for the office.

I’ve been a Star Wars fan for long enough to recognize unnecessary expanded universe material when I hear it, but I’ve also been a Star Wars fan for long enough to know that some of it is actually pretty good.

I’ve known about this book for ages and always wanted to read it because the idea of the Kobayashi Maru is just fun. I was delighted to find an audiobook on the Internet Archive and enjoyed listening to it. James Doohan can only do so many voices (I had trouble telling his Chekov from his Scotty), but I appreciated what he brought to the role, the music and sound effects weren’t bad, and the premise paid off.

One of the first non-herbal teas I tried was a Lady Grey, and I think that biased me toward that approach to Grey-like teas. I’ve had mixed experiences with Earl Greys (sorry, Jean-Luc), and I usually find myself wishing it was a Lady Grey instead.

This Earl Grey was pretty good, though! Not enough to get full marks from me (again, I found myself wishing for more citrus), but I was pleased by how it worked out.

Trying to figure out if I recognize lines in Star Trek VI because they’re Shakespeare or because they’re lines-quoting-Shakespeare from Star Trek VI.

A clone of Deanna Troi named Deanna Quatr.

This is a very Ryan Northy comic, and I mean that as a compliment. It’s a great adaptation of the Lower Decks vibe (and Fenoglio’s art is a fantastic recreation), but it also has a lot of North’s signature moves. I love his physical comic adaptation of webcomics’ alt text jokes, his voice in those jokes, and his fun with science and public domain characters. I don’t know how much more there is in this series, but I’ll be keeping an eye out for additional volumes.

Despite what my recent Star Trek comics binge might lead you to believe, my Star Trek fandom is actually kind of spotty in its coverage. It’s not so complete that I’ve ever actually seen Star Trek V (though I hear I’m not missing much), but it’s absolutely complete enough to be familiar with its most famous line. A being claiming to be the ultimate, galaxy-wide monotheistic deity asks for transport on the Enterprise, prompting a skeptical Kirk to ask “what does God need with a starship?”

How about a sequel to “The Measure of a Man” where some future tech bro (Trek bro?) uses the events of the original episode to argue that his LLM is sentient, and so Picard, Riker, and Data team up to respond “wtf, no.”

I think I’ve finished my IDW Star Trek comics binge. I was hoping to conclude with their TNG/Doctor Who crossover that I bought for Kindle years ago, but reading comics in that app is so much worse than I remember.

I’m in a grumpy mood this morning, so I might be a little harsh here, but nothing’s really standing out. There are some interesting things here (Spock resisting the Borg! Minor Wrath of Khan cameo!), but I think there are continuity errors, and even if there aren’t, it’s just not super interesting.

Once again, anthologies are fun. I almost didn’t read this, because it felt weird to read and review a single issue of a comic, but I’m glad I did! Q meets Decker who’s wrestling with what it means (along with Ilia and V’Ger) to be an all-powerful being! There’s a funny and great story about Data’s cat! Ezri Dax consults with past symbiont hosts in a way that makes it seem more interesting than DS9 ever did! These are fun.

Anthology collections are fun, and this is no exception! Some stories are better than others, but short stories spanning Trek time and characters make for a good read.

This ended in a confusing rush that spoiled all the fun that I was having, but up until that point it was great. Not high art by many means, but exactly the sort of thing two comics companies should do as a crossover so long as they had the licenses to make it happen.

Comics are an undervalued medium capable of telling powerful stories with great beauty—and also they let you do dumb-but-fun franchise crossovers like this one here.

I have more Star Trek IDW comics to read, but I’ve completed this whole series! It ended on a good note, with a tribute to Leonard Nimoy and then some semi-fourth-wall breaking explorations of what it means for there to be two timelines in “main” Star Trek canon.

I have a lot of complaints about this volume, not least making Khan look like Benedict Cumberbatch. It also has some of the stronger stories of this series, so I’m trying to give it some benefit of the doubt.

I was excited about the prospect of a Mirror Universe good guy Khan in this comic, but it sure seems like they put a Benedict Cumberbatch drawing in brownface, and ugh.

Another day, another TPB’s worth of Star Trek comics. Not terrible, but not keeping my attention either.

It’s probably unfair to get pickier about these comics over time, because this is the kind of story I would have liked to see when I first began reading through, but now it’s boring compared to some of the more interesting arcs. Alas.

Now this is how a comic book company uses a Star Trek license: Using a universe-hopping Q to take the Kelvinverse Enterprise to a bad future Deep Space Nine setting for plenty of extradimensional being nonsense and fanservice. Keiko O’Brien is a starship captain! Q merges with one of the Prophets! It’s not high art, but it’s exactly what I want from the medium.

There is one really good story in here and one okay one, but I finally found the limits of my impatient with Star Trek and/or comics nonsense, and it was a Star Wars-like “let’s take a character who barely appears on screen and explain why they are the most important person in the world” story smack in the middle of the volume. Not going to stop reading the series, but it’s definitely slowing me down.

Lots of comic book nonsense mixed with Star Trek nonsense, but it’s still a fun read, and that’s what I care about right now.

Some interesting original stories in here, even if the pon farr one obviously riffs on TOS material (I even admit that it does an interesting job of considering the alternate continuity’s implications for that storyline). Some of the art was weird, but I’m used to that at this point.