Months ago, I submitted a paper to a CFP outside my area—and immediately wrote my co-author a list of what I thought probably still needed fixing. Reviews came back today with both reviewers recommending “ready for publication.” Academic writing is unpredictable, but I’ll take it in this case.

I have largely abstained from the “AI misses the point of writing” discourse, but Cory knocks it out of the park here.

Today was really, truly going to be a much-needed writing day, and then I didn’t even clear my inbox until 2:30. Yayyyyyy.

Love that moment in academic writing where you can find five rejected versions of a paragraph below the version I’m currently working on.

That feeling when you write an article for a lesser journal’s special issue but actually find a home in a stronger journal after the special editors reject it.

In the past 24 hours, I’ve seen two different CFPs that apply perfectly to a paper I wrote and then abandoned after a rejection and a paper I’ve wanted to write but had no good reason to. This may be what gets me back into a research groove this semester.

I love having a co-author who can provide the theoretical framing to turn my weird data from a dark corner of the internet into an interesting argument.

Let’s be honest: I’d much rather be at my department’s writing retreat today (with free lunch, to boot!) and that my kid be going to (definitely not free) summer camp. All that said, I’m deeply grateful that a professor’s schedule is flexible enough that I can respond to a sick kid pretty easily.

Another set of proofs, another set of complaints about a copyeditor making changes to my writing in ways that distort my meaning. If I get grumpy about a human doing my writing for me, why would I ever want generative AI to do it?

Another paper, another fight with copyeditors about not capitalizing danah boyd’s name.

Journal copyeditors are great when they fix things, but when they break my sentences and don’t ask questions about “[information removed for blinding]”, I wonder what the point is.

Journal copyeditor changed a bunch of first-person language in our abstract to third-person “the authors,” and I am peeved.

I have seen some unwieldly proofing software in my short career, but the one they’re having me use for my newest acceptance really takes the cake. I’d rather (re)learn InDesign and fix it there.

Every copyright transfer I sign destroys another part of my soul.

I’ve been struggling with putting together a particular document for over a week. It’s like I’ve entirely forgotten how to do academic writing—something I usually feel pretty confident about.

It’s four hours into my workday, so I guess it’s time to start doing that writing I blocked the whole day off for. 🙃

In a current side project, I’m using Markdown footnotes for the first time, and I’m really impressed. Writing fully in Markdown is seeming more and more feasible the more I tinker with it.

The best figure I’ve ever included in a scholarly publication was a screenshot of a joke I made in a tweet and was especially proud of. The screenshot happened to demonstrate a Twitter feature I was trying to explain, which seemed justification enough.

I’ve been skeptical of writing manuscripts in Markdown or LaTeX for ages, but today I found myself asking where the “code editor” was in Word, so maybe it’s time to give it a try.

Spent part of this morning reviewing proofs for a chapter-length autoethnography that is not going to add much to my CV but may be the most personally important thing I’ve ever written. Really excited to see this so close to print.

Just sent proofs for an article I’m pleased with to a bucket list journal, so it’s been a pretty good day.

Reviewer 1 has missed the key argument and main throughline of my paper, and even though the editor says I can ignore them, it’s still making me SO MAD.

Just used the phrase ‘hashtag ontology’ in a draft manuscript, and I think that will keep me happy the rest of the day.

Today’s writing music is Manu Chao, whom I was surprised to discover in the 2010s was a real musician, not someone my 1990s-era high school French textbooks had made up for sample dialogues.

Very interesting piece on the relationship between technology and writing.