I read this in scattered chunks before and during a busy week of family camp, so this might not be the measured assessment this deserves. There are things to like here, and I want to continue trying the series, but I confess to having trouble following this particular volume. I’m still learning to tell many of the characters from each other (and a LOT get introduced here), and manga conventions remain unfamiliar to me, so I’m still trying to get used to the medium.

This series just does not work for me, I think. I passed it up countless times at various libraries before coming into PDFs of it through a Humble Bundle. That was also not a done deal until I read Remender’s Black Science, which I mostly appreciated and figured that maybe I should try this one, too.

It was shortly into the second volume that I ruled it out for good, so I guess this is a partial review of that, too. I get that the series is supposed to be an allegory or whatever, but the violence and grossness just does not work for me, whatever it is supposed to mean more broadly.

See, here’s a volume that is also reallll dark but has enough anti-nihilism in it to make it shine. This is apparently the last of the volumes I own, and I don’t mind not having any more to read… this series isn’t quite as much fun the second time through.

Ice Cream Man rides a fine line between nihilism and anti-nihilism, and this volume was too far on the side of the former for me to really enjoy a reread.

Don’t remember how much I liked these stories the first time around, but the worldbuilding of Ice Cream Man is my least favorite part, and without the novelty of a first read, it was just meh.

I picked this up on a whim while visiting a Japanese bookstore with family. I’ve long felt that of the great comics traditions, manga is one I know less well than I should. I’d heard this name enough to trust buying it without knowing much about it, and I enjoyed reading it on the plane back from Los Angeles. I’ve checked out several of the subsequent volumes from local libraries, and we’ll see how this goes!

Caleb is my favorite in this series, and so this volume gets full marks for introducing his anti-nihilism.

The first several volumes in this series came in an Image Humble Bundle I’m trying to complete so that I justify the money I spent on it, so I guess it’s time for a reread!

While I still semi-regret starting the series on hoopla last time, I’m glad I read the first few volumes together that time, because these first few issues are not my thing. I don’t mind the bleakness of Ice Cream Man (well, most of the time), but gore and ick are NOT my thing, and they are present here. My favorite parts are yet to come, but what I like in this series (almost despite myself) is definitely here already.

I wish I had read this finale more slowly. I like it, but I’m not sure I follow exactly what Remender is going for at each step. This series is worth rereading in the future.

I don’t love the wild shift in premise at the end of this volume, but I do enjoy seeing Grant and Sara work through stuff in a way that feels earned, so it gets credit for that.

Same as the last volume, there are bits of this that I like (including the framing device), but the ramping up of stakes and driving forward of plot are more “meh.”

As promised, I’m starting to blur the lines between volumes—I think some of the things I’m penalizing this review for were actually in the last volume. Oops.

Anyway, I love the art and the premise of this series too much to ever rate it below a four out of five, and there are bits of this volume that I really enjoy, but I like the premise and exploration of this series more than I like its main plot arc, and its efforts to move that plot forward in this story (especially by ramping up the stakes) aren’t super interesting to me.

This series takes more turns in this volume, introducing a major villain who will continue longer than expected and further shifting the premise and main ideas of the series.

I think it works! Grant and Pia get some time to explore their identities and relationship, and playing with bonkers ideas usually works for me.

Okay, so let’s get one thing out of the way up front: After a long break from this series, I spedread the remaining five volumes in the course of a few days. My ability to distinguish the volumes is being pushed to its limits, so these reviews may not be super helpful.

I do remember liking this one, though. I’m a bit annoyed at the timeskip, but this volume signals a real shift in the series where Remender introduces some exploration of his characters alongside the bonkers sci-fi premise. That’s cool, and I appreciated getting to know Grant better here.

Still good! Interesting themes, great art, fascinating take on a familiar premise, and compelling characters. You can see more of the seams on this volume, but I plan to keep reading, reading, reading.

This series isn’t perfect—the shaman character has enough vague stereotype surrounding him to raise a concerned eyebrow—but it’s good. What’s more, I’m so happy to be returning to it after a month-long semi-accidental break that I’m giving this volume full marks.

It’s very weird, with beautiful art to back it up. It’s fast-paced in a way that could be annoying but is justified by the story in a way that works. The characters aren’t always sympathetic, but that usually works to the advantage of the story being told.

I backed this book on Kickstarter, intrigued by the idea of a graphic novel that documents and collects difficult experiences on Mormon missions.

When it arrived, I knew that actually reading it would be either healing or triggering for me, and I was happy to find that it was the former. There are a few improvements that could be made, but it met my hopes of being something that captured the Mormon mission experience as I know it (though there were a lot of COVID-19 stories, and how are these RMs so young!) but also spoke to the complex feelings that I and so many others have about those experiences.

I’m still struggling a bit more with these story arcs than I did with earlier ones, but I can’t put my finger on why, and I don’t think it’s because they’re any less good.

It is also very interesting to be reading these books at a time where I’m digitizing journals from my college years, worrying a lot about grades and relationships.

Still good, but I’m still ready to wrap up this reread and turn my attention to some other things.

This review is slightly more negative, and I don’t know if that’s because I’m ready to move on to something else to read, because I don’t like all of the subplots in this part of the story, or something else. It’s still good, though!

Post-timeskip Dumbing of Age is good; some parts feel rockier, some parts feel even better.

Part of me thinks that I shouldn’t enjoy this particularly dramatic, action-packed sequence, but Willis does an excellent job of it—and of making it fit within the broader world and story he’s built.

Still enjoying this! I really appreciate Willis’s charitable, nuanced take on non-fundamentalist religion that comes out here while Joyce is wrestling with her faith.

I really ought to scan back through each volume as I read it so that I can give it a more thorough review, but these go fast, blend together, and just make a generally good impression. I’d like to wrap up the reread so that I can turn my attention to other stuff, but sometimes you also just need a quick, easy rebinge of a high quality webcomic.

DoA is funny because its plot takes place over a few months, but the story has been told over years and years. That makes it hard to remember what happened when. I feel like this volume has some of the changes that most lead to contemporary characters and storylines, and yet that all happens earlier than I expected.